1 00:00:01,635 --> 00:00:04,636 ( theme music playing ) 2 00:00:24,057 --> 00:00:27,291 ( theme music playing ) 3 00:01:20,881 --> 00:01:23,447 NO QUESTION, BASIL, IT'S THE BEST THING YOU'VE EVER DONE. 4 00:01:23,516 --> 00:01:25,717 YOU'LL HAVE TO SEND IT TO THE GROSVENOR. 5 00:01:25,786 --> 00:01:27,952 THE ACADEMY IS TOO LARGE AND TOO VULGAR. 6 00:01:28,021 --> 00:01:29,954 WHENEVER I'VE GONE THERE, THERE HAVE EITHER BEEN 7 00:01:30,023 --> 00:01:32,223 SO MANY PEOPLE I'VE NOT BEEN ABLE TO SEE THE PICTURES, 8 00:01:32,292 --> 00:01:34,159 WHICH WAS DREADFUL. OR SO MANY PICTURES 9 00:01:34,227 --> 00:01:37,195 THAT I'VE NOT BEEN ABLE TO SEE THE PEOPLE-- WHICH WAS WORSE. 10 00:01:37,263 --> 00:01:39,130 THE GROSVENOR IS REALLY THE ONLY PLACE. 11 00:01:39,199 --> 00:01:41,532 I DON'T THINK I'LL SEND IT ANYWHERE. 12 00:01:41,601 --> 00:01:43,501 NO, I SHAN'T SEND IT ANYWHERE. 13 00:01:43,570 --> 00:01:46,370 MY DEAR FELLOW, WHY? WHAT AN ODD LOT YOU PAINTERS ARE. 14 00:01:46,439 --> 00:01:48,707 YOU'LL DO ANYTHING IN THE WORLD TO GAIN A REPUTATION. 15 00:01:48,775 --> 00:01:51,109 AS SOON AS YOU'VE GOT ONE, YOU WANT TO THROW IT AWAY. 16 00:01:51,178 --> 00:01:54,312 I KNEW YOU'D LAUGH AT ME. IT'S JUST SIMPLY THAT I CAN'T EXHIBIT IT. 17 00:01:54,380 --> 00:01:57,015 I'VE PUT TOO MUCH OF MYSELF INTO IT. 18 00:01:57,084 --> 00:01:59,751 YOU FLATTER YOURSELF, MY DEAR BASIL. 19 00:01:59,820 --> 00:02:01,753 I DON'T SEE ANY RESEMBLANCE BETWEEN YOU 20 00:02:01,822 --> 00:02:03,888 AND THIS REMARKABLE CREATURE. 21 00:02:03,957 --> 00:02:07,558 REAL BEAUTY ENDS WHERE INTELLECTUAL EXPRESSION BEGINS. 22 00:02:07,627 --> 00:02:09,227 WHICH IS YOURS, SIR. 23 00:02:09,295 --> 00:02:11,696 INTELLECT ITSELF IS A MODE OF EXAGGERATION. 24 00:02:11,765 --> 00:02:14,165 IT QUITE SPOILS THE HARMONY OF ANY FACE. 25 00:02:14,234 --> 00:02:17,468 YOU BECOME ALL NOSE OR ALL FOREHEAD 26 00:02:17,537 --> 00:02:19,704 OR SOMETHING HORRID. 27 00:02:19,773 --> 00:02:22,741 LOOK AT THE SUCCESSFUL MEN IN ANY OF THE LEARNED PROFESSIONS, 28 00:02:22,809 --> 00:02:24,442 EXCEPT IN THE CHURCH. 29 00:02:24,510 --> 00:02:26,344 BUT THEN IN THE CHURCH THEY DON'T THINK. 30 00:02:26,412 --> 00:02:28,847 A BISHOP KEEPS ON SAYING AT THE AGE OF 80 31 00:02:28,915 --> 00:02:31,449 WHAT HE WAS TOLD TO SAY AS A BOY AT THE AGE OF 18. 32 00:02:31,517 --> 00:02:34,452 SO HE'S INCLINED TO LOOK FAIRLY DELIGHTFUL. 33 00:02:34,520 --> 00:02:37,555 I'M SURE THE MYSTERIOUS, YOUNG FELLOW IN THAT PICTURE ILLUSTRATES THAT. 34 00:02:37,624 --> 00:02:40,258 NO, BASIL, YOU DON'T RESEMBLE HIM HIM IN THE LEAST. 35 00:02:40,326 --> 00:02:42,894 IN FACT, I SHOULD BE SORRY TO LOOK LIKE HIM. 36 00:02:42,963 --> 00:02:45,563 YOU KNOW IT'S BEST NOT TO BE TOO DIFFERENT. 37 00:02:45,632 --> 00:02:48,633 THE UGLY AND THE STUPID HAVE THE BEST OF IT IN THIS WORLD. 38 00:02:48,701 --> 00:02:52,270 THEY CAN SIT AT THEIR EASE AND GAPE AT THE PLAY. 39 00:02:52,338 --> 00:02:54,538 YOUR RANK AND WEALTH, HARRY, 40 00:02:54,607 --> 00:02:56,875 MY ART, WHATEVER THAT MAY BE WORTH OR NOT, 41 00:02:56,943 --> 00:02:59,210 DORIAN GRAY'S LOOKS-- WE SHALL ALL SUFFER 42 00:02:59,279 --> 00:03:02,046 FOR WHAT THE GODS HAVE LOADED US WITH. 43 00:03:02,115 --> 00:03:04,749 DORIAN GRAY-- SO THAT'S HIS NAME. 44 00:03:04,818 --> 00:03:07,085 - I DIDN'T MEAN TO TELL YOU. - BUT WHY NOT? 45 00:03:07,154 --> 00:03:09,220 PEOPLE I LIKE, I NEVER GIVE THEIR NAMES. 46 00:03:09,289 --> 00:03:12,056 IT'S LIKE GIVING THEM UP. I'VE COME TO LOVE SECRECY. 47 00:03:12,125 --> 00:03:15,794 IT SEEMS TO BE THE ONE THING THAT CAN BEGIN TO MAKE LIFE BETTER. 48 00:03:15,862 --> 00:03:18,129 I NEVER TELL PEOPLE WHERE I'VE GONE TO. 49 00:03:18,198 --> 00:03:20,799 - I SUPPOSE YOU THINK THAT'S ABSURD? - NOT AT ALL, BASIL, 50 00:03:20,867 --> 00:03:24,235 YOU SEEM TO FORGET I AM MARRIED. AND THE ONE CHARM OF MARRIAGE IS 51 00:03:24,304 --> 00:03:27,238 THAT IT MAKES A LIFE OF DECEPTION NECESSARY FOR BOTH PARTIES. 52 00:03:27,307 --> 00:03:30,775 I NEVER KNOW WHERE MY WIFE IS AND MY WIFE NEVER KNOWS WHAT I AM DOING. 53 00:03:30,844 --> 00:03:34,345 WE TELL EACH OTHER THE MOST ABSURD STORIES WITH THE MOST SERIOUS FACES. 54 00:03:34,414 --> 00:03:38,149 MY WIFE'S VERY GOOD AT IT, MUCH BETTER THAN I AM. 55 00:03:38,218 --> 00:03:40,518 IT'S MY BELIEF THAT YOU'RE REALLY A VERY GOOD HUSBAND, 56 00:03:40,586 --> 00:03:43,154 BUT THAT YOU'RE THOROUGHLY ASHAMED OF YOUR VIRTUES. 57 00:03:44,724 --> 00:03:47,125 YOUR CYNICISM, HARRY, IS SIMPLY A POSE. 58 00:03:47,194 --> 00:03:50,494 BEING NATURAL IS SIMPLY A POSE, AND THE MOST IRRITATING POSE I KNOW. 59 00:03:50,563 --> 00:03:53,531 LET'S DO GO OUTSIDE, IT'S SO STUFFY IN HERE. 60 00:03:53,599 --> 00:03:55,633 BASIL, I WANT YOU TO EXPLAIN TO ME WHY 61 00:03:55,702 --> 00:03:58,203 YOU DON'T WANT TO EXHIBIT DORIAN GRAY'S PICTURE. 62 00:03:58,271 --> 00:04:01,039 - I WANT THE REAL REASON. - I'VE TOLD YOU THE REAL REASON. 63 00:04:01,107 --> 00:04:03,241 YOU SAID IT WAS BECAUSE YOU PUT 64 00:04:03,310 --> 00:04:06,610 TOO MUCH OF YOURSELF INTO IT, WHICH IS CHILDISH. 65 00:04:06,679 --> 00:04:08,379 HARRY, 66 00:04:08,448 --> 00:04:11,582 I THINK THAT EVERY PORTRAIT THAT IS PAINTED WITH FEELING 67 00:04:11,651 --> 00:04:14,752 IS A PORTRAIT OF THE ARTIST AND NOT THE SITTER. 68 00:04:14,821 --> 00:04:18,356 HE IS MERELY THE ACCIDENT, THE OCCASION. 69 00:04:18,424 --> 00:04:20,358 I CAN BELIEVE ANYTHING PROVIDED IT'S INCREDIBLE. 70 00:04:20,426 --> 00:04:23,461 SIMPLY, TWO MONTHS AGO I WENT TO A CRUSH AT LADY BRANDON'S. 71 00:04:23,529 --> 00:04:27,165 YOU KNOW HOW WE ARTISTS HAVE TO SHOW OURSELVES IN SOCIETY 72 00:04:27,234 --> 00:04:30,134 EVERY NOW AND THEN, JUST TO REMIND THE PUBLIC THAT WE EXIST AT ALL. 73 00:04:30,203 --> 00:04:32,436 I'D BEEN THERE ABOUT 10 MINUTES 74 00:04:32,505 --> 00:04:36,207 WHEN I BECAME CONSCIOUS OF SOMEBODY LOOKING AT ME. 75 00:04:36,276 --> 00:04:39,310 I TURNED AROUND AND I SAW-- 76 00:04:39,379 --> 00:04:41,913 DORIAN GRAY, FOR THE FIRST TIME. 77 00:04:41,982 --> 00:04:44,482 OUR EYES MET. 78 00:04:44,550 --> 00:04:47,118 AND I CAN ONLY TELL YOU THAT A CURIOUS SENSATION 79 00:04:47,187 --> 00:04:50,154 OF TERROR CAME OVER ME. SOMETHING SEEMED TO TELL ME 80 00:04:50,223 --> 00:04:52,957 THAT I WAS ON THE VERGE OF SOME CRISIS IN MY LIFE. 81 00:04:53,026 --> 00:04:54,792 I TURNED AWAY TO GET OUT OF THE ROOM. 82 00:04:54,861 --> 00:04:57,262 IT WASN'T CONSCIENCE BUT COWARDICE OF SOME KIND. 83 00:04:57,330 --> 00:04:59,864 CONSCIENCE AND COWARDICE ARE REALLY THE SAME THING. 84 00:04:59,933 --> 00:05:02,633 CONSCIENCE IS SIMPLY THE TRADE NAME OF THE FIRM. 85 00:05:02,702 --> 00:05:06,304 I DON'T BELIEVE THAT. AND I DON'T BELIEVE THAT YOU DO EITHER. 86 00:05:06,373 --> 00:05:10,441 WHATEVER IT WAS, I TRIED TO GET OUT OF THE ROOM. 87 00:05:10,510 --> 00:05:13,444 AND SUDDENLY, I CAME FACE TO FACE WITH THIS YOUNG MAN 88 00:05:13,513 --> 00:05:15,280 AND HIS PERSONALITY. 89 00:05:15,348 --> 00:05:17,748 WE WERE QUITE CLOSE BY THIS TIME 90 00:05:17,817 --> 00:05:19,918 AND I ASKED LADY BRANDON TO INTRODUCE ME. 91 00:05:19,986 --> 00:05:22,186 AND HOW DID SHE EXPLAIN THIS EXTRAORDINARY FELLOW? 92 00:05:22,255 --> 00:05:24,222 SHE GENERALLY TREATS HER GUESTS 93 00:05:24,291 --> 00:05:26,590 EXACTLY LIKE AN AUCTIONEER TREATS HIS GOODS. 94 00:05:26,659 --> 00:05:28,726 EITHER EXPLAINS THEM COMPLETELY AWAY OR TELLS ONE 95 00:05:28,795 --> 00:05:31,429 EVERYTHING ABOUT THEM EXCEPT WHAT ONE WANTS TO KNOW. 96 00:05:31,497 --> 00:05:33,497 YOU'RE RATHER HARD ON HER. 97 00:05:33,566 --> 00:05:36,500 SHE TRIED TO FOUND A SALON, ONLY SUCCEEDED IN OPENING A RESTAURANT. 98 00:05:36,569 --> 00:05:38,536 HOW COULD ONE ADMIRE HER? 99 00:05:38,604 --> 00:05:40,972 BUT TELL ME, WHAT DID SHE EVENTUALLY SAY? 100 00:05:41,041 --> 00:05:43,041 OH, SOMETHING LIKE-- 101 00:05:43,109 --> 00:05:45,076 "I DON'T KNOW WHAT HE ACTUALLY DOES... 102 00:05:45,145 --> 00:05:46,610 I DON'T THINK HE DOES ANYTHING. 103 00:05:46,679 --> 00:05:50,748 OH YES, HE PLAYS THE PIANO, OR IS IT THE VIOLIN, MR. GRAY?" 104 00:05:50,817 --> 00:05:54,485 WE BOTH STARTED LAUGHING. WE SEEMED TO BE FRIENDS RIGHT AWAY. 105 00:05:54,554 --> 00:05:57,088 LAUGHTER ISN'T A BAD BEGINNING FOR A FRIENDSHIP. 106 00:05:57,157 --> 00:05:59,123 IT'S BY FAR THE BEST ENDING FOR ONE. 107 00:05:59,192 --> 00:06:02,427 YOU DON'T KNOW WHAT FRIENDSHIP IS. OR WHAT ENMITY IS FOR THAT MATTER. 108 00:06:02,495 --> 00:06:04,528 YOU LIKE EVERYONE. THAT IS TO SAY... 109 00:06:04,597 --> 00:06:06,664 YOU'RE INDIFFERENT TO EVERYONE. 110 00:06:06,732 --> 00:06:08,899 I CHOSE MY FRIENDS FOR THEIR GOOD LOOKS, 111 00:06:08,969 --> 00:06:11,269 MY ACQUAINTANCES FOR THEIR GOOD CHARACTERS, 112 00:06:11,338 --> 00:06:14,005 AND MY ENEMIES FOR THEIR GOOD INTELLECTS. 113 00:06:14,074 --> 00:06:17,008 A MAN CAN'T BE TOO CAREFUL IN HIS CHOICE OF ENEMIES. 114 00:06:17,077 --> 00:06:20,178 I HAVEN'T ONE THAT'S A FOOL. THEY'RE ALL MEN OF SOME INTELLECTUAL POWER, 115 00:06:20,246 --> 00:06:22,580 CONSEQUENTLY, THEY ALL APPRECIATE ME. 116 00:06:22,648 --> 00:06:24,815 BUT TELL ME MORE ABOUT DORIAN GRAY. 117 00:06:28,288 --> 00:06:30,955 HE'S ABSOLUTELY NECESSARY TO MY WORK. 118 00:06:31,024 --> 00:06:33,591 AT THE MOMENT, ALMOST DAILY. 119 00:06:33,659 --> 00:06:35,793 HE'S MUCH MORE THAN A MODEL OR A SITTER. 120 00:06:35,862 --> 00:06:37,595 I TELL YOU, HARRY, 121 00:06:37,663 --> 00:06:40,598 THE WORK I'VE DONE WITH HIM IS THE BEST WORK OF MY LIFE. 122 00:06:40,666 --> 00:06:42,566 THIS IS EXTRAORDINARY. I MUST SEE HIM. 123 00:06:42,635 --> 00:06:44,568 HE'S SIMPLY AN INSPIRATION TO ME. 124 00:06:44,637 --> 00:06:46,737 YOU MAY SEE NOTHING IN HIM, 125 00:06:46,806 --> 00:06:49,573 I THINK THAT I SHALL SEE EVERYTHING, THAT'S ALL. 126 00:06:49,642 --> 00:06:51,609 THEN WHY WON'T YOU EXHIBIT THE PORTRAIT? 127 00:06:51,677 --> 00:06:54,545 BECAUSE THERE COULD SEEM TO CERTAIN SHALLOW, PRYING EYES 128 00:06:54,614 --> 00:06:56,847 A CERTAIN ARTISTIC IDOLATRY. 129 00:06:56,916 --> 00:06:59,217 WE LIVE IN A TIME, HARRY, WHEN PEOPLE THINK OF ART 130 00:06:59,285 --> 00:07:01,152 AS A FORM OF AUTOBIOGRAPHY. 131 00:07:01,221 --> 00:07:03,854 I DON'T WANT THAT FOR HIM OR FOR MYSELF. 132 00:07:03,923 --> 00:07:07,691 - IS HE FOND OF YOU? - HE LIKES ME, I THINK. 133 00:07:07,760 --> 00:07:10,895 THOUGH NOW AND THEN, HE DOES SEEM TO TAKE A REAL DELIGHT 134 00:07:10,963 --> 00:07:13,964 IN GIVING ME PAIN. I FLATTER HIM. 135 00:07:14,034 --> 00:07:15,966 PERHAPS YOU WILL TIRE QUICKER THAN HE WILL. 136 00:07:16,036 --> 00:07:18,202 GENIUS LASTS LONGER THAN BEAUTY. 137 00:07:18,271 --> 00:07:20,538 NO, I WON'T TIRE, HARRY. 138 00:07:20,606 --> 00:07:23,107 YOU CAN'T FEEL WHAT I FEEL, YOU CHANGE TOO OFTEN. 139 00:07:23,176 --> 00:07:26,177 THOSE WHO ARE ALWAYS FAITHFUL KNOW ONLY THE TRIVIAL SIDE OF LOVE. 140 00:07:26,246 --> 00:07:28,312 IT'S THE FAITHLESS WHO KNOW ITS TRAGEDIES. 141 00:07:28,381 --> 00:07:29,947 AH, I'VE JUST REMEMBERED. 142 00:07:30,016 --> 00:07:32,016 - WHAT? - THE NAME. 143 00:07:32,085 --> 00:07:34,085 MY AUNT LADY AGATHA, TOLD ME SHE DISCOVERED 144 00:07:34,154 --> 00:07:36,154 SOME WONDERFUL,YOUNG CREATURE WHO WAS 145 00:07:36,222 --> 00:07:38,089 GOING TO HELP HER IN THE EAST END. 146 00:07:38,158 --> 00:07:40,724 SHE NEVER SAID ANYTHING ABOUT HIS BEING GOOD-LOOKING. 147 00:07:40,793 --> 00:07:43,594 - I DON'T WANT YOU TO MEET HIM. - WHAT NONSENSE YOU DO TALK. 148 00:07:45,698 --> 00:07:48,499 DORIAN? 149 00:07:48,568 --> 00:07:51,635 I BEG YOUR PARDON, BASIL. I DIDN'T KNOW YOU HAD ANYONE WITH YOU. 150 00:07:51,704 --> 00:07:54,138 THIS IS LORD HENRY WOTTON. 151 00:07:54,207 --> 00:07:57,475 I'VE JUST BEEN HEARING WHAT A FINE SITTER YOU ARE. 152 00:07:57,544 --> 00:08:00,578 YOU'RE ALSO ONE OF MY AUNT'S FAVORITE VICTIMS, I'M AFRAID. 153 00:08:00,646 --> 00:08:02,780 I AM IN LADY AGATHA'S BLACK BOOKS AT PRESENT. 154 00:08:02,848 --> 00:08:04,782 I PROMISED TO GO TO A CLUB WITH HER 155 00:08:04,850 --> 00:08:07,918 IN WHITECHAPEL LAST TUESDAY. YOU KNOW, I FORGOT ALL ABOUT IT. 156 00:08:07,987 --> 00:08:09,954 YOU LOOK GENUINELY CONTRITE ABOUT IT. 157 00:08:10,022 --> 00:08:12,790 I WILL MAKE YOUR PEACE WITH MY AUNT. SHE'S QUITE DEVOTED TO YOU. 158 00:08:12,858 --> 00:08:15,859 I DON'T THINK IT REALLY MATTERS ABOUT YOU'RE NOT BEING THERE. 159 00:08:15,928 --> 00:08:18,896 YOU'RE TOO SERIOUS TO GO IN FOR PHILANTHROPY, MR. GRAY-- 160 00:08:18,965 --> 00:08:21,065 AND PROFOUND. 161 00:08:21,134 --> 00:08:24,569 COME INSIDE, DORIAN. AND, HARRY, DO GO OFF TO ONE OF YOUR DOS OR SOMETHING. 162 00:08:24,637 --> 00:08:27,838 - IT SEEMS I'M UNWANTED. - DON'T GO. 163 00:08:27,907 --> 00:08:30,475 BASIL IS ONLY IN ONE OF HIS STARTLING ORDER SULKS, 164 00:08:30,543 --> 00:08:32,810 AND BESIDES I'D LIKE TO KNOW WHY 165 00:08:32,878 --> 00:08:34,945 YOU THINK I SHOULDN'T GO IN FOR PHILANTHROPY. 166 00:08:35,014 --> 00:08:37,482 YOU DON'T REALLY MIND, BASIL, DO YOU? 167 00:08:37,550 --> 00:08:40,884 YOU'VE OFTEN TOLD ME YOU LIKE YOUR SITTERS TO HAVE SOMEONE TO CHAT TO. 168 00:08:40,953 --> 00:08:42,487 THERE ISN'T MUCH LEFT TO DO 169 00:08:42,555 --> 00:08:46,124 AND DORIAN'S WHIMS ARE LAWS TO EVERYONE EXCEPT HIMSELF. 170 00:08:46,192 --> 00:08:49,627 SO JUST SIT, HARRY. 171 00:08:49,695 --> 00:08:51,362 AND DORIAN-- 172 00:08:54,100 --> 00:08:56,501 ON WITH THE COAT. 173 00:08:56,569 --> 00:08:58,503 ONTO THE PLATFORM. 174 00:08:58,571 --> 00:09:01,038 TRY NOT TO MOVE ABOUT TOO MUCH TODAY. 175 00:09:01,107 --> 00:09:04,808 AND DON'T TAKE ANY NOTICE OF WHAT HE SAYS. 176 00:09:04,877 --> 00:09:08,479 HE'S A VERY BAD INFLUENCE ON ALL OF HIS FRIENDS, EXCEPT ME. 177 00:09:08,548 --> 00:09:10,714 IS YOUR INFLUENCE REALLY AS BAD AS THAT? 178 00:09:10,783 --> 00:09:13,050 THERE'S NO SUCH THING AS A GOOD INFLUENCE. 179 00:09:13,119 --> 00:09:15,186 ALL INFLUENCE IS IMMORAL. 180 00:09:15,255 --> 00:09:18,689 - WHY? - 'CAUSE TO INFLUENCE SOMEONE IS TO GIVE HIM ONE'S SOUL. 181 00:09:18,758 --> 00:09:20,824 IF HE NO LONGER THINKS HIS NATURAL THOUGHTS 182 00:09:20,893 --> 00:09:23,127 OR BURNS WITH HIS NATURAL PASSIONS, 183 00:09:23,196 --> 00:09:25,630 HE'S BECOME THE ECHO OF SOMEONE ELSE'S MUSIC. 184 00:09:25,698 --> 00:09:28,232 THE ACTOR OF A PART THAT HAS NOT BEEN WRITTEN FOR HIM. 185 00:09:28,301 --> 00:09:31,669 TO REALIZE'S ONE NATURE AS PERFECTLY AS ONE CAN, 186 00:09:31,737 --> 00:09:33,504 THAT WHAT WE ARE FOR. 187 00:09:33,573 --> 00:09:36,940 PEOPLE HAVE FORGOTTEN THE HIGHEST OF ALL DUTIES 188 00:09:37,009 --> 00:09:39,210 IS THE DUTY ONE OWES TO ONESELF. 189 00:09:39,279 --> 00:09:41,379 Basil: DORIAN, YOUR HEAD, A LITTLE ON ONE SIDE. 190 00:09:42,682 --> 00:09:44,815 I STILL BELIEVE THAT IF A MAN COULD 191 00:09:44,884 --> 00:09:47,051 LIVE OUT HIS LIFE, FULLY AND COMPLETELY-- 192 00:09:47,119 --> 00:09:49,053 YES? 193 00:09:49,121 --> 00:09:51,289 GIVE FORM TO EVERY THOUGHT, 194 00:09:51,357 --> 00:09:53,691 EXPRESSION TO EVERY IDEA AND SO ON, 195 00:09:53,759 --> 00:09:57,228 WELL, THE WORLD MIGHT FORGET ITS PAST MALADIES. 196 00:09:57,297 --> 00:09:59,997 WE ARE PUNISHED FOR OUR REFUSALS. 197 00:10:00,066 --> 00:10:03,000 THE BODY SINS ONCE AND IS DONE WITH IT. 198 00:10:03,069 --> 00:10:06,036 IT'S IN THE BRAIN, AND THE BRAIN ALONE, 199 00:10:06,105 --> 00:10:08,906 THAT THE GREAT SINS OF THE WORLD TAKE PLACE. 200 00:10:08,974 --> 00:10:11,942 YOU MUST KNOW THAT, MR. GRAY? 201 00:10:12,011 --> 00:10:14,312 HAVE HAD PASSIONS THAT MADE YOU AFRAID, 202 00:10:14,380 --> 00:10:16,647 THOUGHTS THAT FILLED YOU WITH TERROR, 203 00:10:16,716 --> 00:10:19,650 DAYDREAMS AND SLEEPING DREAMS-- 204 00:10:19,719 --> 00:10:23,087 PLEASE STOP! THERE'S SOME ANSWER TO ALL YOU'RE SAYING, I KNOW. 205 00:10:23,155 --> 00:10:25,089 BUT I CAN'T FIND IT FOR THE MOMENT. 206 00:10:25,157 --> 00:10:27,024 I'D LIKE TO THINK. 207 00:10:27,093 --> 00:10:29,493 OR NOT TO. 208 00:10:38,971 --> 00:10:42,072 Dorian: BASIL, I'M GETTING WEARY STANDING UP HERE. 209 00:10:42,141 --> 00:10:44,242 JUST A LITTLE LONGER. 210 00:10:46,045 --> 00:10:47,945 IT'S SO STIFLING IN HERE. 211 00:10:48,013 --> 00:10:50,147 I'M SORRY-- 212 00:10:50,216 --> 00:10:52,416 I TEND TO FORGET ABOUT THESE THINGS WHEN I AM WORKING. 213 00:10:52,485 --> 00:10:55,586 THAT WAS BETTER THAN EVER-- STILLNESS. 214 00:10:55,655 --> 00:10:58,522 I DON'T KNOW WHAT HARRY'S BEEN SAYING TO YOU BUT YOU CERTAINLY-- 215 00:10:58,591 --> 00:11:01,024 -- WEREN'T BEING PAID COMPLIMENTS, IF THAT'S WHAT YOU MEAN. 216 00:11:01,093 --> 00:11:03,461 WHATEVER IT WAS, DON'T BELIEVE A WORD HE SAYS. 217 00:11:03,529 --> 00:11:06,964 HE'S RIGHT. YOU ARE INDEED A WONDERFUL CREATION. 218 00:11:07,032 --> 00:11:09,233 YOU KNOW MORE THAN YOU THINK YOU KNOW, 219 00:11:09,302 --> 00:11:12,002 JUST AS YOU KNOW LESS THAT YOU WANT TO KNOW. 220 00:11:12,071 --> 00:11:15,139 YOU HAVE THE MOST MARVELOUS YOUTH. 221 00:11:15,207 --> 00:11:17,341 THAT IS THE ONE THING WORTH HAVING. 222 00:11:17,410 --> 00:11:19,410 I DON'T FEEL THAT WAY, LORD HENRY. 223 00:11:19,479 --> 00:11:21,011 DON'T FROWN SO, MR. GRAY. 224 00:11:21,080 --> 00:11:23,314 BEAUTY IS A FORM OF GENIUS-- HIGHER IN FACT. 225 00:11:23,383 --> 00:11:26,717 IT REQUIRES NO EXPLAINING. IT'S ONE OF THE GREAT FACTS OF THE WORLD. 226 00:11:26,786 --> 00:11:29,520 LIKE SUNLIGHT ON WATER OR THE DARKNESS OF SEASONS. 227 00:11:29,589 --> 00:11:31,989 IT MAKE PRINCES OF THOSE WHO HAVE IT. 228 00:11:32,057 --> 00:11:33,991 YOU SMILE-- 229 00:11:34,059 --> 00:11:36,560 AH, WHEN YOU'VE LOST IT, 230 00:11:36,629 --> 00:11:38,596 IT WILL BE NO TIME TO SMILE. 231 00:11:38,665 --> 00:11:42,032 THE MYSTERY OF THE WORLD IS IN THE VISIBLE, NOT THE INVISIBLE. 232 00:11:44,404 --> 00:11:47,871 MR. GRAY, THE GODS HAVE BEEN GOOD TO YOU FOR THE PRESENT. 233 00:11:47,940 --> 00:11:51,942 DON'T SQUANDER THE GOLD OF YOUR DAYS. 234 00:11:52,011 --> 00:11:53,911 THE MOMENT I SAW YOU, 235 00:11:53,979 --> 00:11:56,714 I KNEW THAT YOU WERE UNCONSCIOUS OF WHAT YOU MIGHT BE. 236 00:11:56,783 --> 00:11:59,417 I FELT I MUST TELL YOU. 237 00:11:59,485 --> 00:12:02,920 BEAUTY FADES. LIMBS FAIL. 238 00:12:02,988 --> 00:12:04,555 SENSES ROT. 239 00:12:04,624 --> 00:12:07,358 YOUTH... 240 00:12:07,427 --> 00:12:10,294 THERE'S ABSOLUTELY NOTHING ELSE IN THE WORLD. 241 00:12:12,031 --> 00:12:14,164 Basil: DORIAN, I AM WAITING. 242 00:12:16,936 --> 00:12:19,737 YOU ARE GLAD THAT YOU HAVE MEET ME, MR. GRAY? 243 00:12:19,806 --> 00:12:23,140 GLAD NOW. I WONDER IF I SHALL ALWAYS BE. 244 00:12:26,713 --> 00:12:29,980 ALWAYS-- WHAT A DREADFUL WORD IT IS. 245 00:12:30,049 --> 00:12:32,683 WOMEN ARE SO FOND OF USING IT. 246 00:12:32,752 --> 00:12:35,919 THEY SPOIL EVERY ROMANCE BY TRYING TO MAKE IT LAST FOREVER. 247 00:12:35,988 --> 00:12:38,155 IT'S ALSO A MEANINGLESS WORD. 248 00:12:38,224 --> 00:12:39,957 THE ONLY DIFFERENCE BETWEEN A CAPRICE 249 00:12:40,025 --> 00:12:42,360 AND A LIFELONG PASSION, 250 00:12:42,428 --> 00:12:46,163 IS THAT THE CAPRICE LASTS SLIGHTLY LONGER. 251 00:12:46,232 --> 00:12:49,299 IN THAT CASE, PERHAPS OUR FRIENDSHIP SHOULD BE A CAPRICE. 252 00:12:59,779 --> 00:13:01,579 IT'S DONE. 253 00:13:03,649 --> 00:13:06,650 NO MORE, AS I THOUGHT. IT'S QUITE DONE. JUST NOW. 254 00:13:06,719 --> 00:13:08,986 MY DEAR FELLOW, YOU MUST BE OVER THE MOON. 255 00:13:09,054 --> 00:13:12,189 IT'S THE MOST BRILLIANT MODERN PORTRAIT I'VE EVER SEEN. IT REALLY IS. 256 00:13:12,258 --> 00:13:14,992 MR. GRAY, COME OVER AND LOOK AT YOURSELF. 257 00:13:15,060 --> 00:13:17,361 IS IT REALLY FINISHED? 258 00:13:17,430 --> 00:13:19,196 Basil: YES, QUITE FINISHED. 259 00:13:21,000 --> 00:13:23,100 I DIDN'T THINK WE'D DO ANYTHING TODAY. 260 00:13:23,168 --> 00:13:25,636 OH, DORIAN I CAN'T TELL YOU HOW GRATEFUL I AM. 261 00:13:25,705 --> 00:13:27,671 IT'S AS IF IT'S DONE ITSELF. 262 00:13:27,740 --> 00:13:29,573 THAT'S ENTIRELY DUE TO ME, ISN'T IT? 263 00:13:31,477 --> 00:13:33,611 DORIAN, WHAT IS IT? 264 00:13:33,679 --> 00:13:35,746 DON'T YOU LIKE IT? 265 00:13:35,815 --> 00:13:38,482 OF COURSE HE LIKES IT, WHO WOULDN'T? 266 00:13:38,551 --> 00:13:41,218 I'LL GIVE ANYTHING YOU LIKE TO ASK FOR IT. I MUST HAVE IT. 267 00:13:41,287 --> 00:13:43,153 IT'S NOT MY PROPERTY, HARRY. 268 00:13:43,222 --> 00:13:45,723 - Harry: WHOSE PROPERTY IS IT? - Basil: DORIAN'S, OF COURSE. 269 00:13:47,226 --> 00:13:49,092 HE'S A VERY LUCKY FELLOW. 270 00:13:50,897 --> 00:13:52,797 THIS PICTURE WILL ALWAYS REMAIN YOUNG. 271 00:13:52,865 --> 00:13:56,567 IT WILL NEVER BE OLDER THAN THIS DAY IN JUNE. 272 00:13:56,636 --> 00:14:00,037 IF ONLY IT COULD GROW OLD INSTEAD OF ME. 273 00:14:00,105 --> 00:14:03,240 I WOULD GIVE MY SOUL FOR THAT. 274 00:14:03,309 --> 00:14:05,609 YOU'D HARDLY CARE FOR SUCH AN ARRANGEMENT, WOULD YOU, BASIL? 275 00:14:05,678 --> 00:14:07,311 RATHER HARD LINES ON YOUR WORK. 276 00:14:07,379 --> 00:14:09,413 Basil: I SHOULD OBJECT VERY STRONGLY. 277 00:14:09,482 --> 00:14:11,982 I'M SURE. YOU LIKE YOUR ART BETTER THAN YOUR FRIENDS. 278 00:14:12,051 --> 00:14:14,652 I'M NO MORE TO YOU THAN ONE OF YOUR GREEN BRONZE FIGURES. 279 00:14:14,720 --> 00:14:16,987 - NOT AS MUCH. - DON'T SAY THINGS LIKE THAT. 280 00:14:17,056 --> 00:14:19,256 YOUR PICTURE HAS TAUGHT ME. LORD HENRY IS RIGHT. 281 00:14:19,325 --> 00:14:22,593 WHEN I DO FIND I AM GROWING OLD, I SHALL SIMPLY KILL MYSELF. 282 00:14:22,662 --> 00:14:24,829 ( sobbing ) 283 00:14:24,897 --> 00:14:26,931 LISTEN TO ME. I'VE NEVER HAD SUCH A FRIEND AS YOU. 284 00:14:26,999 --> 00:14:29,800 YOU TELL ME THAT YOU COULD BE JEALOUS OF MATERIAL THINGS. 285 00:14:29,869 --> 00:14:32,837 - YOU'RE FINER THAN... - I'M JEALOUS OF THAT PORTRAIT! 286 00:14:32,905 --> 00:14:34,605 WHY SHOULD IT KEEP WHAT I LOSE? 287 00:14:34,674 --> 00:14:36,807 EVERY MOMENT IT TAKES SOMETHING FROM ME. 288 00:14:36,876 --> 00:14:40,377 WHY DID YOU PAINT IT? SO THAT ONE DAY I SHALL BE MOCKED BY IT? 289 00:14:40,446 --> 00:14:43,013 HARRY, THIS YOUR DOING. 290 00:14:43,082 --> 00:14:45,282 IT IS THE REAL DORIAN GRAY, THAT'S ALL. 291 00:14:45,351 --> 00:14:47,184 - Basil: IT IS NOT! - THEN IF IT IS NOT, 292 00:14:47,252 --> 00:14:48,919 WHAT HAS IT TO DO WITH ME? 293 00:14:53,125 --> 00:14:56,126 I CAN'T QUARREL WITH MY TWO BEST FRIENDS AT ONCE. 294 00:14:59,431 --> 00:15:01,832 DON'T YOU KNOW, BETWEEN YOU, YOU'VE MADE ME HATE 295 00:15:01,901 --> 00:15:04,602 THE FINEST PIECE OF WORK I'VE EVER DONE? 296 00:15:06,071 --> 00:15:08,205 WELL, IT'S ONLY COLOR AND CANVAS. 297 00:15:08,273 --> 00:15:10,474 I WON'T LET IT CUT ACROSS OUR LIVES. 298 00:15:10,543 --> 00:15:12,442 I'LL DESTROY IT. 299 00:15:12,512 --> 00:15:14,745 DON'T, BASIL! DON'T! 300 00:15:16,448 --> 00:15:18,415 IT WOULD BE MURDER. 301 00:15:18,484 --> 00:15:21,685 YOU APPRECIATE MY WORK? I WAS BEGINNING TO DOUBT IT. 302 00:15:21,754 --> 00:15:24,454 APPRECIATE IT? IT'S PART OF MYSELF. I FEEL IT. 303 00:15:24,524 --> 00:15:27,691 WHEN YOU'RE DRY YOU SHALL BE VARNISHED, FRAMED AND SENT HOME. 304 00:15:27,760 --> 00:15:30,027 I WISH YOU TWO WOULDN'T SQUABBLE OVER THAT PICTURE. 305 00:15:30,095 --> 00:15:32,462 YOU MUCH BETTER LET ME HAVE IT, BASIL. 306 00:15:32,532 --> 00:15:35,198 THAT SILLY BOY DOESN'T REALLY WANT IT AND I REALLY DO. 307 00:15:35,267 --> 00:15:37,535 LET ANYONE BUT ME HAVE IT, I'LL NEVER FORGIVE YOU. 308 00:15:37,603 --> 00:15:40,370 IT'S YOURS, YOU KNOW THAT. I GAVE IT TO YOU BEFORE IT EXISTED. 309 00:15:40,439 --> 00:15:43,574 Harry: WHY DON'T WE GO TO THE THEATER TONIGHT? 310 00:15:43,643 --> 00:15:45,776 THERE'S SURE TO BE SOMETHING ON SOMEWHERE. 311 00:15:45,845 --> 00:15:47,912 YOU TOO, BASIL, WON'T YOU? 312 00:15:47,980 --> 00:15:49,713 I CAN'T I'VE GOT TOO MUCH WORK TO DO. 313 00:15:49,782 --> 00:15:51,582 BESIDES, I HATE DRESSING UP. 314 00:15:51,651 --> 00:15:54,718 THEN YOU AND I SHALL GO ALONE, MR. GRAY. 315 00:15:54,787 --> 00:15:57,588 I SHALL STAY WITH THE REAL DORIAN. 316 00:15:57,657 --> 00:16:00,257 IS IT THE REAL DORIAN? 317 00:16:00,325 --> 00:16:02,927 AM I REALLY LIKE THAT? 318 00:16:02,995 --> 00:16:06,430 YES, JUST LIKE THAT. 319 00:16:08,668 --> 00:16:10,434 DON'T GO TO THE THEATER TONIGHT. 320 00:16:10,502 --> 00:16:12,836 - STAY AND DINE WITH ME. - I CAN'T. 321 00:16:12,905 --> 00:16:15,839 - WHY? - I PROMISED TO GO TO THE THEATER WITH LORD HENRY. 322 00:16:15,908 --> 00:16:19,509 HE WON'T LIKE YOU ANY BETTER FOR KEEPING PROMISES. 323 00:16:21,113 --> 00:16:23,614 DON'T GO! 324 00:16:23,683 --> 00:16:26,750 - PLEASE. - I'M GOING, BASIL. 325 00:16:31,791 --> 00:16:34,592 VERY WELL, THEN GOODBYE, HARRY. 326 00:16:34,660 --> 00:16:36,961 GOODBYE, DORIAN. 327 00:16:37,029 --> 00:16:39,997 COME AND SEE ME SOON. COME TOMORROW. 328 00:16:40,066 --> 00:16:41,665 - CERTAINLY. - YOU WON'T FORGET? 329 00:16:41,734 --> 00:16:44,635 - OF COURSE NOT. - I'LL REMIND HIM. 330 00:16:44,704 --> 00:16:46,804 MY HANSOM'S OUTSIDE, MR. GRAY. 331 00:16:46,872 --> 00:16:48,973 I CAN DROP YOU OFF AT YOUR PLACE. 332 00:16:49,041 --> 00:16:53,243 GOODBYE, BASIL. IT'S BEEN SUCH AN INTERESTING AFTERNOON. 333 00:17:29,515 --> 00:17:31,615 UNCLE GEORGE, I WANT TO GET SOMETHING OUT OF YOU. 334 00:17:31,684 --> 00:17:35,019 - MONEY, I SUPPOSE? - IT ISN'T MONEY I WANT. 335 00:17:35,087 --> 00:17:38,756 ONLY PEOPLE WHO PAY THEIR BILLS WANT THAT, AND I NEVER PAY MINE. 336 00:17:38,824 --> 00:17:41,324 I ALWAYS DEAL WITH BROTHER DARTMOOR'S TRADESMEN, 337 00:17:41,393 --> 00:17:43,426 CONSEQUENTLY, THEY NEVER BOTHER ME AT ALL. 338 00:17:43,495 --> 00:17:46,964 WHAT I WANT IS INFORMATION, USELESS INFORMATION, NATURALLY. 339 00:17:47,033 --> 00:17:50,668 I CAN TELL YOU ANYTHING THAT'S IN AN ENGLISH BLUE BOOK. 340 00:17:50,736 --> 00:17:54,571 BUT THESE FELLOWS WRITE US A LOT OF NONSENSE, NOWADAYS. 341 00:17:54,640 --> 00:17:57,908 WHEN I WAS IN THE DIPLOMATIC, THINGS WERE MUCH BETTER. 342 00:17:57,977 --> 00:18:01,945 NOW I HEAR, THEY LET THEM IN BY EXAMINATION. 343 00:18:02,014 --> 00:18:03,547 WHAT DO YOU EXPECT? 344 00:18:03,615 --> 00:18:05,582 EXAMINATIONS, SIR, 345 00:18:05,651 --> 00:18:08,251 ARE PURE HUMBUG FROM BEGINNING TO END. 346 00:18:08,320 --> 00:18:10,954 IF A MAN'S A GENTLEMAN HE KNOW QUITE ENOUGH, 347 00:18:11,023 --> 00:18:14,024 AND IF HE ISN'T A GENTLEMAN, WHATEVER HE KNOWS IS BAD FOR HIM. 348 00:18:14,093 --> 00:18:16,927 MR. DORIAN GRAY DOES NOT BELONG TO BLUE BOOKS, UNCLE GEORGE. 349 00:18:16,996 --> 00:18:19,629 HE'S OLD LORD KELSO'S GRANDSON. 350 00:18:19,699 --> 00:18:22,499 AND HIS MOTHER WAS A DEVEREUX. LADY MARGARET DEVEREUX. 351 00:18:22,568 --> 00:18:24,501 I WANT YOU TO TELL ME ABOUT HER. 352 00:18:24,570 --> 00:18:28,205 WHO DID SHE MARRY? YOU'VE KNOWN NEARLY EVERYONE IN YOUR TIME. 353 00:18:28,273 --> 00:18:30,708 OF COURSE, I KNEW HER. EXTRAORDINARILY BEAUTIFUL GIRL. 354 00:18:30,776 --> 00:18:33,844 MADE ALL THE MEN FRANTIC-- RUNNING AWAY WITH SOME PENNILESS NOBODY. 355 00:18:33,913 --> 00:18:36,680 A SUBALTERN IN A FOOT REGIMENT-- SOMETHING OF THE KIND. 356 00:18:36,749 --> 00:18:39,950 POOR CHAP WAS KILLED IN A DUEL AT SPA JUST AFTERWARDS. 357 00:18:40,019 --> 00:18:43,253 UGLY BUSINESS. THEY DID SAY KELSO GOT SOME BELGIUM BRUTE 358 00:18:43,322 --> 00:18:45,689 TO INSULT HIS SON-IN-LAW IN PUBLIC, 359 00:18:45,758 --> 00:18:48,458 AND THEN PAID HIM TO SPIT HIM LIKE A PIGEON. 360 00:18:48,527 --> 00:18:51,461 I WAS THINKING IT WAS HUSHED UP, BUT KELSO ATE 361 00:18:51,530 --> 00:18:54,865 HIS CHOP ALONE IN THE CLUB FOR A LONG TIME AFTERWARDS. 362 00:18:54,934 --> 00:18:56,900 IT WAS A BAD BUSINESS. 363 00:18:56,969 --> 00:19:00,104 KELSO BROUGHT HER BACK BUT SHE NEVER SPOKE TO HIM AGAIN. 364 00:19:00,172 --> 00:19:02,773 THEN SHE DIED HERSELF BEFORE THE YEAR WAS OUT. 365 00:19:02,842 --> 00:19:05,042 JUST AFTER THAT BOY IN THERE WAS BORN. 366 00:19:05,111 --> 00:19:08,578 GOOD-LOOKING FELLOW. TAKES AFTER HIS MOTHER. 367 00:19:08,647 --> 00:19:11,849 MIND YOU DON'T GO LEADING HIM ASTRAY, HARRY. 368 00:19:11,917 --> 00:19:13,851 HE SHOULD HAVE SOME MONEY WAITING FOR HIM 369 00:19:13,919 --> 00:19:15,753 IF KELSO DOES THE RIGHT THING. 370 00:19:15,821 --> 00:19:17,788 I FANCY HE'S GOING TO BE WELL OFF. 371 00:19:17,857 --> 00:19:21,424 SHE WAS THE MOST GLORIOUS LOOKING CREATURE I EVER SAW. 372 00:19:21,493 --> 00:19:24,527 COULD HAVE MARRIED ANYBODY. BUT SHE WAS A ROMANTIC. 373 00:19:24,596 --> 00:19:26,630 ALL THE WOMEN IN THAT FAMILY WERE. 374 00:19:26,698 --> 00:19:30,801 THE MEN WERE A POOR LOT, BUT THE WOMEN WERE WONDERFUL. 375 00:19:30,870 --> 00:19:33,436 TALKING OF SILLY MARRIAGES, 376 00:19:33,505 --> 00:19:37,207 WHAT'S ALL THIS FIDDLE-FADDLE I HEAR ABOUT DARTMOOR MARRYING AN AMERICAN? 377 00:19:37,276 --> 00:19:39,309 AIN'T ENGLISH GIRLS GOOD ENOUGH FOR HIM? 378 00:19:39,378 --> 00:19:42,412 IT'S RATHER FASHIONABLE TO MARRY AMERICANS JUST NOW. 379 00:19:42,481 --> 00:19:45,048 I'D BACK ENGLISH WOMEN AGAINST THE WORLD. 380 00:19:45,117 --> 00:19:48,351 - THE BETTING IS ON THE AMERICANS. - THEY DON'T LAST, I'M TOLD. 381 00:19:48,420 --> 00:19:50,821 LONG ENGAGEMENTS EXHAUST THEM. BUT THEY'RE CAPITAL 382 00:19:50,890 --> 00:19:53,023 AT A STEEPLECHASE. THEY TAKE THINGS FLYING. 383 00:19:53,092 --> 00:19:54,858 I DON'T THINK POOR DARTMOOR HAS A CHANCE. 384 00:19:54,927 --> 00:19:57,394 WHO ARE HER PEOPLE? HAS SHE GOT ANY? 385 00:19:57,462 --> 00:20:00,030 AMERICAN GIRLS ARE AS CLEVER AT CONCEALING THEIR PARENTS 386 00:20:00,099 --> 00:20:02,432 AS ENGLISH WOMEN ARE AT CONCEALING THEIR PAST. 387 00:20:02,501 --> 00:20:03,867 PORK PACKERS, I SUPPOSE. 388 00:20:03,936 --> 00:20:06,203 I HOPE SO, UNCLE GEORGE, FOR POOR DARTMOOR'S SAKE. 389 00:20:06,272 --> 00:20:08,505 I AM TOLD THAT PORK PACKING IS THE MOST LUCRATIVE 390 00:20:08,573 --> 00:20:10,908 PROFESSION IN AMERICA-- AFTER POLITICS. 391 00:20:10,976 --> 00:20:14,244 - IS SHE PRETTY? - SHE BEHAVES AS IF SHE WERE BEAUTIFUL. 392 00:20:14,313 --> 00:20:16,680 ALL AMERICAN WOMEN DO. IT'S THE SECRET OF THEIR CHARM. 393 00:20:16,748 --> 00:20:19,216 WHY CAN'T AMERICAN WOMEN STAY IN THEIR OWN COUNTRY? 394 00:20:19,285 --> 00:20:22,019 THEY KEEP ON TELLING US IT'S A WOMAN'S PARADISE. 395 00:20:22,087 --> 00:20:23,887 IT APPEARS TO BE. THAT IS WHY LIKE EVE, 396 00:20:23,956 --> 00:20:25,856 THEY'RE SO ANXIOUS TO GET OUT OF IT. 397 00:20:25,925 --> 00:20:27,825 ( laughter ) 398 00:20:27,893 --> 00:20:29,693 POOR DARTMOOR. 399 00:20:29,761 --> 00:20:33,197 DO YOU THINK HE WILL MARRY THIS FASCINATING YOUNG PERSON? 400 00:20:33,265 --> 00:20:36,967 I BELIEVE-- SHE'S MADE UP HER MIND TO PROPOSE TO HIM, DUCHESS. 401 00:20:37,036 --> 00:20:40,737 OH, HOW DREADFUL. SOMEBODY SHOULD INTERFERE. 402 00:20:40,806 --> 00:20:42,572 I'M TOLD ON EXCELLENT AUTHORITY, 403 00:20:42,641 --> 00:20:45,843 THAT HER FATHER KEEPS AN AMERICAN DRY GOODS STORE. 404 00:20:45,911 --> 00:20:49,079 DRY GOODS? WHAT ARE AMERICAN DRY GOODS? 405 00:20:49,148 --> 00:20:51,648 AMERICAN NOVELS. 406 00:20:51,717 --> 00:20:54,451 DON'T MIND HIM. HE NEVER MEANS ANYTHING HE SAYS. 407 00:20:54,519 --> 00:20:56,486 WHEN AMERICA WAS DISCOVERED-- 408 00:20:56,555 --> 00:20:58,588 I WISH TO GOODNESS IT HAD NEVER BEEN DISCOVERED. 409 00:20:58,657 --> 00:21:02,592 OUR GIRLS HAVE NO CHANCE NOWADAYS. IT'S MOST UNFAIR. 410 00:21:02,661 --> 00:21:04,661 PERHAPS AMERICA HAS NEVER BEEN DISCOVERED. 411 00:21:04,730 --> 00:21:07,831 I WOULD SAY IT HAD MERELY BEEN DETECTED. 412 00:21:07,900 --> 00:21:11,068 OH COME, I'VE SEEN SPECIMENS OF THE INHABITANTS. 413 00:21:11,136 --> 00:21:15,138 THEY DRESS WELL. AND MOST OF THEM ARE EXTREMELY PRETTY. 414 00:21:15,207 --> 00:21:17,140 THEY GET ALL THEIR DRESSES IN PARIS. 415 00:21:17,209 --> 00:21:19,843 I WISH I COULD AFFORD TO. 416 00:21:19,912 --> 00:21:22,913 THEY SAY WHEN GOOD AMERICANS DIE, THEY GO TO PARIS. 417 00:21:22,982 --> 00:21:25,215 WHERE DO BAD AMERICANS GO WHEN THEY DIE? 418 00:21:25,284 --> 00:21:27,985 - THEY GO TO AMERICA. - ( laughter ) 419 00:21:28,053 --> 00:21:29,786 HARRY, I'M QUITE VEXED WITH YOU. 420 00:21:29,855 --> 00:21:34,057 WHY ARE YOU TRYING TO PERSUADE OUR MR. GRAY TO GIVE UP THE EAST END? 421 00:21:34,126 --> 00:21:37,861 I CAN SYMPATHIZE WITH EVERYTHING EXCEPT SUFFERING. 422 00:21:37,930 --> 00:21:40,063 HARRY, THE PEOPLE IN WHITECHAPEL 423 00:21:40,132 --> 00:21:42,266 ARE UTTERLY WRETCHED AND UNHAPPY. 424 00:21:42,334 --> 00:21:44,834 THERE'S SOMETHING MORBID ABOUT THE CULT OF MODERN SYMPATHY. 425 00:21:44,904 --> 00:21:48,171 - COME, COME LORD HENRY. - I SHOULD SYMPATHIZE WITH A MAN WHO HAS TOOTHACHE. 426 00:21:48,240 --> 00:21:50,740 BUT I DON'T. HE MAY BE IN DREADFUL PAIN, 427 00:21:50,809 --> 00:21:54,011 BUT I CAN'T STAND HIM AND I CAN'T GO NEAR HIM. I WANT TO GET AWAY FROM HIM. 428 00:21:54,079 --> 00:21:56,780 YOU CAN'T GET AWAY FROM THE EAST END. IT'S AN IMPORTANT PROBLEM. 429 00:21:56,848 --> 00:22:01,184 IT'S THE PROBLEM OF SLAVERY. WE TRIED TO SOLVE IT BY AMUSING THE SLAVES. 430 00:22:01,253 --> 00:22:03,186 HOW WOULD YOU CHANGE IT THEN? 431 00:22:03,255 --> 00:22:05,688 I WOULDN'T CHANGE ANYTHING IN ENGLAND EXCEPT THE WEATHER. 432 00:22:05,757 --> 00:22:08,458 THE 19th CENTURY HAS GONE BANKRUPT 433 00:22:08,527 --> 00:22:10,961 THROUGH AN OVER-EXPENDITURE OF SYMPATHY. 434 00:22:11,030 --> 00:22:12,930 HOW VERY COMFORTING. 435 00:22:12,998 --> 00:22:15,665 I'VE ALWAYS FELT RATHER GUILTY WHEN I CAME TO SEE YOUR AUNT. 436 00:22:15,734 --> 00:22:19,269 YOU SEE, I TAKE NO INTEREST IN THE EAST END EITHER. 437 00:22:19,338 --> 00:22:22,839 IN FUTURE, I SHALL BE ABLE TO LOOK AT HER WITHOUT BLUSHING. 438 00:22:22,908 --> 00:22:25,042 YOUR BLUSH IS SO VERY BECOMING, DUCHESS. 439 00:22:25,110 --> 00:22:27,477 ONLY WHEN ONE WAS YOUNG. 440 00:22:27,546 --> 00:22:31,048 WHEN AN OLD WOMAN BLUSHES IT'S NOT A GOOD SIGN. 441 00:22:31,116 --> 00:22:33,683 MR. GRAY, I WISH YOU COULD TELL ME 442 00:22:33,752 --> 00:22:37,120 HOW TO BECOME YOUNG AGAIN. 443 00:22:37,189 --> 00:22:41,258 CAN YOU REMEMBER ANY GREAT ERRORS THAT YOU COMMITTED IN YOUR EARLY DAYS? 444 00:22:41,327 --> 00:22:43,593 - ONLY TOO MANY. - THEN COMMIT THEM OVER AGAIN. 445 00:22:43,662 --> 00:22:46,763 TO REGAIN ONE'S YOUTH ONE SHOULD REPEAT ALL ONE'S FOLLIES. 446 00:22:46,832 --> 00:22:50,200 WHAT A DELIGHTFUL THEORY. I MUST PUT INTO PRACTICE. 447 00:22:50,269 --> 00:22:52,902 - A DANGEROUS THEORY. - IT'S ONE OF THE GREAT SECRETS. 448 00:22:52,972 --> 00:22:55,572 PEOPLE NOWADAYS DIE OF A SORT OF CREEPING COMMON SENSE. 449 00:22:55,640 --> 00:22:57,707 THEY DISCOVER TOO LATE 450 00:22:57,776 --> 00:23:00,643 THAT THE ONLY THINGS ONE NEVER REGRETS ARE ONE'S MISTAKES. 451 00:23:00,712 --> 00:23:02,645 - ( laughter ) - ( bell rings ) 452 00:23:02,714 --> 00:23:04,914 OH, HOW ANNOYING. I MUST GO. 453 00:23:04,984 --> 00:23:06,850 - OH, MUST YOU? - YES, I MUST, DEAR. 454 00:23:06,918 --> 00:23:11,421 LORD HENRY, YOU'RE QUITE DELIGHTFUL AND DREADFULLY DEMORALIZING. 455 00:23:11,490 --> 00:23:15,025 - DON'T GOT YET, EDIE. - YES, I MUST GO, AGATHA. GOODBYE. 456 00:23:15,094 --> 00:23:17,961 LORD HENRY, YOU MUST COME AND DINE WITH US SOME NIGHT. 457 00:23:18,030 --> 00:23:20,830 FOR YOU DEAR LADY, I WOULD THROW OVER ANYBODY. 458 00:23:20,899 --> 00:23:23,367 THAT IS VERY NICE AND VERY WRONG OF YOU. 459 00:23:23,435 --> 00:23:25,369 SO MIND YOU COME TUESDAY. 460 00:23:25,437 --> 00:23:28,571 - GOODBYE. - GOODBYE. 461 00:23:32,311 --> 00:23:34,878 YOU TALK BOOKS AWAY, LORD HENRY. 462 00:23:34,946 --> 00:23:37,814 WHY DON'T YOU WRITE ONE. 463 00:23:37,883 --> 00:23:40,683 I AM FAR TOO FOND OF READING BOOKS TO WRITE ONE, MR. ERSKINE. 464 00:23:40,752 --> 00:23:42,619 I SHOULD LIKE TO WRITE A NOVEL, CERTAINLY. 465 00:23:42,687 --> 00:23:44,521 THERE'S NO PUBLIC IN ENGLAND FOR ANYTHING 466 00:23:44,589 --> 00:23:46,589 EXCEPT NEWSPAPERS, REVIEWS, PRIMERS AND ENCYCLOPEDIAS. 467 00:23:46,658 --> 00:23:48,525 OF ALL THE PEOPLE IN THE WORLD, 468 00:23:48,593 --> 00:23:50,760 THE ENGLISH HAVE THE LEAST SENSE OF LITERATURE. 469 00:23:50,829 --> 00:23:52,529 I'M AFRAID YOU'RE RIGHT. 470 00:23:52,597 --> 00:23:55,265 I MYSELF USED TO HAVE LITERARY AMBITIONS. 471 00:23:55,334 --> 00:23:57,467 BUT I GAVE THEM UP LONG AGO. 472 00:23:57,536 --> 00:24:00,904 I WOULD LIKE TO TALK TO YOU ABOUT LIFE. 473 00:24:00,972 --> 00:24:03,040 THE GENERATION INTO WHICH I WAS BORN 474 00:24:03,108 --> 00:24:04,908 WAS VERY TEDIOUS. 475 00:24:04,976 --> 00:24:07,110 AND NOW I AM DUE AT THE ATHENIUM. 476 00:24:07,179 --> 00:24:08,945 IT'S THE HOUR WHEN WE SLEEP THERE. 477 00:24:09,014 --> 00:24:10,914 ALL OF YOU, MR. ERSKINE? 478 00:24:10,982 --> 00:24:13,216 40 OF US IN 40 ARMCHAIRS. 479 00:24:14,786 --> 00:24:16,786 DON'T GO, HARRY. 480 00:24:16,855 --> 00:24:18,522 STAY AND TALK WITH ME. 481 00:24:18,590 --> 00:24:20,924 I THOUGHT YOU'D PROMISED TO GO SEE BASIL HALLWARD? 482 00:24:20,992 --> 00:24:22,892 I'D SOONER BE WITH YOU. 483 00:24:22,961 --> 00:24:24,861 I'VE TALKED QUITE ENOUGH FOR ONE DAY. 484 00:24:24,930 --> 00:24:26,896 BUT JUST AS YOU WISH. 485 00:24:32,104 --> 00:24:35,405 - TELL ME ABOUT YOUR WIFE. - TELL YOU WHAT? 486 00:24:35,474 --> 00:24:38,175 I SAW YOU TOGETHER AT LOHENGRIN THE OTHER NIGHT. 487 00:24:38,243 --> 00:24:40,277 AM I TO TAKE IT THAT YOU ARE ALREADY INTERESTED 488 00:24:40,345 --> 00:24:42,379 IN THE PRACTICALITY OF MARRIAGE? 489 00:24:42,448 --> 00:24:44,781 YES, I AM. VERY MUCH SO. 490 00:24:44,849 --> 00:24:47,284 INDEED YOU MUST TELL ME ABOUT IT. 491 00:24:47,352 --> 00:24:49,919 IF YOU REMEMBER I WAS ASKING ABOUT YOUR WIFE. 492 00:24:49,988 --> 00:24:52,922 OH VICTORIA, SHE'S A CURIOUS WOMAN. 493 00:24:52,991 --> 00:24:55,024 A MANIA FOR GOING TO CHURCH. 494 00:24:55,094 --> 00:24:57,561 HER DRESSES ALWAYS LOOK AS IF THEY'D BEEN DESIGNED, AND ARRANGED, 495 00:24:57,629 --> 00:24:59,596 AND PUT ON IN THE MIDDLE OF A TEMPEST. 496 00:24:59,664 --> 00:25:01,498 SHE'S USUALLY IN LOVE WITH SOMEONE, 497 00:25:01,567 --> 00:25:03,633 BUT AS HER PASSION IS HARDLY EVER RETURNED, 498 00:25:03,702 --> 00:25:06,203 SHE'S MANAGED TO KEEP MOST OF HER ILLUSIONS. 499 00:25:06,271 --> 00:25:08,705 SHE DOES TRY TO LOOK PICTURESQUE, 500 00:25:08,773 --> 00:25:10,740 BUT ALWAYS ENDS UP LOOKING UNTIDY. 501 00:25:10,809 --> 00:25:12,875 MARRIAGE? 502 00:25:14,946 --> 00:25:17,013 NEVER MARRY A WOMAN WITH STRAW-COLORED HAIR. 503 00:25:17,082 --> 00:25:19,449 - WHY, HARRY? - THEY'RE SO SENTIMENTAL. 504 00:25:19,518 --> 00:25:21,684 BUT I LIKE PEOPLE TO BE SENTIMENTAL. 505 00:25:21,753 --> 00:25:24,287 MY ADVICE TO YOU IS, DORIAN, DON'T MARRY AT ALL. 506 00:25:24,356 --> 00:25:27,290 MEN MARRY BECAUSE THEY'RE TIRED. 507 00:25:27,359 --> 00:25:29,826 WOMEN BECAUSE THEY'RE CURIOUS. BOTH ARE DISAPPOINTED. 508 00:25:29,894 --> 00:25:32,362 MY LIFE, HARRY, IS NOT ONE OF YOUR APHORISMS. 509 00:25:32,431 --> 00:25:34,431 I THINK I DESERVE BETTER OF YOU THAN THAT. 510 00:25:34,500 --> 00:25:36,600 WHO ARE YOU IN LOVE WITH? 511 00:25:36,668 --> 00:25:38,568 AN ACTRESS. 512 00:25:38,637 --> 00:25:40,604 THAT'S RATHER A COMMONPLACE DEBUT. 513 00:25:40,672 --> 00:25:42,472 YOU WOULDN'T SAY SO IF YOU SAW HER. 514 00:25:42,541 --> 00:25:47,477 - WHO IS SHE? - HER NAME, IF THAT'S WHAT YOU MEAN, IS SIBYL VANE. 515 00:25:47,546 --> 00:25:49,779 - I NEVER HEARD OF HER. - NOBODY HAS. 516 00:25:49,848 --> 00:25:52,949 BUT THEY WILL DO. SHE'S A GENIUS. 517 00:25:53,018 --> 00:25:55,585 HOW LONG HAVE YOU KNOWN HER? 518 00:25:55,654 --> 00:25:57,687 ABOUT THREE WEEKS. 519 00:25:57,756 --> 00:26:00,223 AND WHERE DID YOU COME ACROSS HER? 520 00:26:00,292 --> 00:26:03,693 I'LL TELL YOU, HARRY, BUT YOU MUST LISTEN, AND LISTEN PROPERLY. 521 00:26:03,762 --> 00:26:05,629 I THINK A LITTLE WHILE AGO, 522 00:26:05,697 --> 00:26:07,897 BEFORE I'D MET YOU, IT MIGHT NEVER HAVE HAPPENED AT ALL. 523 00:26:07,966 --> 00:26:10,567 I HAD BEEN WALKING ABOUT LONDON. 524 00:26:10,636 --> 00:26:13,203 JUST WALKING, JUST LOOKING AND WATCHING 525 00:26:13,272 --> 00:26:15,539 PEOPLE I PASSED OR WHO PASSED ME. 526 00:26:15,607 --> 00:26:18,542 SOME OF THEM SEEMED FASCINATING SIMPLY TO SEE. 527 00:26:18,610 --> 00:26:21,778 SOME OF THE OTHERS TERRIFIED ME AND I'D HURRY ON WITHOUT STAYING. 528 00:26:21,846 --> 00:26:24,181 DON'T KNOW WHAT ON EARTH I WAS EXPECTING. 529 00:26:25,350 --> 00:26:27,217 ANYWAY, ONE NIGHT, 530 00:26:27,286 --> 00:26:30,453 I WAS OUT IN THE DIRECTION OF YOUR AUNT AGATHA'S FAMOUS EAST END. 531 00:26:30,522 --> 00:26:33,990 ABOUT HALF PAST 8:00, I PASSED BY AN ABSURD LITTLE THEATER, 532 00:26:34,059 --> 00:26:36,359 ALL AFLARE IN GAS JETS AND PLAYBILLS. 533 00:26:36,428 --> 00:26:38,195 I LOOKED AT THE PROGRAM. 534 00:26:38,263 --> 00:26:41,398 IT TURNED OUT THE PLAY THAT NIGHT WAS "ROMEO AND JULIET." 535 00:26:41,466 --> 00:26:44,033 CAN'T SAY I RELISHED THE IDEA OF BEING CONFRONTED 536 00:26:44,102 --> 00:26:46,236 WITH SHAKESPEARE IN THIS ODD LITTLE PLACE. 537 00:26:46,305 --> 00:26:48,938 BUT BY THIS TIME, I'D GOT INTERESTED IN THE ATMOSPHERE 538 00:26:49,007 --> 00:26:50,907 AND THOUGHT I'D SEE OUT THE FIRST ACT. 539 00:26:50,975 --> 00:26:53,410 ROMEO WAS LIKE AN OLD BEER BARREL. 540 00:26:53,478 --> 00:26:55,912 AND MERCUTIO WAS PLAYED BY THE LOCAL COMEDIAN 541 00:26:55,980 --> 00:26:58,181 JUST IN ORDER TO PUT IN HIS FAVORITE GAGS. 542 00:26:58,250 --> 00:27:01,818 AND THEN JULIET CAME ON. 543 00:27:01,886 --> 00:27:04,921 HARRY, SHE WAS THE LOVELIEST THING I'VE EVER SEEN IN MY LIFE. 544 00:27:04,989 --> 00:27:07,957 YOU SAID TO ME ONCE THAT PATHOS LEFT YOU UNMOVED, 545 00:27:08,026 --> 00:27:11,027 BUT THAT BEAUTY, SOMETHING MERELY BEAUTIFUL 546 00:27:11,096 --> 00:27:13,830 COULD FILL YOUR EYES WITH TEARS. 547 00:27:13,898 --> 00:27:16,866 I TELL YOU, HARRY, I COULD HARDLY SEE THIS GIRL 548 00:27:16,935 --> 00:27:20,169 FOR THE MIST OF TEARS THAT CAME ACROSS MY LINE OF SIGHT. 549 00:27:20,239 --> 00:27:22,205 AND WHEN SHE SPOKE, HER VOICE... 550 00:27:22,274 --> 00:27:24,140 I'D NEVER HEARD ANYTHING LIKE IT. 551 00:27:24,209 --> 00:27:27,344 I CAN'T FORGET IT. THE EVENING. 552 00:27:27,412 --> 00:27:30,247 I CAN'T FORGET HER. SHE'S EVERYTHING IN LIFE TO ME. 553 00:27:30,315 --> 00:27:33,483 - EVERY NIGHT I GO AND WATCH HER. - I SEE. 554 00:27:33,552 --> 00:27:37,654 HARRY, WHY DIDN'T YOU TELL ME WHAT IT IS, LOVING AN ACTRESS? 555 00:27:37,723 --> 00:27:39,922 BECAUSE I HAVE LOVED SO MANY OF THEM, DORIAN. 556 00:27:39,991 --> 00:27:43,226 WHEN ONE IS IN LOVE ONE ALWAYS BEGINS BY DECEIVING ONESELF. 557 00:27:43,295 --> 00:27:45,595 AND ALWAYS ENDS BY DECEIVING OTHER PEOPLE. 558 00:27:45,664 --> 00:27:47,597 THAT IS WHAT IS KNOWN IN THE WORLD AS ROMANCE. 559 00:27:47,666 --> 00:27:50,166 HARRY, SIBYL IS THE ONLY THING I CARE ABOUT NOW. 560 00:27:50,235 --> 00:27:52,736 ONE NIGHT I THREW HER SOME FLOWERS AND SHE LOOKED UP AT ME. 561 00:27:52,804 --> 00:27:54,504 AT LEAST, I THOUGHT SHE DID. 562 00:27:54,573 --> 00:27:58,308 EVERY NIGHT I GO TO SEE HER AND EVERY NIGHT SHE'S MORE MARVELOUS. 563 00:27:58,377 --> 00:28:01,278 THAT IS THE REASON, I SUPPOSE, WHY YOU NEVER DINE WITH ME NOW. 564 00:28:01,346 --> 00:28:05,214 I THOUGHT YOU MUST HAVE SOME CURIOUS ROMANCE ON HAND. 565 00:28:05,284 --> 00:28:09,018 YOU HAVE, BUT IT'S NOT QUITE WHAT I EXPECTED. 566 00:28:09,087 --> 00:28:12,455 HARRY, I WANT YOU AND BASIL TO COME WITH ME SOME NIGHT AND SEE HER. 567 00:28:12,524 --> 00:28:15,158 I'M NOT AT ALL APPREHENSIVE. YOU'LL SEE WHAT I MEAN AT ONCE. 568 00:28:15,226 --> 00:28:18,127 VERY WELL. 569 00:28:18,196 --> 00:28:20,830 TODAY IS WHAT, TUESDAY? SHALL WE FIX TOMORROW? 570 00:28:20,899 --> 00:28:23,400 WHAT DOES SHE PLAY TOMORROW? 571 00:28:23,468 --> 00:28:27,337 JULIET. ALL RIGHT, THE BRISTOL AT 8:00, AND I'LL PICK UP BASIL. 572 00:28:27,406 --> 00:28:29,806 - WILL YOU? - POOR BASIL. 573 00:28:29,874 --> 00:28:32,008 I HAVEN'T SEEN HIM FOR A WEEK AT LEAST. 574 00:28:32,076 --> 00:28:34,344 IT'S RATHER AWFUL OF ME. HE'S SENT ME MY PORTRAIT 575 00:28:34,413 --> 00:28:37,480 IN A MOST WONDERFUL FRAME WHICH HE DESIGNED HIMSELF. 576 00:28:37,549 --> 00:28:40,183 TO TELL YOU THE TRUTH, I'M A FRACTION JEALOUS OF THE PICTURE 577 00:28:40,251 --> 00:28:42,686 FOR BEING A WHOLE MONTH YOUNGER THAN ME. 578 00:28:42,754 --> 00:28:44,887 DON'T FORGET ABOUT TOMORROW. 579 00:28:52,130 --> 00:28:54,230 MOTHER, I'M SO HAPPY. 580 00:28:55,467 --> 00:28:58,234 YOU MUST SEE THAT. YOU DO FEEL IT? 581 00:28:58,303 --> 00:29:02,505 HAPPY? I DON'T KNOW ABOUT THAT. I DON'T KNOW ABOUT HAPPY. 582 00:29:02,574 --> 00:29:05,442 WHAT IS IT THAT HE SEES IN ME? 583 00:29:05,510 --> 00:29:08,511 I DON'T EVEN FEEL HUMBLE. 584 00:29:08,580 --> 00:29:10,980 I FEEL PROUD, MOTHER. 585 00:29:11,049 --> 00:29:13,149 YES, TERRIBLY PROUD. 586 00:29:13,218 --> 00:29:16,018 HOW DID YOU LOVE FATHER? 587 00:29:16,087 --> 00:29:18,020 FORGIVE ME. 588 00:29:18,089 --> 00:29:19,989 DON'T LOOK THAT WAY. 589 00:29:20,058 --> 00:29:22,992 I MUST BE AS HAPPY AS YOU EVER WERE. JUST LET IT GO ON. 590 00:29:23,061 --> 00:29:27,029 MY CHILD, YOU'RE MUCH TOO YOUNG TO THINK OF THESE THINGS AND WHAT THEY ENTAIL. 591 00:29:27,098 --> 00:29:30,132 WHAT DO YOU KNOW OF THIS YOUNG MAN? NOT EVEN HIS NAME. 592 00:29:30,201 --> 00:29:33,236 IT ALL COULDN'T HAVE HAPPENED AT A WORSE TIME, 593 00:29:33,304 --> 00:29:35,739 WHAT WITH JAMES OFF TO AUSTRALIA. 594 00:29:35,807 --> 00:29:39,509 I MUST SAY, I DO THINK YOU COULD HAVE SHOWN MORE CONSIDERATION. 595 00:29:39,578 --> 00:29:41,678 I DARESAY HE'S RICH, BUT WHAT DOES THAT MEAN? 596 00:29:41,747 --> 00:29:43,513 DON'T SAY THESE THINGS. 597 00:29:43,582 --> 00:29:45,982 WAIT A MOMENT WHILE I CHANGE. 598 00:29:47,686 --> 00:29:49,919 ( knocking on door ) 599 00:29:49,988 --> 00:29:51,788 COME IN. 600 00:29:54,359 --> 00:29:57,660 OH, IT'S YOU, JAMES. 601 00:29:59,297 --> 00:30:01,498 - WHERE IS SIBYL? - SHE'S CHANGING. 602 00:30:07,639 --> 00:30:09,272 ARE MY THINGS READY? 603 00:30:09,340 --> 00:30:11,207 QUITE READY. 604 00:30:14,713 --> 00:30:18,481 I HOPE YOU TAKE TO THE SEA, JAMES, OR AT LEAST, THAT IT TAKES TO YOU. 605 00:30:18,550 --> 00:30:21,551 YOU WILL REMEMBER, IT WAS YOUR OWN CHOICE. 606 00:30:21,620 --> 00:30:24,153 YOU COULD HAVE BEEN A SOLICITOR IF I HAD HAD MY WAY. 607 00:30:24,222 --> 00:30:27,356 SOLICITORS ARE A VERY RESPECTED CLASS OF PEOPLE, 608 00:30:27,426 --> 00:30:29,992 IN THE COUNTRY, THEY OFTEN DINE WITH THE BEST FAMILIES. 609 00:30:30,061 --> 00:30:32,662 I HATE OFFICES, AND I HATE CLASS. 610 00:30:34,833 --> 00:30:37,266 BUT YOU'RE QUITE RIGHT. 611 00:30:37,335 --> 00:30:40,036 I'VE CHOSEN MY OWN LIFE. 612 00:30:40,104 --> 00:30:43,306 ALL I SAY TO YOU IS, 613 00:30:43,374 --> 00:30:45,508 KEEP A WATCH OVER SIBYL. 614 00:30:45,577 --> 00:30:47,310 DON'T LET HER COME TO ANY HARM. 615 00:30:47,378 --> 00:30:50,012 YOU DO TALK VERY FUNNY SOMETIMES, JAMES. 616 00:30:50,081 --> 00:30:53,082 I'LL WATCH OVER SIBYL. WHAT ELSE DO YOU THINK I'LL DO? 617 00:30:53,151 --> 00:30:55,418 I HEAR THERE'S A GENTLEMAN 618 00:30:55,487 --> 00:30:57,554 COMES EVERY NIGHT TO THE THEATER. 619 00:30:57,622 --> 00:31:00,824 COMES BY HERE TO TALK TO HER. IS THAT RIGHT? 620 00:31:00,892 --> 00:31:05,261 YOU'RE TALKING ABOUT THINGS YOU DON'T UNDERSTAND, JAMES. 621 00:31:05,330 --> 00:31:06,629 WE'RE ACCUSTOMED TO RECEIVING 622 00:31:06,698 --> 00:31:09,198 A GREAT DEAL OF ATTENTION IN THE PROFESSION. 623 00:31:09,267 --> 00:31:11,835 IT'S SOMETHING YOU'VE NEVER REALLY UNDERSTOOD. 624 00:31:11,903 --> 00:31:13,903 AND MANY DON'T, OR WON'T. 625 00:31:13,972 --> 00:31:16,639 USED TO HAPPEN TO ME ALL THE TIME. 626 00:31:16,708 --> 00:31:19,776 AND THAT'S WHEN ACTING WAS REALLY UNDERSTOOD. 627 00:31:22,814 --> 00:31:24,681 AS FOR SIBYL, I HAVE NO WAY OF KNOWING 628 00:31:24,749 --> 00:31:27,283 WHETHER THIS PRESENT ATTACHMENT OF HERS IS SERIOUS OR NOT. 629 00:31:27,352 --> 00:31:31,187 I DO KNOW THAT THE YOUNG MAN IN QUESTION IS A PERFECT GENTLEMAN. 630 00:31:31,255 --> 00:31:33,857 HE'S ALWAYS MOST POLITE TO ME. 631 00:31:33,925 --> 00:31:38,260 HE HAS ALL THE AIR OF BEING VERY RICH, INDEED. 632 00:31:38,329 --> 00:31:40,296 BUT YOU DON'T KNOW HIS NAME? 633 00:31:40,365 --> 00:31:42,298 NO. 634 00:31:42,367 --> 00:31:46,002 NO, HE HASN'T YET REVEALED HIS REAL NAME. 635 00:31:46,070 --> 00:31:49,205 I CONFESS THAT. I THINK IT'S ROMANTIC OF HIM. 636 00:31:49,273 --> 00:31:52,509 I'D SAY HE'S PROBABLY A MEMBER OF THE ARISTOCRACY. 637 00:31:52,577 --> 00:31:55,211 JUST WATCH OVER HER. MOTHER-- 638 00:31:55,279 --> 00:31:58,014 YOU'VE GOT TO WATCH OVER HER. 639 00:31:58,082 --> 00:32:01,384 WHY ARE YOU TALKING TO ME LIKE THIS? 640 00:32:01,452 --> 00:32:04,821 I'VE ALWAYS LOOKED AFTER SIBYL FROM FIRST TO LAST. 641 00:32:04,890 --> 00:32:06,789 AND IF HE IS A WORTHY GENTLEMAN, 642 00:32:06,858 --> 00:32:09,659 THERE'S NO REASON SHE SHOULDN'T CONTRACT AN ALLIANCE WITH HIM. 643 00:32:09,728 --> 00:32:12,228 ESPECIALLY IF HE IS A MEMBER OF THE ARISTOCRACY. 644 00:32:12,296 --> 00:32:15,031 HE HAS THE APPEARANCE OF IT, I MUST SAY. 645 00:32:15,099 --> 00:32:17,000 IT'D BE A BRILLIANT MARRIAGE FOR SIBYL. 646 00:32:17,068 --> 00:32:21,103 THEY'D BE QUITE A COUPLE. HIS LOOKS ARE REMARKABLE. 647 00:32:21,172 --> 00:32:23,205 EVERYBODY NOTICES THEM. 648 00:32:23,274 --> 00:32:26,208 HOW SERIOUS YOU BOTH LOOK. 649 00:32:26,277 --> 00:32:28,745 WHAT'S THE MATTER NOW? 650 00:32:30,481 --> 00:32:32,081 NOTHING. 651 00:32:33,952 --> 00:32:35,418 GOODBYE, MOTHER. 652 00:32:35,486 --> 00:32:37,587 OH, GOODBYE SON. 653 00:32:37,656 --> 00:32:40,023 TAKE CARE, IN ALL THAT WET WEATHER. 654 00:32:40,091 --> 00:32:43,359 I'LL SEE YOU LATER, SIBYL. I'LL GET A DROP FOR BOTH OF US ROUND THE CORNER. 655 00:32:43,428 --> 00:32:45,194 ALL RIGHT. 656 00:32:47,532 --> 00:32:49,732 EVERYTHING WILL BE ALL RIGHT FOR BOTH OF US. 657 00:32:49,801 --> 00:32:53,335 YOU'LL COME BACK FROM AUSTRALIA WITH EVERYTHING YOU WANT, 658 00:32:53,404 --> 00:32:55,638 AND I'LL BE HERE IN LONDON WITH EVERYTHING I WANT. 659 00:32:55,707 --> 00:32:58,207 WE'LL ALL BE TOGETHER. THAT'S WHAT LIFE WILL BE LIKE. 660 00:32:58,276 --> 00:33:01,143 JIM, YOU'RE NOT LISTENING TO A WORD I'M SAYING. 661 00:33:01,212 --> 00:33:04,881 I'VE JUST SET OUT THE MOST EXQUISITE PLANS FOR BOTH OF US. 662 00:33:04,950 --> 00:33:07,349 SAY SOMETHING TO ME, PLEASE. 663 00:33:07,418 --> 00:33:09,819 WHAT WOULD YOU LIKE ME TO SAY? 664 00:33:09,888 --> 00:33:15,024 JUST THAT YOU'LL BE A GOOD BOY AND NOT FORGET US. 665 00:33:15,093 --> 00:33:20,162 YOU ARE MORE LIKELY TO FORGET ME THAN I AM TO FORGET YOU, SIBYL. 666 00:33:20,231 --> 00:33:22,665 WHAT DO YOU MEAN? 667 00:33:22,734 --> 00:33:25,902 YOU HAVE A NEW FRIEND, I HEAR. 668 00:33:25,971 --> 00:33:28,504 WHO IS HE? 669 00:33:28,573 --> 00:33:30,707 WHY HAVEN'T YOU INTRODUCED ME TO HIM? 670 00:33:30,775 --> 00:33:32,976 DOES HE MEAN YOU ANY GOOD? 671 00:33:33,044 --> 00:33:35,979 STOP IT. YOU'RE NOT TO SAY ANYTHING AGAINST HIM. 672 00:33:36,047 --> 00:33:38,081 I LOVE HIM. 673 00:33:38,149 --> 00:33:41,150 SOMEONE WHOSE NAME YOU DON'T EVEN KNOW? 674 00:33:41,219 --> 00:33:43,987 WHO IS HE? I'VE A RIGHT TO KNOW. 675 00:33:44,055 --> 00:33:46,388 IF ONLY YOU COULD SEE HIM, 676 00:33:46,457 --> 00:33:49,058 YOU'D THINK HIM THE MOST WONDERFUL PERSON IN THE WORLD. 677 00:33:49,127 --> 00:33:51,761 SOMEDAY YOU WILL. 678 00:33:51,830 --> 00:33:53,696 WHEN YOU COME BACK FROM AUSTRALIA, 679 00:33:53,765 --> 00:33:57,066 YOU'LL LIKE HIM SO MUCH. EVERYBODY DOES. 680 00:33:57,135 --> 00:34:00,169 AND I LOVE HIM. 681 00:34:00,238 --> 00:34:02,839 I WISH YOU COULD COME TO THE THEATER TOMORROW. 682 00:34:02,907 --> 00:34:06,843 HE'S GOING TO BE THERE AND I'M PLAYING JULIET. WHAT ABOUT THAT? 683 00:34:06,911 --> 00:34:11,047 TO BE IN LOVE AND TO PLAY JULIET. 684 00:34:11,116 --> 00:34:14,517 I SHOULD PROBABLY FRIGHTEN THE COMPANY TO DEATH. 685 00:34:14,585 --> 00:34:18,554 JIM, YOU'RE LEAVING ME WHEN I'M HAPPIER THAN I'VE EVER BEEN BEFORE. 686 00:34:18,623 --> 00:34:22,258 LIFE'S BEEN HARD FOR BOTH OF US, BUT IT'LL BE DIFFERENT NOW. 687 00:34:22,326 --> 00:34:26,929 YOU'RE GOING TO A NEW WORLD, AND MINE'S ALREADY FOUND. 688 00:34:26,998 --> 00:34:31,668 AND MINE ISN'T. AND I DON'T BELIEVE IN YOURS. I WISH TO GOD I DID. 689 00:34:31,736 --> 00:34:34,537 LOVE MAKES PEOPLE GOOD. 690 00:34:34,605 --> 00:34:37,573 DO YOU BELIEVE THAT? 691 00:34:39,010 --> 00:34:41,177 I'M GOING. 692 00:34:41,245 --> 00:34:43,412 BUT I TELL YOU THIS, 693 00:34:43,481 --> 00:34:45,782 IF HE EVER DOES YOU ANY WRONG, 694 00:34:45,850 --> 00:34:47,884 I SHALL KILL HIM. 695 00:34:52,323 --> 00:34:54,390 COME ON. 696 00:35:02,867 --> 00:35:05,267 Basil: ENGAGED TO BE MARRIED? I DON'T BELIEVE IT. 697 00:35:05,336 --> 00:35:07,904 - IT'S PERFECTLY TRUE. - Basil: TO WHOM? 698 00:35:07,972 --> 00:35:10,339 SOME LITTLE ACTRESS OR OTHER. 699 00:35:12,443 --> 00:35:15,377 I DON'T BELIEVE IT. DORIAN'S FAR TOO SENSIBLE. 700 00:35:15,446 --> 00:35:18,414 DORIAN'S FAR TOO WISE NOT TO DO FOOLISH THINGS NOW AND THEN, BASIL. 701 00:35:18,482 --> 00:35:21,383 MARRIAGE IS HARDLY A THING ONE CAN DO NOW AND THEN, HARRY. 702 00:35:21,452 --> 00:35:24,386 EXCEPT IN AMERICA. I DIDN'T SAY HE WAS MARRIED. 703 00:35:24,455 --> 00:35:27,190 I SAID HE WAS ENGAGED TO BE MARRIED. THERE'S A GREAT DIFFERENCE. 704 00:35:27,258 --> 00:35:30,459 BUT ONE HAS TO THINK OF DORIAN'S BIRTH AND POSITION AND WEALTH. 705 00:35:30,528 --> 00:35:32,929 TO MARRY A GIRL LIKE THAT IS UNTHINKABLE. 706 00:35:32,997 --> 00:35:35,198 IF YOU WANT TO MAKE HIM MARRY THIS GIRL, TELL HIM THAT. 707 00:35:35,266 --> 00:35:36,699 HE'S QUITE SURE TO DO IT THEN. 708 00:35:36,768 --> 00:35:38,634 WHENEVER A MAN DOES A THOROUGHLY STUPID THING, 709 00:35:38,703 --> 00:35:40,603 IT'S SO OFTEN FROM THE NOBLEST MOTIVES. 710 00:35:40,671 --> 00:35:44,140 - Basil: I HOPE SHE'S ALL RIGHT. - SHE'S BETTER THAN ALL RIGHT. SHE'S BEAUTIFUL. 711 00:35:44,209 --> 00:35:47,409 DORIAN SAYS SHE'S BEAUTIFUL. HE'S NOT OFTEN WRONG ABOUT THAT SORT OF THING. 712 00:35:47,478 --> 00:35:49,311 YOUR PORTRAIT OF HIM 713 00:35:49,380 --> 00:35:51,280 HAS QUICKENED HIS APPRECIATION ALTOGETHER 714 00:35:51,349 --> 00:35:53,349 ESPECIALLY ABOUT PEOPLE'S PERSONAL APPEARANCE. 715 00:35:53,417 --> 00:35:56,652 THAT'S NOT THE ONLY EFFECT IT'S HAD ON HIM. 716 00:35:56,721 --> 00:35:59,622 ANYHOW, WE-- YOU AND I-- ARE GOING TO SEE HER TONIGHT. 717 00:35:59,690 --> 00:36:03,860 THAT IS, IF DORIAN HAS FORGOTTEN ALL ABOUT US IN HIS DELIRIUM. 718 00:36:03,928 --> 00:36:06,562 HARRY, YOU'RE NOT SERIOUS. 719 00:36:06,631 --> 00:36:09,832 I SHOULD BE MISERABLE IF I WERE MORE SERIOUS THAN I AM AT THIS MOMENT. 720 00:36:09,901 --> 00:36:14,137 YOU CAN'T APPROVE OF THIS BUSINESS IT'S AN INFATUATION, SURELY. 721 00:36:14,205 --> 00:36:17,907 I NEITHER APPROVE OR DISAPPROVE. IT'S AN ABSURD ATTITUDE TOWARDS LIFE. 722 00:36:17,976 --> 00:36:22,578 DORIAN MEETS A BEAUTIFUL GIRL WHO HAPPENS TO PLAY JULIET AND FALLS IN LOVE WITH HER. 723 00:36:22,647 --> 00:36:25,547 WELL, WHY NOT? 724 00:36:25,616 --> 00:36:28,084 I HOPE HE WILL MAKE THIS GIRL HIS WIFE, 725 00:36:28,153 --> 00:36:29,952 PASSIONATELY ADORE HER FOR SIX MONTHS, 726 00:36:30,021 --> 00:36:32,321 THEN SUDDENLY BECOME FASCINATED BY SOMEBODY ELSE. 727 00:36:32,390 --> 00:36:34,257 YOU DON'T BELIEVE A SINGLE WORD OF THAT. 728 00:36:34,325 --> 00:36:36,926 IF ANYTHING HAPPENED TO UPSET DORIAN GRAY'S LIFE, 729 00:36:36,995 --> 00:36:38,727 NO ONE WOULD BE MORE UPSET THAN YOU. 730 00:36:38,797 --> 00:36:40,963 YOU'RE MUCH BETTER THAN YOU PRETEND TO BE. 731 00:36:41,032 --> 00:36:43,299 THE REASON WE LIKE TO THINK SO WELL OF OTHERS, 732 00:36:43,367 --> 00:36:45,668 IS BECAUSE WE'RE AFRAID FOR OURSELVES. 733 00:36:45,736 --> 00:36:49,172 WE PRAISE THE BANKER THAT HE MAY ALLOW US TO OVERDRAW OUR ACCOUNT. 734 00:36:49,240 --> 00:36:51,573 OR TRY TO FIND GOOD QUALITIES IN THE BURGLAR 735 00:36:51,642 --> 00:36:53,542 IN THE HOPE THAT HE'LL LEAVE OUR PROPERTY ALONE. 736 00:36:53,611 --> 00:36:55,812 I MEAN EVERYTHING I'VE SAID. 737 00:36:55,880 --> 00:36:58,815 I'VE NOTHING BUT THE GREATEST CONTEMPT FOR OPTIMISM. 738 00:36:58,883 --> 00:37:00,883 HARRY, MY DEAR BASIL, 739 00:37:00,952 --> 00:37:03,552 YOU MUST BOTH CONGRATULATE ME. I'VE NEVER BEEN SO HAPPY. 740 00:37:03,621 --> 00:37:05,421 OF COURSE IT'S SUDDEN AND ALL THAT. 741 00:37:05,489 --> 00:37:07,523 BUT ALL THE REALLY DELIGHTFUL THINGS ARE. 742 00:37:07,591 --> 00:37:10,659 IT SEEMS TO BE THE ONE THING I'VE BEEN LOOKING FOR ALL MY LIFE. 743 00:37:10,728 --> 00:37:13,196 I HOPE YOU'LL ALWAYS BE AS HAPPY, DORIAN, 744 00:37:13,264 --> 00:37:15,264 BUT YOU KNOW, I DON'T KNOW WHETHER I CAN FORGIVE YOU 745 00:37:15,333 --> 00:37:18,901 FOR NOT LETTING ME KNOW ABOUT YOUR ENGAGEMENT. YOU TOLD HARRY. 746 00:37:18,970 --> 00:37:21,070 YES, AND I DON'T FORGIVE YOU BEING LATE. 747 00:37:21,139 --> 00:37:24,173 COME AND SIT DOWN, DORIAN. TELL ME WHAT IT IS THAT'S BEEN MAKING YOU SO HAPPY. 748 00:37:24,242 --> 00:37:26,309 THERE ISN'T VERY MUCH TO TELL. 749 00:37:26,377 --> 00:37:27,944 AFTER I LEFT YOU YESTERDAY EVENING, 750 00:37:28,012 --> 00:37:30,179 I HAD DINNER IN THAT ITALIAN RESTAURANT 751 00:37:30,248 --> 00:37:32,215 ON RUPERT STREET YOU INTRODUCED ME TO, 752 00:37:32,283 --> 00:37:34,050 AND AT 8:00 WENT DOWN TO THE THEATER. 753 00:37:34,118 --> 00:37:35,918 SIBYL WAS PLAYING ROSALIND. 754 00:37:35,987 --> 00:37:38,487 OF COURSE, THE SCENERY WAS DREADFUL AND ORLANDO ABSURD, 755 00:37:38,556 --> 00:37:41,023 BUT SIBYL-- YOU SHOULD HAVE SEEN HER. 756 00:37:41,092 --> 00:37:43,125 OF COURSE OUR ENGAGEMENT IS A DEAD SECRET. 757 00:37:43,194 --> 00:37:45,261 I SHOULDN'T TELL YOU THIS, BUT I CAN'T HELP IT. 758 00:37:45,330 --> 00:37:49,232 AT WHAT PARTICULAR POINT DID YOU MENTION THE WORD MARRIAGE, DORIAN? 759 00:37:49,300 --> 00:37:51,567 AND WHAT DID SHE SAY IN REPLY? 760 00:37:51,635 --> 00:37:53,602 OR PERHAPS YOU'VE FORGOTTEN ALL ABOUT IT. 761 00:37:53,671 --> 00:37:57,240 DEAR HARRY, I DIDN'T TREAT IT AS A BUSINESS TRANSACTION. 762 00:37:57,308 --> 00:37:59,775 AND I SUPPOSE I NEVER MADE ANY FORMAL PROPOSAL. 763 00:37:59,844 --> 00:38:02,678 - WHAT DID YOU SAY THEN? - THAT I LOVED HER, OF COURSE. 764 00:38:02,747 --> 00:38:05,614 SHE SAID SOMETHING ABOUT NOT BEING WORTHY TO BE MY WIFE. 765 00:38:05,683 --> 00:38:07,750 SOMETHING LIKE THAT. 766 00:38:07,818 --> 00:38:10,853 WOMEN ARE WONDERFULLY PRACTICAL. MUCH MORE PRACTICAL THAN WE ARE. 767 00:38:10,922 --> 00:38:13,089 IN SITUATIONS OF THAT KIND WE OFTEN FORGET TO SAY 768 00:38:13,157 --> 00:38:15,324 ANYTHING ABOUT MARRIAGE. THEY ALWAYS REMIND US. 769 00:38:15,393 --> 00:38:17,826 LEAVE IT ALONE, HARRY. YOU'RE ONLY ANNOYING DORIAN. 770 00:38:17,896 --> 00:38:19,862 DORIAN IS NEVER ANNOYED WITH ME. 771 00:38:19,931 --> 00:38:22,899 I DON'T MIND. IT'S IMPOSSIBLE TO BE ANGRY WITH YOU. 772 00:38:22,967 --> 00:38:25,134 WHEN YOU SEE SIBYL VANE, 773 00:38:25,203 --> 00:38:27,736 YOU WILL KNOW THAT ANYONE WHO COULD CONSIDER WRONGING HER, 774 00:38:27,805 --> 00:38:30,206 WOULD BE A MONSTER WITHOUT A HEART AT ALL. 775 00:38:30,275 --> 00:38:33,509 I CAN'T UNDERSTAND HOW ANYONE WANTS TO DEGRADE THE THING HE LOVES. 776 00:38:33,577 --> 00:38:36,645 I NEVER HAVE. I LOVE SIBYL VANE. 777 00:38:36,714 --> 00:38:39,882 WHEN I AM WITH HER, I REGRET EVERYTHING ELSE I'VE EVER LEARNED. 778 00:38:39,951 --> 00:38:42,584 THE SIMPLEST TOUCH OF HER HAND MAKES ME FORGET YOU 779 00:38:42,653 --> 00:38:46,255 AND YOUR THEORIES ABOUT LIFE, LOVE AND PLEASURE. 780 00:38:46,324 --> 00:38:48,557 PLEASURE IS THE ONLY THING WORTH HAVING A THEORY ABOUT. 781 00:38:48,626 --> 00:38:51,727 BELIEVE ME, NO CIVILIZED MAN EVER REGRETS A PLEASURE. 782 00:38:51,796 --> 00:38:54,797 AND NO UNCIVILIZED MAN EVER REALLY KNOWS WHAT A PLEASURE IS. 783 00:38:54,865 --> 00:38:57,233 I KNOW WHAT IT IS. IT'S TO ADORE SOMEONE. 784 00:38:57,302 --> 00:39:00,236 THAT IS BETTER THAN BEING ADORED. IT'S A DOWNRIGHT NUISANCE. 785 00:39:00,305 --> 00:39:02,071 WHEN WOMEN WORSHIP SOMEONE, 786 00:39:02,140 --> 00:39:04,340 THEY'RE ALWAYS BOTHERING THEM TO DO SOMETHING FOR THEM. 787 00:39:04,409 --> 00:39:06,309 I SHOULD HAVE THOUGHT WHATEVER THEY'VE ASKED FOR, 788 00:39:06,377 --> 00:39:09,345 THEY'VE ALREADY GIVEN FIRST. THEY CREATE LOVE IN ONE'S NATURE. 789 00:39:09,414 --> 00:39:10,980 THEY'VE A RIGHT TO DEMAND IT BACK. 790 00:39:11,049 --> 00:39:14,016 - THAT'S QUITE TRUE. - NOTHING IS EVER QUITE TRUE. 791 00:39:14,085 --> 00:39:16,052 WELL, THIS IS. 792 00:39:16,120 --> 00:39:19,588 CAN'T YOU ADMIT THAT WOMEN GIVE MEN THE VERY ESSENCE OF THEMSELVES? 793 00:39:19,657 --> 00:39:22,624 POSSIBLY, BUT THEY INVARIABLY WANT IT BACK IN VERY SMALL CHANGE. 794 00:39:22,693 --> 00:39:26,895 WOMEN, SOME WITTY FRENCHMAN PUT IT, 795 00:39:26,965 --> 00:39:29,031 INSPIRE US TO DO MASTERPIECES, 796 00:39:29,100 --> 00:39:31,567 THEN ALWAYS PREVENT US FROM CARRYING THEM OUT. 797 00:39:31,635 --> 00:39:33,035 I DON'T KNOW WHY I LIKE YOU AT ALL. 798 00:39:33,104 --> 00:39:35,137 YOU WILL ALWAYS LIKE ME, DORIAN. 799 00:39:35,206 --> 00:39:39,675 I REPRESENT ALL THE SINS YOU HAVE NEVER HAD THE COURAGE TO COMMIT. 800 00:39:39,743 --> 00:39:43,812 NOW AFTER ALL THAT, YOU MUST HAVE A CIGARETTE. 801 00:39:43,881 --> 00:39:47,583 A CIGARETTE IS THE PERFECT TYPE OF THE PERFECT PLEASURE. 802 00:39:47,651 --> 00:39:49,385 IT'S DELICIOUS, 803 00:39:49,454 --> 00:39:51,553 AND IT LEAVES ONE UNSATISFIED. WHAT MORE COULD ONE ASK? 804 00:39:51,622 --> 00:39:54,957 WHAT UTTER RUBBISH YOU DO TALK. LET'S GET DOWN TO THE THEATER. 805 00:39:55,026 --> 00:39:57,293 Basil: IF YOU WILL JUST GIVE ME A MOMENT. 806 00:39:57,362 --> 00:39:59,161 WHEN SIBYL VANE COMES ON THE STAGE. 807 00:39:59,230 --> 00:40:01,830 IT WILL BE YOUR TURN TO FIND A NEW IDEAL OF LIFE. 808 00:40:01,899 --> 00:40:05,267 SHE MAY REPRESENT SOMETHING EVEN YOU HAVE NEVER EXPERIENCED. 809 00:40:05,336 --> 00:40:08,104 I HAVE KNOWN EVERYTHING BUT I AM ALWAYS READY FOR A NEW EMOTION. 810 00:40:08,172 --> 00:40:11,207 I'M AFRAID THAT IN THIS CASE, HOWEVER, THERE'S NO SUCH THING. 811 00:40:11,275 --> 00:40:15,577 YOUR WONDERFUL GIRL MAY BE THRILLING AT THE VERY LEAST. 812 00:40:16,714 --> 00:40:19,648 I LOVE ACTING. 813 00:40:19,717 --> 00:40:22,918 SO MUCH MORE REAL THAN REAL LIFE. 814 00:40:22,987 --> 00:40:24,987 ( clock chimes ) 815 00:40:28,659 --> 00:40:30,192 WELL, LET'S GO THEN, DORIAN. 816 00:40:30,261 --> 00:40:31,894 YOU'LL COME WITH ME. 817 00:40:31,962 --> 00:40:34,497 NO, BASIL, THERE'S ONLY ROOM FOR TWO OF US IN THE BROUGHAM. 818 00:40:34,565 --> 00:40:36,899 YOU CAN FOLLOW IN A HANSOM. 819 00:40:49,480 --> 00:40:51,414 ( cheering, whistling ) 820 00:40:51,482 --> 00:40:54,350 I'M SORRY. I'VE MADE YOU BOTH WASTE AN EVENING. 821 00:40:54,419 --> 00:40:56,718 DORIAN, MISS VANE IS PROBABLY ILL. 822 00:40:56,787 --> 00:40:58,554 WE'LL COME AGAIN SOME OTHER NIGHT. 823 00:40:58,622 --> 00:41:01,090 I WISH SHE WERE ILL, BUT SHE IS CALLOUS AND COLD. 824 00:41:01,159 --> 00:41:02,591 SHE'S ALTERED ENTIRELY. 825 00:41:02,660 --> 00:41:04,693 LAST NIGHT I THOUGHT SHE WAS A GREAT ARTIST, 826 00:41:04,762 --> 00:41:07,496 THIS EVENING SHE'S COMMONPLACE AND MEDIOCRE. 827 00:41:07,565 --> 00:41:09,598 DON'T TALK LIKE THAT ABOUT ANYONE YOU LOVE. 828 00:41:09,667 --> 00:41:11,767 LOVE IS A MORE WONDERFUL THING THAN ART. 829 00:41:11,835 --> 00:41:14,070 THEY ARE BOTH FORMS OF IMITATION. 830 00:41:14,138 --> 00:41:17,106 DON'T PAY ANY ATTENTION TO HIM, I BEG OF YOU. 831 00:41:17,175 --> 00:41:19,308 I SEE WHAT YOU MEAN AND I BELIEVE IN HER. 832 00:41:19,377 --> 00:41:21,910 ANYONE THAT YOU LOVE MUST BE MARVELOUS. 833 00:41:21,979 --> 00:41:24,813 ANY GIRL THAT CAN PRODUCE THE EFFECT YOU DESCRIBED TO US 834 00:41:24,882 --> 00:41:27,183 MUST BE VERY EXTRAORDINARY AND UNIQUE 835 00:41:27,251 --> 00:41:28,617 TO PRODUCE THAT EFFECT IN YOU. 836 00:41:28,686 --> 00:41:31,454 THAT IS WORTH DOING IN ITSELF. 837 00:41:31,522 --> 00:41:33,789 YOUR IDEA OF MARRIAGE IS QUITE RIGHT. 838 00:41:33,857 --> 00:41:35,724 I DIDN'T THINK SO AT FIRST, 839 00:41:35,793 --> 00:41:36,925 BUT NOW I ADMIT IT FREELY. 840 00:41:36,994 --> 00:41:38,961 SIBYL VANE WAS MADE FOR YOU. 841 00:41:39,029 --> 00:41:41,363 WITHOUT HER, YOU WOULD HAVE PROBABLY 842 00:41:41,432 --> 00:41:43,499 BEEN INCOMPLETE FOR THE REST OF YOUR LIFE. 843 00:41:43,568 --> 00:41:46,668 THANK YOU, BASIL. I KNEW YOU WOULD TRY TO UNDERSTAND. 844 00:41:46,737 --> 00:41:48,604 I THINK WE SHOULD GO. 845 00:41:48,672 --> 00:41:50,639 YOU TOO, DORIAN. 846 00:41:50,708 --> 00:41:53,242 IT ISN'T GOOD FOR ONE'S MORALS TO SEE BAD ACTING. 847 00:41:53,311 --> 00:41:56,612 BESIDES, I DON'T SUPPOSE YOU WANT TO SEE YOUR WIFE ACT MUCH LONGER. 848 00:41:56,680 --> 00:41:59,047 WHAT DOES IT MATTER IF SHE PLAYS JULIET LIKE A WOODEN DOLL? 849 00:41:59,117 --> 00:42:01,049 SHE'S VERY LOVELY INDEED. 850 00:42:01,119 --> 00:42:04,052 AND IF SHE KNOWS AS LITTLE ABOUT LIFE AS SHE DOES ABOUT ACTING, 851 00:42:04,122 --> 00:42:06,322 SHE'LL BE A DELIGHTFUL EXPERIENCE. 852 00:42:06,390 --> 00:42:09,325 NOW, MY DEAR BOY, DON'T LOOK SO TRAGIC. 853 00:42:09,393 --> 00:42:12,361 COME AND DRIVE DOWN TO THE CLUB WITH BASIL AND ME, 854 00:42:12,430 --> 00:42:15,164 AND WE'LL DRINK A TOAST TO THE BEAUTY OF SIBYL VANE. 855 00:42:15,233 --> 00:42:19,401 SHE IS BEAUTIFUL. WHAT MORE CAN YOU WANT? 856 00:42:19,470 --> 00:42:22,804 PLEASE GO, HARRY. TAKE HIM WITH YOU, BASIL. 857 00:42:22,873 --> 00:42:24,240 OH, HARRY. 858 00:42:32,950 --> 00:42:34,316 DORIAN. 859 00:42:34,385 --> 00:42:37,019 I ACTED SO BADLY TONIGHT. 860 00:42:37,087 --> 00:42:38,754 HORRIBLY. YOU WERE DREADFUL. 861 00:42:38,822 --> 00:42:40,222 ARE YOU ILL OR SOMETHING? 862 00:42:40,291 --> 00:42:42,424 HAVEN'T YOU ANY IDEA WHAT IT WAS? 863 00:42:42,493 --> 00:42:44,593 YOU OBVIOUSLY HAVE NO IDEA WHAT I WENT THROUGH. 864 00:42:44,662 --> 00:42:48,030 DORIAN, YOU SHOULD HAVE UNDERSTOOD. 865 00:42:48,098 --> 00:42:50,432 YOU UNDERSTAND NOW, DON'T YOU? 866 00:42:50,501 --> 00:42:52,268 UNDERSTAND WHAT? 867 00:42:52,336 --> 00:42:54,637 WHY I WAS SO BAD TONIGHT. 868 00:42:54,705 --> 00:42:58,440 WHY I SHALL NEVER BE GOOD AGAIN. 869 00:42:58,509 --> 00:43:01,544 YOU ARE ILL. WHEN YOU ARE ILL, YOU SHOULDN'T GO ON. 870 00:43:01,612 --> 00:43:03,045 YOU MAKE YOURSELF RIDICULOUS. 871 00:43:03,113 --> 00:43:04,880 MY FRIENDS WERE BORED. I WAS BORED. 872 00:43:06,250 --> 00:43:08,217 DORIAN. 873 00:43:08,286 --> 00:43:09,718 BEFORE I KNEW YOU, 874 00:43:09,787 --> 00:43:11,587 ACTING WAS THE ONE REALITY OF MY LIFE. 875 00:43:11,656 --> 00:43:13,355 I ONLY LIVED FOR THE THEATER. 876 00:43:13,424 --> 00:43:15,357 I THOUGHT IT WAS ALL TRUE, WHAT WENT ON. 877 00:43:15,426 --> 00:43:17,560 AND THEN YOU CAME. 878 00:43:18,862 --> 00:43:20,529 OH, MY DEAREST... 879 00:43:20,598 --> 00:43:22,264 YOU FREED ME FROM ALL THAT. 880 00:43:22,333 --> 00:43:25,867 YOU TAUGHT ME REALITY. 881 00:43:25,936 --> 00:43:28,170 TONIGHT, FOR THE FIRST TIME IN MY LIFE, 882 00:43:28,239 --> 00:43:30,673 I SAW THE HOLLOWNESS OF EVERYTHING I'VE DEVOTED MYSELF TO. 883 00:43:30,741 --> 00:43:34,677 YOU MADE ME UNDERSTAND WHAT LOVE REALLY IS. 884 00:43:36,280 --> 00:43:38,113 TAKE ME AWAY. 885 00:43:38,182 --> 00:43:41,417 TAKE ME AWAY WHERE WE CAN BE ALONE. 886 00:43:42,553 --> 00:43:44,253 I HATE THE STAGE. 887 00:43:45,956 --> 00:43:48,424 YOU SEE WHAT A BLASPHEMY IT WOULD BE 888 00:43:48,492 --> 00:43:51,660 TO PLAY AT BEING IN LOVE. 889 00:43:51,729 --> 00:43:53,529 YOU HAVE KILLED ALL THAT. 890 00:43:53,598 --> 00:43:55,664 YES, YOU KILLED IT. 891 00:43:55,733 --> 00:43:57,899 YOU USED TO STIR MY IMAGINATION, 892 00:43:57,968 --> 00:43:59,868 NOW YOU DON'T EVEN STIR MY CURIOSITY. 893 00:43:59,937 --> 00:44:03,805 YOU PRODUCE NO EFFECT ON ME AT ALL. 894 00:44:03,874 --> 00:44:06,342 I LOVED YOU BECAUSE YOU WERE A MARVELOUS THING, 895 00:44:06,410 --> 00:44:08,143 BECAUSE YOU SEEMED TO GIVE SUBSTANCE 896 00:44:08,212 --> 00:44:09,845 TO ALL THINGS I'D EVER DREAMED OF. 897 00:44:09,913 --> 00:44:11,714 YOU HAVE THROWN THAT AWAY. 898 00:44:11,782 --> 00:44:14,383 YOU ARE SHALLOW. YOU ARE STUPID. 899 00:44:14,452 --> 00:44:16,918 MY GOD, WHAT COULD I HAVE BEEN THINKING OF? 900 00:44:16,987 --> 00:44:18,721 YOU ARE A NOTHING! 901 00:44:18,789 --> 00:44:20,889 I'LL NEVER SEE YOU AGAIN. 902 00:44:20,958 --> 00:44:22,424 I'LL NEVER THINK OF YOU. 903 00:44:22,493 --> 00:44:24,826 I'LL EVEN FORGET YOUR NAME. 904 00:44:24,895 --> 00:44:27,062 I ONLY WISH I'D NEVER LAID EYES ON YOU. 905 00:44:27,131 --> 00:44:29,598 AND WHAT LITTLE YOU KNOW ABOUT LOVE, 906 00:44:29,667 --> 00:44:31,767 MARS YOUR ART. 907 00:44:31,835 --> 00:44:33,369 WITHOUT YOUR ART, YOU'RE NOTHING. 908 00:44:33,437 --> 00:44:35,304 I WOULD HAVE MADE YOU FAMOUS, 909 00:44:35,373 --> 00:44:36,639 SPLENDID, MAGNIFICENT. 910 00:44:36,707 --> 00:44:38,474 YOU WOULD HAVE BEEN WORSHIPPED BY EVERYONE, 911 00:44:38,542 --> 00:44:40,476 AND MY NAME WOULD HAVE BEEN ON YOU. 912 00:44:40,544 --> 00:44:41,910 WHAT ARE YOU NOW? 913 00:44:41,979 --> 00:44:44,380 A THIRD-RATE ACTRESS WITH A PRETTY FACE. 914 00:44:47,318 --> 00:44:49,451 YOU'RE NOT SERIOUS? 915 00:44:49,520 --> 00:44:51,453 YOU'RE ACTING. 916 00:44:51,522 --> 00:44:54,390 I LEAVE THAT TO YOU. YOU DO IT SO WELL. 917 00:44:54,458 --> 00:44:55,924 DORIAN! 918 00:44:57,261 --> 00:44:58,294 NEVER TOUCH ME AGAIN. 919 00:44:58,362 --> 00:45:00,195 DORIAN, DON'T LEAVE ME! 920 00:45:00,264 --> 00:45:02,264 I'M SORRY I DIDN'T ACT WELL! 921 00:45:02,333 --> 00:45:04,099 I WAS THINKING OF YOU ALL THE TIME. 922 00:45:04,168 --> 00:45:06,302 BUT I WILL TRY. BELIEVE ME, I WILL! 923 00:45:06,370 --> 00:45:09,571 IT CAME SUDDENLY ACROSS ME, MY LOVE! 924 00:45:09,640 --> 00:45:12,007 I'LL WORK HARD. I'LL IMPROVE. 925 00:45:12,075 --> 00:45:13,875 DON'T BE CRUEL TO ME, BECAUSE I LOVE YOU 926 00:45:13,944 --> 00:45:15,544 BETTER THAN ANYTHING IN THE WORLD! 927 00:45:15,613 --> 00:45:18,380 IT'S ONLY ONCE I HAVEN'T PLEASED YOU. 928 00:45:18,449 --> 00:45:19,581 BUT YOU'RE RIGHT. 929 00:45:19,650 --> 00:45:22,250 I SHOULD HAVE SHOWN MYSELF MORE OF AN ARTIST. 930 00:45:22,320 --> 00:45:25,321 IT WAS FOOLISH OF ME, BUT I COULDN'T HELP IT. 931 00:45:25,389 --> 00:45:27,456 OH, DON'T LEAVE ME! 932 00:45:27,525 --> 00:45:29,792 THERE'S ALWAYS SOMETHING RIDICULOUS ABOUT THE EMOTIONS 933 00:45:29,860 --> 00:45:31,527 OF PEOPLE WHOM ONE HAS CEASED TO LOVE. 934 00:45:31,595 --> 00:45:33,529 I'M GOING NOW. 935 00:45:33,597 --> 00:45:35,531 I DON'T WISH TO BE UNKIND, 936 00:45:35,599 --> 00:45:37,232 BUT I CAN'T SEE YOU AGAIN. 937 00:45:37,301 --> 00:45:39,267 YOU HAVE DISAPPOINTED ME. THAT IS ALL. 938 00:45:41,372 --> 00:45:43,372 ( sobbing ) 939 00:46:45,670 --> 00:46:47,335 ( door opening ) 940 00:46:55,345 --> 00:46:56,478 YOU RANG, MONSIEUR? 941 00:46:56,547 --> 00:46:59,414 NO, OF COURSE I DIDN'T RING. 942 00:46:59,483 --> 00:47:01,550 OH, YES, I DID. 943 00:47:14,398 --> 00:47:16,431 IT'S TOO COLD FOR MONSIEUR. 944 00:47:16,500 --> 00:47:18,533 SHALL I CLOSE THE WINDOW? 945 00:47:18,603 --> 00:47:20,069 NO, I'M NOT COLD. 946 00:47:21,472 --> 00:47:23,138 YES, SHUT IT. 947 00:47:33,383 --> 00:47:35,417 WILL THERE BE ANYTHING ELSE? 948 00:47:35,486 --> 00:47:37,319 WHAT? 949 00:47:38,455 --> 00:47:40,188 DID YOU SEE THAT MISS VANE GOT MY LETTER? 950 00:47:40,257 --> 00:47:42,658 Victor: I DELIVERED IT MYSELF. 951 00:47:42,727 --> 00:47:44,660 ALTHOUGH THE ADDRESS WAS DIFFICULT TO FIND. 952 00:47:44,729 --> 00:47:46,662 DID YOU GIVE IT TO HER PERSONALLY? 953 00:47:46,731 --> 00:47:48,030 NO, I BUT I GAVE IT TO SOMEONE 954 00:47:48,099 --> 00:47:49,965 WHO CALLED HERSELF THE LANDLADY. 955 00:47:50,034 --> 00:47:52,901 SHE SEEMED RATHER CROSS AT BEING DISTURBED, 956 00:47:52,970 --> 00:47:55,604 BUT SHE PROMISED IT WOULD BE DELIVERED INTO THE RIGHT HANDS. 957 00:47:55,673 --> 00:47:59,108 VERY WELL, VICTOR. I'M NOT AT HOME TO ANYONE EXCEPT MISS VANE. 958 00:47:59,176 --> 00:48:00,776 AND LORD HENRY? 959 00:48:00,845 --> 00:48:02,377 WHAT ABOUT HIM? 960 00:48:02,446 --> 00:48:04,246 I'M ONLY AT HOME TO MISS VANE. 961 00:48:04,314 --> 00:48:05,948 DO YOU REMEMBER? MISS SIBYL VANE. 962 00:48:06,017 --> 00:48:08,951 IT'S JUST THAT HIS MAN BROUGHT A LETTER THIS MORNING. 963 00:48:09,020 --> 00:48:10,819 IT WAS MARKED URGENT. 964 00:48:10,888 --> 00:48:12,587 I LEFT IT ON YOUR BREAKFAST TRAY. 965 00:48:12,657 --> 00:48:14,589 YES, I GOT IT. IT CAN'T BE THAT IMPORTANT. 966 00:48:14,659 --> 00:48:15,958 I'LL READ IT LATER. 967 00:48:16,027 --> 00:48:18,727 DON'T FORGET TO LET HER IN AT ONCE. 968 00:48:18,796 --> 00:48:19,728 THAT'S ALL. 969 00:48:19,797 --> 00:48:21,964 YES, MONSIEUR. 970 00:48:48,726 --> 00:48:50,659 Henry: VICTOR, I HAVE TO SEE GRAY AT ONCE. 971 00:48:50,728 --> 00:48:52,427 Victor: HE'S NOT AT HOME. 972 00:48:52,496 --> 00:48:54,262 IT'S VERY IMPORTANT. I HAVE TO SEE HIM. 973 00:48:54,331 --> 00:48:56,264 Victor: MR. GRAY WOULD NOT LIKE TO BE DISTURBED. 974 00:48:56,333 --> 00:48:59,668 - ( knocking at door ) - WHAT ARE YOU DOING? 975 00:48:59,737 --> 00:49:02,571 Henry: ARE YOU IN THERE? I MUST SPEAK TO YOU. 976 00:49:08,245 --> 00:49:10,579 MY DEAR BOY, I HAD TO SEE YOU. 977 00:49:10,647 --> 00:49:12,781 FORGIVE ME, BUT YOUR SHUTTING US OUT LIKE THIS-- 978 00:49:12,850 --> 00:49:14,449 I'M SO TERRIBLY SORRY FOR YOU. 979 00:49:14,518 --> 00:49:16,985 YOU MUSTN'T SIT ALONE BROODING ABOUT IT. 980 00:49:17,054 --> 00:49:19,354 - YOU MEAN ABOUT SIBYL VANE? - YES, OF COURSE. 981 00:49:19,423 --> 00:49:22,024 THE WHOLE THING IS TRAGIC FROM EVERY POINT OF VIEW. 982 00:49:22,093 --> 00:49:23,792 BUT YOU MUSTN'T THINK OF IT AS YOUR FAULT. 983 00:49:23,861 --> 00:49:27,329 DID YOU STAY WITH HER LONG AFTER WE BOTH LEFT? 984 00:49:27,397 --> 00:49:29,531 - A WHILE. - I KNEW YOU WOULD. 985 00:49:29,600 --> 00:49:31,533 - WAS IT A SCENE? - I WAS BRUTAL. 986 00:49:31,602 --> 00:49:33,736 BRUTAL AND UNFORGIVABLE, BUT THAT IS OVER NOW. 987 00:49:33,804 --> 00:49:35,838 I'M NOT EVEN SORRY FOR WHAT HAPPENED, 988 00:49:35,906 --> 00:49:37,672 EXCEPT FOR THE PAIN I CAUSED. 989 00:49:37,742 --> 00:49:39,842 IT HAS TAUGHT ME TO KNOW MYSELF. 990 00:49:39,910 --> 00:49:41,744 I'M GLAD YOU LOOK ON IT LIKE THAT. 991 00:49:41,812 --> 00:49:43,812 I WAS AFRAID I WOULD FIND YOU IN DESPAIR. 992 00:49:43,881 --> 00:49:46,381 THAT IS ALL OVER. I'M AS HAPPY AS I SHALL EVER BE. 993 00:49:46,450 --> 00:49:48,450 FOR ONE THING, I KNOW WHAT CONSCIENCE IS. 994 00:49:48,518 --> 00:49:50,452 AND DON'T SWEAR AT THAT ANY MORE, 995 00:49:50,520 --> 00:49:52,354 NOT IN FRONT OF ME. I CAN SEE THROUGH IT. 996 00:49:52,422 --> 00:49:54,757 I WOULD LIKE TO BE GOOD, AS MUCH AS I CAN. 997 00:49:54,825 --> 00:49:56,458 I CAN'T FACE THE IDEA 998 00:49:56,526 --> 00:49:58,994 OF MY INNER SELF BEING HIDEOUS ANY LONGER. 999 00:49:59,063 --> 00:50:02,164 AND HOW DO YOU PROPOSE TO START THIS MORAL REGENERATION? 1000 00:50:02,233 --> 00:50:03,799 BY MARRYING SIBYL VANE. 1001 00:50:03,868 --> 00:50:05,734 MARRYING SIBYL VANE? BUT, DORIAN-- 1002 00:50:05,803 --> 00:50:07,535 I KNOW WHAT YOU'RE GOING TO SAY. 1003 00:50:07,604 --> 00:50:09,671 SOMETHING SARCASTIC ABOUT MARRIAGE. WELL, DON'T. 1004 00:50:09,740 --> 00:50:11,640 I'VE WRITTEN AGAIN TO SIBYL SINCE LAST NIGHT. 1005 00:50:11,708 --> 00:50:14,176 I'VE ASKED HER AGAIN TO MARRY ME. IF SHE'LL HAVE ME. 1006 00:50:14,245 --> 00:50:16,879 MY MIND'S MADE UP. SHE'S GOING TO BE MY WIFE. 1007 00:50:16,947 --> 00:50:19,714 DORIAN, MY NOTE. DIDN'T YOU GET IT? I SENT IT THIS MORNING. 1008 00:50:19,784 --> 00:50:22,151 YES, I DID GET IT, BUT I DIDN'T READ IT. 1009 00:50:22,219 --> 00:50:24,186 MY MIND WAS ON SIBYL. 1010 00:50:24,255 --> 00:50:28,490 - YOU KNOW NOTHING? - NOTHING. 1011 00:50:30,227 --> 00:50:33,262 DORIAN, DON'T BE AFRAID. THAT LETTER WAS TO TELL YOU 1012 00:50:33,330 --> 00:50:36,431 SIBYL VANE IS DEAD. 1013 00:50:36,500 --> 00:50:39,367 HOW DARE YOU! THAT'S THE MOST HORRIBLE LIE YOU'VE EVER PERPETRATED. 1014 00:50:39,436 --> 00:50:42,271 I'M SORRY, DORIAN, BUT IT'S QUITE TRUE. IT'S IN ALL THE NEWSPAPERS. 1015 00:50:42,339 --> 00:50:44,173 I THOUGHT YOU'D HAVE SEEN THEM BY NOW. 1016 00:50:44,241 --> 00:50:46,208 THAT'S WHY I WROTE TELLING YOU NOT TO ADMIT ANYONE 1017 00:50:46,277 --> 00:50:48,277 TILL I CAME ROUND. THERE'LL BE AN INQUEST. 1018 00:50:48,345 --> 00:50:50,578 BUT NATURALLY, YOU MUST NOT BE MIXED UP IN IT. 1019 00:50:50,647 --> 00:50:52,747 IF ANYBODY SHOULD HAVE HEARD YOUR NAME BY ANY CHANCE 1020 00:50:52,817 --> 00:50:55,083 AT THE THEATER, LIKE THE GIRL'S MOTHER, FOR INSTANCE-- 1021 00:50:55,152 --> 00:50:56,785 THAT CAN ALL BE ARRANGED. 1022 00:50:56,854 --> 00:50:58,821 THESE THINGS ALWAYS CAN BE. 1023 00:50:58,889 --> 00:51:01,890 IN FRANCE, IT MIGHT MAKE A MAN SEEM FASHIONABLE. 1024 00:51:01,959 --> 00:51:04,759 BUT IN LONDON, PEOPLE ARE SO PREJUDICED. 1025 00:51:04,829 --> 00:51:06,795 HERE, ONE SHOULD NEVER 1026 00:51:06,864 --> 00:51:08,663 MAKE ONE'S DEBUT WITH A SCANDAL. 1027 00:51:08,732 --> 00:51:10,933 ONE SHOULD KEEP THAT IN RESERVE. GIVE AN INTEREST 1028 00:51:11,001 --> 00:51:12,667 TO ONE'S OLD AGE. 1029 00:51:12,736 --> 00:51:15,337 I'M SURE THAT NOBODY COULD HAVE RECOGNIZED EITHER OF US. 1030 00:51:15,405 --> 00:51:17,906 - IN THAT LITTLE PLACE. - RECOGNIZED? 1031 00:51:17,975 --> 00:51:19,875 INQUEST? WHAT DO YOU MEAN? 1032 00:51:19,944 --> 00:51:21,643 YOU MEAN THAT SYB-- 1033 00:51:21,712 --> 00:51:24,412 TELL ME THE WHOLE THING. 1034 00:51:24,481 --> 00:51:25,948 THERE'S NO QUESTION OF IT BEING AN ACCIDENT, 1035 00:51:26,016 --> 00:51:28,583 THOUGH IT COULD BE PUT THAT WAY TO THE PUBLIC. 1036 00:51:28,652 --> 00:51:30,853 WE KNOW THEY CAN BE MADE TO BELIEVE ANYTHING. 1037 00:51:30,921 --> 00:51:33,421 I WON'T BOTHER YOU WITH THE DETAILS NOW 1038 00:51:33,490 --> 00:51:35,390 YOU CAN READ THEM LATER, BUT IT SEEMS 1039 00:51:35,459 --> 00:51:37,259 SHE WAS FOUND DEAD ON HER DRESSING ROOM FLOOR. 1040 00:51:37,328 --> 00:51:39,962 THE NEWSPAPERS SAY 1041 00:51:40,030 --> 00:51:42,697 THAT SHE SWALLOWED SOMETHING BY MISTAKE, 1042 00:51:42,766 --> 00:51:45,267 SOMETHING THEY USE IN THEATERS FOR SOME REASON. 1043 00:51:45,336 --> 00:51:47,602 I DON'T KNOW WHAT IT WAS BUT IT HAD 1044 00:51:47,671 --> 00:51:50,705 EITHER PRUSSIC ACID OR WHITE LEAD IN IT. 1045 00:51:50,774 --> 00:51:52,574 I SHOULD FANCY IT WAS PRUSSIC ACID 1046 00:51:52,642 --> 00:51:54,809 AS SHE SEEMS TO HAVE DIED INSTANTLY. 1047 00:51:54,879 --> 00:51:58,013 THAT IS SOMETHING. THOUGH NOT VERY MUCH, ALL THE SAME. 1048 00:51:58,082 --> 00:52:00,883 YES, IT'S VERY TRAGIC, BUT YOU MUSTN'T ALLOW 1049 00:52:00,951 --> 00:52:02,617 YOURSELF TO BE MIXED UP IN IT. 1050 00:52:02,686 --> 00:52:05,520 "THE MORNING POST" SAYS SHE WAS 17. 1051 00:52:05,589 --> 00:52:08,656 I SHOULD HAVE THOUGHT SHE WAS YOUNGER THAN THAT. 1052 00:52:08,725 --> 00:52:10,692 SHE LOOKED SUCH A CHILD. 1053 00:52:10,761 --> 00:52:13,262 DORIAN, YOU'RE NOT TO ALLOW THIS THING TO BRING YOU DOWN. 1054 00:52:13,330 --> 00:52:15,730 I'LL TELL YOU WHAT YOU WILL DO. 1055 00:52:15,799 --> 00:52:17,599 YOU WILL COME AND DINE WITH ME. 1056 00:52:17,667 --> 00:52:20,168 AFTERWARDS, WE WILL LOOK IN AT THE OPERA. 1057 00:52:20,237 --> 00:52:22,404 YES, THE OPERA, IT'S A PATTI NIGHT. 1058 00:52:22,472 --> 00:52:24,039 EVERYONE WILL BE THERE. 1059 00:52:24,108 --> 00:52:25,974 YOU CAN COME TO MY SISTER'S BOX. 1060 00:52:26,043 --> 00:52:28,210 SHE'LL HAVE SOME SMART WOMEN WITH HER. 1061 00:52:28,279 --> 00:52:32,180 SO, I HAVE MURDERED SIBYL VANE, 1062 00:52:32,249 --> 00:52:35,117 JUST AS IF I'D CUT HER THROAT MYSELF 1063 00:52:35,185 --> 00:52:36,919 WITH A KNIFE. 1064 00:52:41,125 --> 00:52:43,558 THE SUN SHINES AND THE BIRDS SING. 1065 00:52:43,627 --> 00:52:46,628 AND TONIGHT, I'M GOING TO DINE WITH YOU, 1066 00:52:46,696 --> 00:52:49,864 GO ON THE OPERA, THEN SUP SOMEWHERE AFTERWARDS? 1067 00:52:49,934 --> 00:52:52,700 HOW EXTRAORDINARILY THEATRICAL THIS WOULD HAVE SEEMED 1068 00:52:52,769 --> 00:52:54,636 IF ONE HAD WATCHED IT HAPPEN. 1069 00:52:55,906 --> 00:52:57,772 SOMEHOW, 1070 00:52:57,841 --> 00:53:00,442 NOW THAT IT HAS HAPPENED ACTUALLY, AND TO ME, 1071 00:53:00,510 --> 00:53:03,511 IT ALL SEEMS TOO MUCH TO CONTEMPLATE AT ONE TIME. 1072 00:53:04,949 --> 00:53:08,183 THAT WAS THE FIRST LOVE LETTER I'VE WRITTEN IN MY LIFE. 1073 00:53:08,252 --> 00:53:11,786 THE FIRST-- AND THAT TO A GIRL ALREADY DEAD. 1074 00:53:13,623 --> 00:53:15,623 DID I REALLY LOVE HER? 1075 00:53:15,692 --> 00:53:18,360 SHE TRIED TO EXPLAIN HERSELF TO ME, BUT I WASN'T MOVED ONE BIT. 1076 00:53:18,429 --> 00:53:22,464 SHE SEEMED SHALLOW TO ME. AND THEN AFTERWARDS, 1077 00:53:22,532 --> 00:53:24,199 SOMETHING MADE ME FEEL AFRAID. 1078 00:53:24,268 --> 00:53:28,170 I DON'T KNOW WHAT IT WAS, BUT IT WAS HORRIBLE. 1079 00:53:28,238 --> 00:53:31,840 I KNEW I'D DONE WRONG, THAT I'D HAVE TO GO BACK. 1080 00:53:31,908 --> 00:53:34,142 WELL, THERE SHE IS-- 1081 00:53:34,211 --> 00:53:35,810 DEAD. 1082 00:53:35,879 --> 00:53:38,313 MY GOD, HARRY. WHAT SHALL I DO? 1083 00:53:38,382 --> 00:53:40,015 I DON'T THINK YOU KNOW THE DANGER I'M IN, 1084 00:53:40,084 --> 00:53:41,883 AND THERE'S NOTHING TO KEEP ME STRAIGHT. 1085 00:53:41,952 --> 00:53:44,386 PERHAPS SHE COULD HAVE DONE THAT FOR ME. 1086 00:53:44,455 --> 00:53:47,655 SHE'D NO RIGHT TO KILL HERSELF, NO RIGHT. 1087 00:53:47,724 --> 00:53:50,625 MY DEAR DORIAN, THE ONLY WAY THAT A WOMAN CAN REFORM A MAN 1088 00:53:50,694 --> 00:53:53,362 IS BY BORING HIM SO THAT HE LOSES ALL INTEREST IN LIFE. 1089 00:53:53,430 --> 00:53:56,564 IF YOU HAD MARRIED THIS GIRL, YOU'D HAVE BEEN WRETCHED. 1090 00:53:56,633 --> 00:53:58,600 OF COURSE, YOU'D HAVE TREATED HER KINDLY. 1091 00:53:58,668 --> 00:54:01,336 ONE CAN BE KIND TO PEOPLE FOR WHOM ONE CARES NOTHING. 1092 00:54:01,405 --> 00:54:03,271 BUT SHE'D HAVE SOON FOUND OUT 1093 00:54:03,340 --> 00:54:05,007 THAT YOU ARE ABSOLUTELY INDIFFERENT TO HER. 1094 00:54:05,075 --> 00:54:07,309 WHEN A WOMAN FINDS THAT OUT ABOUT HER HUSBAND, 1095 00:54:07,378 --> 00:54:09,344 I CAN ONLY SAY THAT IN ANY CASE, 1096 00:54:09,413 --> 00:54:11,380 THE WHOLE THING WOULD HAVE BEEN A FAILURE. 1097 00:54:12,949 --> 00:54:14,582 YES, I SUPPOSE IT WOULD. 1098 00:54:16,553 --> 00:54:19,087 HARRY, WHY IS IT THAT I CANNOT FEEL ALL THIS 1099 00:54:19,156 --> 00:54:20,989 AS MUCH AS I WANT TO? 1100 00:54:21,058 --> 00:54:24,192 I KNOW THAT I'M NOT HEARTLESS. DO YOU THINK I AM? 1101 00:54:24,261 --> 00:54:26,128 THERE IS ALWAYS SOME LUXURY 1102 00:54:26,196 --> 00:54:28,196 TO BE HAD IN SELF-REPROACH. 1103 00:54:28,265 --> 00:54:30,932 BUT IN THIS CASE, WHAT IS IT THAT'S HAPPENED? 1104 00:54:31,001 --> 00:54:33,902 A GIRL HAS KILLED HERSELF FOR LOVE OF YOU. 1105 00:54:33,970 --> 00:54:36,505 I WISH SUCH A THING HAD EVER HAPPENED TO ME. 1106 00:54:36,573 --> 00:54:39,007 IT WOULD MAKE ME IN LOVE WITH LOVE FOR THE REST OF MY LIFE. 1107 00:54:39,076 --> 00:54:41,609 THE PEOPLE WHO HAVE ADORED ME-- 1108 00:54:41,678 --> 00:54:43,845 THERE HAVE NOT BEEN MANY, BUT THERE HAVE BEEN SOME-- 1109 00:54:43,914 --> 00:54:45,880 HAVE ALWAYS INSISTED ON GOING ON LONG AFTER 1110 00:54:45,949 --> 00:54:48,483 I'D CEASED TO CARE FOR THEM OR THEY TO CARE FOR ME. 1111 00:54:48,552 --> 00:54:50,952 THE ONLY CHARM OF THE PAST 1112 00:54:51,021 --> 00:54:53,455 IS THAT IT IS THE PAST. 1113 00:54:53,524 --> 00:54:56,458 I WAS INHUMANLY CRUEL TO HER. YOU SEEM TO FORGET THAT. 1114 00:54:56,527 --> 00:54:58,460 I'M AFRAID THAT WOMEN APPRECIATE CRUELTY-- 1115 00:54:58,529 --> 00:55:01,029 DOWNRIGHT CRUELTY, MORE THAN ANYTHING ELSE. 1116 00:55:01,098 --> 00:55:03,698 THEY HAVE WONDERFULLY PRIMITIVE INSTINCTS. 1117 00:55:03,767 --> 00:55:06,034 WE MAY EMANCIPATE THEM 1118 00:55:06,103 --> 00:55:09,504 BUT THEY REMAIN SLAVES LOOKING FOR THEIR MASTERS ALL THE SAME. 1119 00:55:09,573 --> 00:55:11,273 I WONDER IF YOU KNOW ME 1120 00:55:11,341 --> 00:55:13,075 AS WELL AS YOU THINK, HARRY. 1121 00:55:13,143 --> 00:55:15,110 I DON'T WANT US TO TALK ABOUT THIS AGAIN EVER. 1122 00:55:15,179 --> 00:55:17,112 IT HAS BEEN AN EXPERIENCE. THAT IS ALL. 1123 00:55:17,181 --> 00:55:19,847 I CANNOT THINK THERE COULD BE MUCH ELSE IN STORE. 1124 00:55:19,916 --> 00:55:22,217 THERE'S EVERYTHING IN STORE FOR YOU, DORIAN. 1125 00:55:22,286 --> 00:55:23,918 WITH ALL THE GODS HAVE GIVEN YOU, 1126 00:55:23,987 --> 00:55:28,156 THERE IS NOTHING THAT YOU WILL NOT BE ABLE TO DO. 1127 00:55:28,225 --> 00:55:31,293 AND NOW YOU'D BETTER DRESS. AND DRIVE DOWN TO THE CLUB. WE'RE RATHER LATE AS IT IS. 1128 00:55:31,361 --> 00:55:33,095 I FEEL TOO TIRED TO EAT ANYTHING. 1129 00:55:33,163 --> 00:55:34,996 I THINK I SHALL JOIN YOU AT THE OPERA. 1130 00:55:35,065 --> 00:55:36,998 WHAT IS THE NUMBER OF YOUR SISTER'S BOX? 1131 00:55:37,067 --> 00:55:38,900 27, I BELIEVE. IT'S ON THE GRAND TIER. 1132 00:55:38,969 --> 00:55:40,802 YOU WILL FIND HER NAME ON THE DOOR. 1133 00:55:40,870 --> 00:55:42,904 BUT I'M SORRY YOU WON'T DINE WITH ME FIRST. 1134 00:55:42,973 --> 00:55:44,939 I DON'T FEEL UP TO IT. 1135 00:55:45,008 --> 00:55:47,175 BUT I'M AWFULLY OBLIGED TO YOU. 1136 00:55:47,244 --> 00:55:49,411 FOR EVERYTHING. 1137 00:55:49,480 --> 00:55:52,046 WE'RE ONLY AT THE BEGINNING OF OUR FRIENDSHIP, DORIAN. 1138 00:55:55,051 --> 00:55:57,319 GOODBYE. 1139 00:55:57,387 --> 00:56:00,222 I SHALL SEE YOU BEFORE 9:30, I HOPE. 1140 00:56:02,459 --> 00:56:05,793 REMEMBER, PATTI IS SINGING. 1141 00:56:19,276 --> 00:56:21,176 ( distant bell rings ) 1142 00:56:32,356 --> 00:56:34,456 - YOU RANG, MONSIEUR? - YES. 1143 00:56:34,525 --> 00:56:37,159 I SHALL BE GOING TO THE OPERA THIS EVENING, VICTOR. 1144 00:56:37,227 --> 00:56:39,060 ALL RIGHT, MONSIEUR. 1145 00:56:39,129 --> 00:56:41,429 - I'LL PUT OUT YOUR CLOTHES. - LATER WILL DO. 1146 00:56:41,498 --> 00:56:43,198 IN THE MEANTIME-- 1147 00:56:44,635 --> 00:56:46,568 I WANT YOU TO GO AROUND TO MR. HUBBARD. 1148 00:56:46,637 --> 00:56:48,703 HE IS THE FRAMEMAKER IN SOUTH AUDLEY STREET. 1149 00:56:48,772 --> 00:56:51,439 I HAVE PICTURES I WANT HIS ADVICE ABOUT. 1150 00:56:51,508 --> 00:56:53,408 - I KNOW THE GENTLEMAN-- - TELL HIM IT'S IMPORTANT, 1151 00:56:53,477 --> 00:56:55,577 AND I SHALL LIKE HIM TO COME AROUND AS SOON AS POSSIBLE. 1152 00:56:55,646 --> 00:57:00,248 THAT'S ALL. OH-- ASK MRS. LEAF TO GIVE YOU THE KEY OF THE SCHOOLROOM. 1153 00:57:00,317 --> 00:57:03,117 THE OLD SCHOOLROOM, MONSIEUR? 1154 00:57:03,187 --> 00:57:06,954 IT'S SO LONG SINCE ANYONE WENT IN THERE, IT MUST BE FULL OF DUST. 1155 00:57:07,023 --> 00:57:10,124 I'M SURE IT'S NOT FIT FOR YOU TO LOOK AT, MONSIEUR. 1156 00:57:10,194 --> 00:57:12,260 I'LL SEE TO IT THAT SHE PUTS IT IN ORDER BEFORE YOU GO IN THERE. 1157 00:57:12,329 --> 00:57:14,996 I DON'T WANT IT PUT IN ORDER, BY YOU, MRS. LEAF OR ANYONE ELSE. 1158 00:57:15,065 --> 00:57:16,898 I SIMPLY WANT THE KEY. DO YOU UNDERSTAND THAT? 1159 00:57:16,966 --> 00:57:18,600 JUST AS YOU WISH, MONSIEUR. 1160 00:57:18,669 --> 00:57:20,968 I THOUGHT YOU MIGHT BE COVERED IN COBWEBS IF YOU WENT IN THERE. 1161 00:57:21,037 --> 00:57:23,638 MRS. LEAF TELLS ME IT HASN'T BEEN OPENED FOR NEARLY FIVE YEARS. 1162 00:57:23,707 --> 00:57:25,807 THAT IS UNIMPORTANT! I SIMPLY WANT TO SEE THE PLACE. 1163 00:57:25,875 --> 00:57:29,211 - THAT'S ALL! - YES, MONSIEUR. 1164 00:57:29,279 --> 00:57:31,379 MR. HALLWARD IS WAITING TO SEE YOU. 1165 00:57:31,448 --> 00:57:32,980 - SHALL I SEND HIM IN? - YES. 1166 00:57:33,049 --> 00:57:34,949 THEN GET OFF TO THE FRAMEMAKERS! 1167 00:57:38,222 --> 00:57:39,754 THANK YOU, VICTOR. 1168 00:57:41,558 --> 00:57:43,592 DORIAN, I'M SO GLAD TO FIND YOU IN. 1169 00:57:43,660 --> 00:57:45,660 I MET HARRY OUTSIDE IN THE STREET. 1170 00:57:45,729 --> 00:57:47,762 HE SEEMED BLAND ABOUT THE WHOLE AFFAIR. 1171 00:57:47,831 --> 00:57:49,764 THIS MUST BE AWFUL FOR YOU. I THOUGHT YOU MIGHT 1172 00:57:49,833 --> 00:57:51,866 BE WITH THE POLICE OR SOMETHING. 1173 00:57:51,935 --> 00:57:54,302 - WHY SHOULD I BE WITH THE POLICE? - HE SAID SOMETHING ABOUT 1174 00:57:54,371 --> 00:57:56,938 YOU GOING TO THE OPERA. I DIDN'T BELIEVE THAT. 1175 00:57:57,006 --> 00:57:59,073 DORIAN, I HOPE YOU DON'T GET TOO INVOLVED. 1176 00:57:59,142 --> 00:58:01,243 INVOLVED? WHY SHOULD I BE INVOLVED? 1177 00:58:01,311 --> 00:58:03,411 YOU SHOULD KNOW THAT BETTER THAN I. 1178 00:58:03,480 --> 00:58:06,013 AS A MATTER OF FACT, I AM GOING TO THE OPERA. 1179 00:58:06,082 --> 00:58:08,450 YOU ARE GOING TO THE OPERA? 1180 00:58:08,518 --> 00:58:10,518 YES. WHY DON'T YOU COME? 1181 00:58:10,587 --> 00:58:12,354 I AM MEETING LADY GWENDOLYN, 1182 00:58:12,422 --> 00:58:14,922 HARRY'S SISTER, FOR THE FIRST TIME. WE ARE MEETING IN HER BOX. 1183 00:58:14,991 --> 00:58:18,426 DORIAN, SIBYL VANE IS LYING DEAD IN SOME LODGING HOUSE, 1184 00:58:18,495 --> 00:58:21,329 AND YOU TELL ME THAT YOU'RE GOING TO THE OPERA? 1185 00:58:21,398 --> 00:58:23,431 THE GIRL YOU LOVE-- 1186 00:58:23,500 --> 00:58:26,668 HASN'T EVEN YET FOUND A GRAVE TO CRAWL INTO FOR ALL WE KNOW. 1187 00:58:26,737 --> 00:58:30,138 DON'T TALK ABOUT HORRID SUBJECTS, BASIL. WHAT IS PAST, IS PAST. 1188 00:58:33,510 --> 00:58:35,610 YOU CALL YESTERDAY THE PAST? 1189 00:58:35,679 --> 00:58:37,979 I DON'T WANT TO BE AT THE MERCY OF MY EMOTIONS. 1190 00:58:38,047 --> 00:58:40,348 I WANT TO USE THEM. 1191 00:58:40,417 --> 00:58:42,317 TO ENJOY THEM. 1192 00:58:42,386 --> 00:58:44,218 AND TO DOMINATE. 1193 00:58:44,288 --> 00:58:48,222 SOMETHING HAS CHANGED YOU. 1194 00:58:48,292 --> 00:58:49,891 TO ME YOU LOOK THE SAME CREATURE 1195 00:58:49,959 --> 00:58:51,926 THAT USED TO, DAY AFTER DAY, COME TO MY STUDIO, 1196 00:58:51,995 --> 00:58:53,628 BUT THEN YOU WERE SIMPLE AND NATURAL, 1197 00:58:53,697 --> 00:58:55,630 AFFECTIONATE. 1198 00:58:55,699 --> 00:58:57,999 BUT NOW I DON'T KNOW WHAT'S COME OVER YOU. 1199 00:58:58,067 --> 00:59:01,068 YOU TALK AS IF YOU HAD NO HEART, NO PITY IN YOU. 1200 00:59:01,137 --> 00:59:02,904 IS IT HARRY'S INFLUENCE? 1201 00:59:02,972 --> 00:59:06,474 I OWE A GREAT DEAL TO HIM. MORE THAN I DO TO YOU. 1202 00:59:06,543 --> 00:59:10,011 - YOU TAUGHT ME TO BE VAIN. - I'M BEING PUNISHED FOR THAT. 1203 00:59:10,079 --> 00:59:12,013 I DON'T KNOW WHAT YOU MEAN. OR WHAT YOU WANT. 1204 00:59:12,081 --> 00:59:13,881 WHAT DO YOU WANT?! 1205 00:59:13,950 --> 00:59:16,184 I WANT THE DORIAN I USED TO PAINT. 1206 00:59:16,252 --> 00:59:18,687 WHEN I HEARD THAT SIBYL VANE HAD KILLED HERSELF-- 1207 00:59:18,755 --> 00:59:21,022 KILLED HERSELF? YOU MEAN THERE ISN'T ANY DOUBT ABOUT IT? 1208 00:59:21,090 --> 00:59:23,024 SURELY YOU DON'T THINK IT WAS A VULGAR ACCIDENT? 1209 00:59:23,092 --> 00:59:25,026 OF COURSE SHE KILLED HERSELF. 1210 00:59:25,094 --> 00:59:27,395 - DORIAN, HOW AWFUL! - THERE'S NOTHING AWFUL ABOUT IT. 1211 00:59:27,464 --> 00:59:30,198 IT'S ONE OF THE GREAT ROMANTIC TRAGEDIES OF THE AGE. 1212 00:59:30,266 --> 00:59:33,735 AS A RULE, THE PEOPLE WHO ACT LEAD THE MOST COMMONPLACE LIVES, 1213 00:59:33,804 --> 00:59:35,903 THEY ARE GOOD HUSBANDS OR FAITHFUL WIVES, 1214 00:59:35,972 --> 00:59:37,505 OR SOMETHING TEDIOUS. 1215 00:59:37,574 --> 00:59:40,375 YOU KNOW WHAT I MEAN, MIDDLE CLASS VIRTUE AND ALL THAT. 1216 00:59:40,444 --> 00:59:42,510 HOW DIFFERENT SIBYL WAS TO THAT. 1217 00:59:42,579 --> 00:59:45,980 SHE LIVED HER FINEST TRAGEDY. SHE WAS ALWAYS A HEROINE. 1218 00:59:46,049 --> 00:59:47,882 THE LAST NIGHT SHE PLAYED, 1219 00:59:47,951 --> 00:59:50,218 THE NIGHT YOU SAW HER, SHE ACTED BADLY 1220 00:59:50,286 --> 00:59:52,420 BECAUSE SHE'D KNOWN THE REALITY OF LOVE. 1221 00:59:52,489 --> 00:59:54,556 WHEN SHE KNEW IT'S UNREALITY, 1222 00:59:54,624 --> 00:59:57,459 SHE DIED... AS JULIET MIGHT HAVE DIED. 1223 00:59:57,527 --> 01:00:00,495 HER DEATH HAS ALL THE PATHETIC USELESSNESS OF MARTYRDOM, 1224 01:00:00,564 --> 01:00:02,764 ALL ITS WASTED BEAUTY. 1225 01:00:05,502 --> 01:00:08,570 I KNOW YOU ARE SURPRISED AT ME TALKING TO YOU LIKE THIS, BASIL. 1226 01:00:08,638 --> 01:00:10,672 YOU HAVE NOT REALIZED HOW I HAVE DEVELOPED. 1227 01:00:10,741 --> 01:00:13,975 TO BECOME THE SPECTATOR OF ONE'S OWN LIFE, AS HARRY SAYS, 1228 01:00:14,043 --> 01:00:16,944 IS TO ESCAPE THE SUFFERING OF LIFE. 1229 01:00:17,013 --> 01:00:20,515 DON'T LEAVE ME, BASIL. DON'T LET'S QUARREL. 1230 01:00:20,584 --> 01:00:22,884 I AM WHAT I AM. 1231 01:00:22,952 --> 01:00:25,119 THERE'S NOTHING MORE TO BE SAID. 1232 01:00:34,664 --> 01:00:37,198 WELL, DORIAN, I WON'T MENTION THIS AGAIN, AFTER TODAY. 1233 01:00:37,267 --> 01:00:41,603 I ONLY HOPE THEY DON'T MENTION YOUR NAME 1234 01:00:41,671 --> 01:00:43,438 IN CONNECTION WITH IT. 1235 01:00:43,507 --> 01:00:46,107 THE INQUEST IS THIS AFTERNOON. HAVE THEY SUMMONED YOU? 1236 01:00:47,811 --> 01:00:49,811 YOU MUST DO ME A DRAWING OF SIBYL. 1237 01:00:49,880 --> 01:00:51,813 I SHOULD LIKE SOMETHING MORE OF HER 1238 01:00:51,882 --> 01:00:54,849 THAN THE MEMORY OF A FEW KISSES AND A FEW WORDS. 1239 01:00:54,918 --> 01:00:57,852 I'LL DO WHAT I CAN, IF IT WILL PLEASE YOU. 1240 01:00:57,921 --> 01:00:59,987 BUT YOU MUST COME AND SIT TO ME AGAIN. 1241 01:01:00,056 --> 01:01:01,723 I CAN'T GET ON WITHOUT YOU. 1242 01:01:01,792 --> 01:01:03,658 I CAN NEVER SIT TO YOU AGAIN, BASIL. 1243 01:01:03,727 --> 01:01:06,961 - IT IS IMPOSSIBLE. - MY DEAR BOY, WHAT NONSENSE. 1244 01:01:07,030 --> 01:01:09,330 WHY? DIDN'T YOU LIKE WHAT I DID OF YOU? 1245 01:01:09,399 --> 01:01:11,900 WHY HAVE YOU PUT THE SCREEN IN FRONT OF IT? 1246 01:01:11,968 --> 01:01:15,036 YOU KNOW, IT IS THE BEST THING I HAVE EVER DONE. 1247 01:01:15,104 --> 01:01:17,439 - LET ME HAVE A LOOK AT IT. - BASIL, YOU MUST NOT LOOK AT IT. 1248 01:01:17,507 --> 01:01:20,708 - I DON'T WISH YOU TO. - NOT LOOK AT MY OWN WORK? ARE YOU SERIOUS? 1249 01:01:20,777 --> 01:01:22,744 WHY SHOULDN'T I LOOK AT IT? 1250 01:01:22,813 --> 01:01:24,846 DON'T!! 1251 01:01:24,915 --> 01:01:26,981 IF YOU TRY TO LOOK AT IT, BASIL, 1252 01:01:27,050 --> 01:01:29,016 ON MY WORD OF HONOR, I WILL NEVER SPEAK TO YOU AGAIN. 1253 01:01:29,085 --> 01:01:32,219 I AM QUITE SERIOUS. I DON'T OFFER ANY EXPLANATION, 1254 01:01:32,288 --> 01:01:34,121 AND YOU ARE NOT TO ASK FOR ANY. BUT REMEMBER, 1255 01:01:34,190 --> 01:01:36,524 IF YOU TOUCH THAT SCREEN, EVERYTHING IS OVER BETWEEN US. 1256 01:01:36,593 --> 01:01:38,560 - DORIAN! - DON'T SPEAK. 1257 01:01:38,628 --> 01:01:40,261 WHAT'S THE MATTER? 1258 01:01:40,330 --> 01:01:42,597 WELL, I WON'T LOOK AT IT IF YOU DON'T WANT ME TO. 1259 01:01:42,666 --> 01:01:44,699 BUT REALLY, THIS IS RATHER ABSURD 1260 01:01:44,768 --> 01:01:46,668 THAT I SHOULDN'T LOOK AT MY OWN WORK. 1261 01:01:46,736 --> 01:01:49,537 PARTICULARLY, AS I AM GOING TO EXHIBIT IT IN PARIS THIS AUTUMN. 1262 01:01:49,606 --> 01:01:51,539 YOU WANT TO EXHIBIT IT? 1263 01:01:51,608 --> 01:01:54,141 YES, GEORGE PETIT IS GOING TO COLLECT ALL MY BEST PICTURES 1264 01:01:54,210 --> 01:01:56,277 FOR AN EXHIBITION AT THE RUE DE SEZE. 1265 01:01:56,346 --> 01:01:59,581 YOU TOLD ME A MONTH AGO, YOU WOULD NEVER EXHIBIT IT. 1266 01:01:59,649 --> 01:02:01,549 YOU CAN'T HAVE FORGOTTEN. 1267 01:02:01,618 --> 01:02:03,985 YOU ASSURED ME MOST SOLEMNLY THAT NOTHING IN THE WORLD 1268 01:02:04,053 --> 01:02:05,653 COULD INDUCE YOU TO SEND IT TO AN EXHIBITION. 1269 01:02:05,722 --> 01:02:08,723 YOU TOLD HARRY EXACTLY THE SAME THING. 1270 01:02:10,193 --> 01:02:12,727 - BASIL? - Basil: YES? 1271 01:02:12,796 --> 01:02:14,796 WE HAVE EACH OF US A SECRET. 1272 01:02:14,865 --> 01:02:17,599 LET ME KNOW YOURS AND I SHALL TELL YOU MINE. 1273 01:02:17,667 --> 01:02:19,534 WHAT WAS YOUR REASON 1274 01:02:19,603 --> 01:02:21,302 FOR REFUSING TO EXHIBIT MY PICTURE? 1275 01:02:28,277 --> 01:02:30,211 JUST ANSWER ME ONE QUESTION. 1276 01:02:30,279 --> 01:02:33,347 HAVE YOU EVER 1277 01:02:33,416 --> 01:02:36,951 NOTICED IN THE PICTURE SOMETHING CURIOUS? 1278 01:02:37,020 --> 01:02:39,554 SOMETHING THAT, PERHAPS AT FIRST, 1279 01:02:39,623 --> 01:02:42,223 DIDN'T STRIKE YOU AND THEN, 1280 01:02:42,291 --> 01:02:44,392 SUDDENLY REVEALED ITSELF TO YOU? 1281 01:02:44,460 --> 01:02:47,395 I SEE THAT YOU DID. DON'T SPEAK. 1282 01:02:47,463 --> 01:02:50,732 WAIT TILL YOU HEAR WHAT I HAVE TO SAY. 1283 01:02:54,437 --> 01:02:56,905 DORIAN, FROM THE FIRST MOMENT I MET YOU, 1284 01:02:56,973 --> 01:02:59,240 YOUR PERSONALITY 1285 01:02:59,308 --> 01:03:01,375 HAD THE MOST EXTRAORDINARY EFFECT ON ME. 1286 01:03:01,444 --> 01:03:04,012 I WAS DOMINATED. 1287 01:03:04,080 --> 01:03:07,015 SOUL, BRAIN AND POWER BY YOU. 1288 01:03:07,083 --> 01:03:10,217 YOU BECAME FOR ME 1289 01:03:10,286 --> 01:03:13,588 THE VISIBLE INCARNATION OF THAT UNSEEN IDEAL. 1290 01:03:16,292 --> 01:03:18,159 I WORSHIPPED YOU. 1291 01:03:18,227 --> 01:03:21,295 I GREW JEALOUS OF ANYONE YOU SPOKE TO. 1292 01:03:21,364 --> 01:03:24,331 I WANTED TO HAVE YOU ALL TO MYSELF. 1293 01:03:24,400 --> 01:03:27,035 I WAS ONLY HAPPY WHEN I WAS WITH YOU. 1294 01:03:27,103 --> 01:03:30,137 WHEN YOU WERE AWAY FROM ME YOU WERE STILL PRESENT IN MY WORK. 1295 01:03:30,206 --> 01:03:33,441 I COULD NEVER TELL YOU THIS, 1296 01:03:33,509 --> 01:03:35,376 YOU WOULD NOT HAVE UNDERSTOOD. 1297 01:03:35,445 --> 01:03:37,378 I HARDLY UNDERSTOOD MYSELF. 1298 01:03:39,983 --> 01:03:41,482 I ONLY KNOW 1299 01:03:41,551 --> 01:03:43,751 AND I KNEW THEN, 1300 01:03:43,820 --> 01:03:47,889 THAT I HAD SEEN PERFECTION FACE TO FACE. 1301 01:03:47,958 --> 01:03:50,592 ALL THE WORLD HAD BECOME 1302 01:03:50,660 --> 01:03:53,094 WONDERFUL, IN MY EYES. 1303 01:03:58,367 --> 01:04:00,868 TOO WONDERFUL, PERHAPS. 1304 01:04:02,371 --> 01:04:04,371 FOR IN SUCH WORSHIP THERE IS DANGER. 1305 01:04:04,440 --> 01:04:06,975 WEEKS AND WEEKS WENT ON 1306 01:04:07,043 --> 01:04:09,343 AND I GREW MORE AND MORE ABSORBED. 1307 01:04:09,412 --> 01:04:11,479 AS I WAS PAINTING, 1308 01:04:11,547 --> 01:04:13,681 EVERY FLAKE AND FILM OF COLOR 1309 01:04:13,750 --> 01:04:17,485 SEEMED TO REVEAL MY LOVE FOR YOU. 1310 01:04:17,553 --> 01:04:20,655 I FELT I HAD TOLD TOO MUCH, PUT TOO MUCH OF MYSELF INTO IT. 1311 01:04:20,724 --> 01:04:22,824 AND THERE IT WAS. 1312 01:04:22,892 --> 01:04:25,693 I DECIDED THAT THE PICTURE COULD NEVER BE EXHIBITED. 1313 01:04:25,762 --> 01:04:28,329 BUT WHEN I GOT THIS OFFER FROM PARIS, 1314 01:04:28,397 --> 01:04:31,099 I THOUGHT PERHAPS I'D BEEN FOOLISH, 1315 01:04:31,167 --> 01:04:35,136 IN IMAGINING THAT I'D SEEN ANYTHING MORE IN IT. 1316 01:04:35,204 --> 01:04:37,238 SO I DETERMINED TO MAKE YOUR PORTRAIT 1317 01:04:37,306 --> 01:04:40,108 THE PRINCIPAL THING IN MY EXHIBITION. 1318 01:04:40,176 --> 01:04:42,510 IT NEVER OCCURRED TO ME THAT YOU WOULD REFUSE. 1319 01:04:42,578 --> 01:04:46,614 I SEE NOW THAT YOU WERE RIGHT. 1320 01:04:49,019 --> 01:04:51,285 THE PICTURE CAN NEVER BE SHOWN. 1321 01:04:52,789 --> 01:04:54,689 DORIAN, 1322 01:04:54,758 --> 01:04:57,324 YOU HAVE BEEN THE ONE PERSON WHO HAS REALLY 1323 01:04:57,393 --> 01:05:00,494 INFLUENCED MY ART. 1324 01:05:00,563 --> 01:05:04,331 ANYTHING THAT I HAVE DONE THAT IS GOOD, 1325 01:05:04,400 --> 01:05:06,167 I OWE TO YOU. 1326 01:05:10,940 --> 01:05:12,807 YOU DON'T KNOW. 1327 01:05:12,876 --> 01:05:15,643 YOU JUST DON'T KNOW WHAT IT COST ME TO TELL YOU THAT. 1328 01:05:15,712 --> 01:05:18,212 MY DEAR BASIL, WHAT HAVE YOU TOLD ME? 1329 01:05:18,281 --> 01:05:20,748 MERELY THAT YOU FELT YOU ADMIRED ME TOO MUCH? 1330 01:05:20,817 --> 01:05:22,283 THAT IS NOT EVEN A COMPLIMENT. 1331 01:05:24,453 --> 01:05:26,620 IT WASN'T INTENDED AS A COMPLIMENT. 1332 01:05:26,690 --> 01:05:29,057 IT WAS A CONFESSION. 1333 01:05:30,259 --> 01:05:32,359 NOW THAT I'VE MADE IT 1334 01:05:32,428 --> 01:05:35,063 SOMETHING SEEMS TO HAVE GONE OUT OF ME. 1335 01:05:35,131 --> 01:05:37,498 IT WAS A VERY DISAPPOINTING CONFESSION. 1336 01:05:39,468 --> 01:05:41,202 WHAT DID YOU EXPECT? 1337 01:05:42,739 --> 01:05:44,772 YOU DIDN'T SEE ANYTHING ELSE IN THE PICTURE, DID YOU? 1338 01:05:44,841 --> 01:05:47,541 THERE WAS NOTHING ELSE TO SEE? 1339 01:05:47,610 --> 01:05:50,111 THERE WAS NOTHING ELSE TO SEE. WHY DO YOU ASK? 1340 01:05:50,180 --> 01:05:52,146 BASIL, 1341 01:05:52,215 --> 01:05:55,216 YOU AND I ARE FRIENDS. WE ALWAYS WILL BE. 1342 01:05:55,284 --> 01:05:58,485 - YOU HAVE HARRY. - OH, HARRY. 1343 01:05:58,554 --> 01:06:01,322 HARRY SPENDS HIS DAYS SAYING WHAT IS INCREDIBLE, 1344 01:06:01,390 --> 01:06:03,858 AND HIS EVENINGS IN DOING WHAT IS IMPROBABLE. 1345 01:06:03,927 --> 01:06:06,828 BUT I DON'T THINK I'D GO TO HARRY IF I WERE IN TROUBLE. 1346 01:06:06,896 --> 01:06:09,030 I'D SOONER COME TO YOU. 1347 01:06:10,366 --> 01:06:12,166 YOU WILL SIT TO ME AGAIN? 1348 01:06:12,235 --> 01:06:14,202 IT'S IMPOSSIBLE. 1349 01:06:16,906 --> 01:06:19,540 THERE IS SOMETHING FATAL ABOUT A PORTRAIT. 1350 01:06:21,745 --> 01:06:24,278 IT HAS A LIFE OF ITS OWN. 1351 01:06:24,347 --> 01:06:27,615 I'M SORRY THAT YOU WON'T LET ME LOOK AT IT 1352 01:06:27,683 --> 01:06:30,251 BUT THAT CAN'T BE HELPED. 1353 01:06:30,319 --> 01:06:32,820 AND I DO UNDERSTAND HOW YOU FEEL. 1354 01:06:39,796 --> 01:06:42,930 GOODBYE, DORIAN. 1355 01:06:42,999 --> 01:06:45,266 IT'S ALL RIGHT. I'LL SEE MYSELF OUT. 1356 01:06:50,173 --> 01:06:52,373 ( door closes ) 1357 01:06:55,511 --> 01:06:57,945 I'VE OBTAINED THE KEY TO THE SCHOOLROOM FROM MRS. LIEF, MONSIEUR? 1358 01:06:58,014 --> 01:06:59,981 VERY WELL, LEAVE IT ON THE TABLE. 1359 01:07:05,021 --> 01:07:09,456 - THAT'S ALL. - THE PERSON FROM THE FRAMEMAKER'S IS HERE. 1360 01:07:09,525 --> 01:07:10,958 - MR. HUBBARD? - YES. 1361 01:07:11,027 --> 01:07:13,895 ASK HIM TO WAIT A FEW MOMENTS. 1362 01:07:13,963 --> 01:07:15,997 I'LL CALL HIM MYSELF WHEN I WANT HIM. 1363 01:07:16,065 --> 01:07:18,365 WILL THERE BE ANYTHING ELSE? 1364 01:07:18,434 --> 01:07:21,535 WHEN MR. HUBBARD IS GONE YOU CAN PUT OUT MY CLOTHES FOR THE EVENING. 1365 01:07:21,604 --> 01:07:23,637 I SHALL WANT TO SEE HIM ALONE. 1366 01:07:23,706 --> 01:07:25,840 IS THERE ANOTHER KEY EXISTING TO THE SCHOOLROOM? 1367 01:07:25,909 --> 01:07:28,475 MRS. LEAF TELLS ME IT IS THE ONLY ONE. 1368 01:07:28,544 --> 01:07:32,546 - SHE'S MOST ANXIOUS-- - YES, THANK YOU, VICTOR, THAT WILL BE ALL. 1369 01:08:17,460 --> 01:08:19,393 ( knocking on door ) 1370 01:08:22,631 --> 01:08:24,698 Mr. Hubbard: MR. GRAY? 1371 01:08:24,767 --> 01:08:26,567 COMING. 1372 01:08:31,274 --> 01:08:32,706 GOOD AFTERNOON, MR. GRAY. 1373 01:08:32,775 --> 01:08:34,909 I'M SORRY FOR KEEPING YOU WAITING, MR. HUBBARD. 1374 01:08:34,978 --> 01:08:37,678 I WAS FEELING UNWELL. HOW KIND OF YOU TO COME SO SOON. 1375 01:08:37,747 --> 01:08:40,647 ALWAYS A PLEASURE TO DO ANYTHING FOR YOU, SIR. 1376 01:08:40,716 --> 01:08:42,716 DROP ANYTHING, AS THEY SAY, 1377 01:08:42,785 --> 01:08:44,718 TO OBLIGE A GENTLEMAN LIKE YOURSELF. 1378 01:08:44,787 --> 01:08:46,687 WHAT CAN I DO FOR YOU, SIR? 1379 01:08:46,756 --> 01:08:48,722 I THOUGHT I WOULD DO MYSELF THE HONOR OF COMING IN PERSON. 1380 01:08:48,791 --> 01:08:52,159 I'VE JUST GOT A BEAUTY OF A FRAME, SIR. 1381 01:08:52,228 --> 01:08:54,661 PICKED IT UP AT A SALE. OLD FLORENTINE. 1382 01:08:54,730 --> 01:08:56,730 - CAME FROM FONTHILL. - I'M SO SORRY 1383 01:08:56,799 --> 01:08:58,866 YOU GAVE YOURSELF THE TROUBLE OF COMING ROUND, MR. HUBBARD. 1384 01:08:58,935 --> 01:09:01,102 I SHALL CERTAINLY DROP IN AND LOOK AT THE FRAME. BUT TODAY, 1385 01:09:01,170 --> 01:09:04,005 I ONLY WANT A PICTURE CARRIED TO THE TOP OF THE HOUSE FOR ME. 1386 01:09:04,073 --> 01:09:06,040 IT IS RATHER HEAVY. I THOUGHT I WOULD ASK YOU 1387 01:09:06,109 --> 01:09:07,608 TO LEND ME A COUPLE OF YOUR MEN. 1388 01:09:07,676 --> 01:09:11,078 THERE'LL BE NO TROUBLE THERE, SIR. DELIGHTED TO BE OF ANY SERVICE. 1389 01:09:11,147 --> 01:09:13,714 WHICH IS THE WORK OF ART, SIR? 1390 01:09:13,783 --> 01:09:16,117 THIS. CAN YOU MOVE IT? 1391 01:09:16,185 --> 01:09:18,152 AS IT IS, COVER AND ALL? 1392 01:09:18,221 --> 01:09:20,821 I DON'T WANT TO GET IT SCRATCHED GOING UPSTAIRS. 1393 01:09:22,525 --> 01:09:24,658 THERE'LL BE NO DIFFICULTY THERE, SIR. 1394 01:09:24,727 --> 01:09:27,528 WOULD YOU AND I? 1395 01:09:27,596 --> 01:09:30,298 YES, YOU AND I CAN MANAGE WELL ENOUGH. 1396 01:09:32,835 --> 01:09:35,036 Dorian: LIFT. 1397 01:09:35,104 --> 01:09:37,771 NOW, WHERE SHALL WE CARRY IT TO, SIR? 1398 01:09:37,840 --> 01:09:39,773 IF YOU FOLLOW ME, I'LL SHOW YOU THE WAY. 1399 01:09:39,842 --> 01:09:41,775 I'M AFRAID IT IS RATHER HEAVY. 1400 01:09:41,844 --> 01:09:43,710 IT'S ON THE TOP FLOOR. 1401 01:09:43,779 --> 01:09:45,846 WE'LL GO UP BY THE FRONT STAIRCASE, IT'S WIDER. 1402 01:09:56,926 --> 01:09:59,093 Dorian: HERE WE ARE. 1403 01:10:00,430 --> 01:10:03,030 GENTLY. 1404 01:10:03,099 --> 01:10:04,999 DON'T MIND THE STAIRS, MR. HUBBARD. 1405 01:10:06,436 --> 01:10:08,336 PUT IT AGAINST THE WALL OVER HERE. 1406 01:10:08,404 --> 01:10:10,137 I DON'T WANT TO HAVE IT HUNG. 1407 01:10:10,206 --> 01:10:12,739 THAT'LL DO. THANK YOU. 1408 01:10:12,808 --> 01:10:14,675 MIGHT ONE LOOK AT THE WORK OF ART, SIR? 1409 01:10:14,743 --> 01:10:16,810 NO, IT WOULD NOT INTEREST YOU, MR. HUBBARD. 1410 01:10:16,879 --> 01:10:18,745 I SHAN'T TROUBLE YOU ANYMORE NOW. 1411 01:10:18,814 --> 01:10:21,615 I'M MUCH OBLIGED FOR YOUR KINDNESS IN COMING ROUND. 1412 01:10:21,684 --> 01:10:24,718 OF COURSE. EVER READY TO BE OF ANY SERVICE. 1413 01:10:40,703 --> 01:10:42,336 Basil: WHAT AN EXTRAORDINARY DELIGHT, 1414 01:10:42,405 --> 01:10:44,271 RUNNING INTO YOU IN GROSVENOR SQUARE LIKE THAT. 1415 01:10:44,340 --> 01:10:46,007 YOU KNOW, I WAS HERE EARLIER. 1416 01:10:46,075 --> 01:10:48,109 I WAITED FOR YOU FOR HOURS. 1417 01:10:48,177 --> 01:10:50,777 FINALLY, I TOOK PITY ON YOUR TIRED SERVANT. 1418 01:10:50,846 --> 01:10:52,913 AND TOLD HIM TO GO TO BED. I HOPE YOU DON'T MIND. 1419 01:10:52,982 --> 01:10:56,183 I'M OFF TO PARIS ON THE MIDNIGHT TRAIN 1420 01:10:56,252 --> 01:10:59,253 AND I PARTICULARLY WANTED TO SPEAK TO YOU BEFORE I LEFT. 1421 01:10:59,322 --> 01:11:01,722 MY DEAR BASIL. WHAT IS IT ABOUT? 1422 01:11:01,790 --> 01:11:04,892 I HOPE IT IS NOT ABOUT MYSELF. I AM TIRED OF MYSELF TONIGHT. 1423 01:11:04,960 --> 01:11:06,693 I SHOULD LIKE TO BE SOMEBODY ELSE. 1424 01:11:06,762 --> 01:11:08,496 IT IS ABOUT YOURSELF. 1425 01:11:08,564 --> 01:11:10,431 I THINK IT IS RIGHT THAT YOU SHOULD KNOW 1426 01:11:10,500 --> 01:11:14,001 SOME OF THE DREADFUL THINGS SAID AGAINST YOU IN LONDON. 1427 01:11:14,070 --> 01:11:17,171 I DON'T WISH TO KNOW ANYTHING ABOUT THEM. SCANDALS ABOUT OTHER PEOPLE, I LOVE. 1428 01:11:17,240 --> 01:11:19,273 SCANDALS ABOUT MYSELF DON'T INTEREST ME. 1429 01:11:19,342 --> 01:11:21,242 - AH, THAT'S HARRY. - BRANDY? 1430 01:11:21,310 --> 01:11:23,377 THANK YOU. THEY MUST INTEREST YOU, DORIAN. 1431 01:11:23,446 --> 01:11:26,647 MIND YOU, I DON'T BELIEVE THESE RUMORS AT ALL. 1432 01:11:26,715 --> 01:11:30,217 AT LEAST, I CAN'T BELIEVE THEM WHEN I SEE YOU. 1433 01:11:30,286 --> 01:11:32,619 SIN IS A THING WHICH WRITES ITSELF ACROSS A MAN'S FACE. 1434 01:11:32,688 --> 01:11:34,688 IT CANNOT BE HIDDEN. 1435 01:11:34,757 --> 01:11:37,191 SOME PEOPLE TALK OF SECRET VICES. THERE ARE NO SUCH THINGS. 1436 01:11:37,260 --> 01:11:38,792 IF A WRETCHED MAN HAS A SECRET, 1437 01:11:38,861 --> 01:11:41,028 IT SHOWS ITSELF IN THE LINES OF HIS MOUTH, 1438 01:11:41,097 --> 01:11:43,997 THE DROOPING OF HIS EYES, THE MOLDING OF HIS HANDS. 1439 01:11:44,067 --> 01:11:45,999 WHEN I SEE YOUR BRIGHT, INNOCENT FACE 1440 01:11:46,069 --> 01:11:48,169 I CAN'T BELIEVE ANYTHING AGAINST YOU. 1441 01:11:48,237 --> 01:11:51,004 MIND YOU, I SELDOM SEE YOU NOWADAYS. 1442 01:11:51,074 --> 01:11:53,107 YOU NEVER COME DOWN TO MY STUDIO. 1443 01:11:53,176 --> 01:11:56,210 AND WHEN I HEAR THESE... 1444 01:11:56,279 --> 01:11:58,579 HIDEOUS THINGS THAT ARE BEING WHISPERED AGAINST YOU 1445 01:11:58,647 --> 01:12:00,581 I DON'T KNOW WHAT TO SAY. 1446 01:12:00,649 --> 01:12:02,983 WHY IS IT, DORIAN 1447 01:12:03,052 --> 01:12:05,819 THAT A MAN LIKE THE DUKE OF BERWICK 1448 01:12:05,888 --> 01:12:08,122 LEAVES THE ROOM OF A CLUB WHEN YOU ENTER IT? 1449 01:12:08,191 --> 01:12:09,823 BASIL, STOP. 1450 01:12:09,892 --> 01:12:11,925 YOU ARE TALKING OF THINGS YOU KNOW NOTHING ABOUT. 1451 01:12:11,994 --> 01:12:14,128 YOU ASK ME WHY BERWICK LEAVES THE ROOM WHEN I ENTER IT? 1452 01:12:14,197 --> 01:12:15,896 IT IS BECAUSE I KNOW EVERYTHING ABOUT HIS LIFE, 1453 01:12:15,965 --> 01:12:17,798 NOT BECAUSE HE KNOWS ANYTHING ABOUT MINE. 1454 01:12:17,866 --> 01:12:20,234 I KNOW HOW PEOPLE CHATTER IN THIS COUNTRY. 1455 01:12:20,303 --> 01:12:23,070 IN ENGLAND, IT IS ENOUGH FOR A MAN TO HAVE BRAINS AND DISTINCTION 1456 01:12:23,139 --> 01:12:25,106 FOR EVERY COMMON TONGUE TO WAG AGAINST HIM. 1457 01:12:25,174 --> 01:12:27,074 AND WHAT SORT OF LIVES DO THESE PEOPLE 1458 01:12:27,143 --> 01:12:29,110 WHO POSE AS BEING MORAL LEAD THEMSELVES? 1459 01:12:29,178 --> 01:12:30,777 MY DEAR FELLOW, 1460 01:12:30,846 --> 01:12:33,380 YOU FORGET THAT WE ARE IN THE NATIVE LAND OF THE HYPOCRITE. 1461 01:12:33,449 --> 01:12:36,183 THAT IS NOT THE QUESTION. ENGLAND IS BAD ENOUGH. 1462 01:12:36,252 --> 01:12:37,918 AND ENGLISH SOCIETY IS ALL WRONG. 1463 01:12:37,987 --> 01:12:40,687 THAT IS-- THAT IS WHY-- 1464 01:12:40,756 --> 01:12:42,490 I WANT YOU TO BE FINE. 1465 01:12:42,558 --> 01:12:46,627 BUT YOU HAVE NOT BEEN FINE, DORIAN. 1466 01:12:46,695 --> 01:12:48,762 ONE HAS THE RIGHT TO JUDGE A MAN BY THE EFFECT 1467 01:12:48,831 --> 01:12:51,599 HE HAS OVER HIS FRIENDS. DON'T SHRUG YOUR SHOULDERS. 1468 01:12:51,667 --> 01:12:53,501 ( yelling ) DON'T BE INDIFFERENT. LISTEN TO ME, DORIAN! 1469 01:12:53,569 --> 01:12:56,337 THEY SAY YOU CORRUPT EVERYONE 1470 01:12:56,405 --> 01:12:58,139 WITH WHOM YOU BECOME INTIMATE. 1471 01:12:58,207 --> 01:13:00,207 THAT IT IS SUFFICIENT FOR YOU TO ENTER A HOUSE 1472 01:13:00,276 --> 01:13:02,709 FOR SHAME OF SOME KIND TO FOLLOW AFTER. 1473 01:13:04,447 --> 01:13:06,213 I DON'T KNOW WHETHER THIS IS TRUE OR NOT. 1474 01:13:06,282 --> 01:13:07,714 I DON'T KNOW. 1475 01:13:07,783 --> 01:13:11,452 KNOW YOU? DO I KNOW YOU? 1476 01:13:13,623 --> 01:13:15,389 I WONDER. 1477 01:13:17,260 --> 01:13:19,226 TO ANSWER THAT... 1478 01:13:19,295 --> 01:13:21,328 I WOULD HAVE TO SEE YOUR SOUL. 1479 01:13:23,866 --> 01:13:25,866 SEE MY SOUL? 1480 01:13:25,934 --> 01:13:28,802 ( laughs ) BUT ONLY GOD CAN DO THAT. 1481 01:13:30,039 --> 01:13:31,572 YOU SHALL SEE IT YOURSELF. 1482 01:13:31,641 --> 01:13:33,674 TONIGHT. 1483 01:13:35,077 --> 01:13:36,743 COME! 1484 01:13:36,812 --> 01:13:38,912 IT IS YOUR OWN HANDIWORK. WHY SHOULDN'T YOU LOOK AT IT? 1485 01:13:38,981 --> 01:13:41,549 YOU CAN TELL THE WORLD ALL ABOUT IT IF YOU CHOOSE. 1486 01:13:41,617 --> 01:13:43,817 NOBODY WOULD BELIEVE YOU. IF THEY DID BELIEVE YOU 1487 01:13:43,886 --> 01:13:45,752 THEY WOULD LIKE ME ALL THE BETTER FOR IT. 1488 01:13:45,821 --> 01:13:47,788 I KNOW THE AGE BETTER THAN YOU DO, 1489 01:13:47,856 --> 01:13:49,657 THOUGH YOU PRATE ABOUT IT SO TEDIOUSLY. 1490 01:13:49,725 --> 01:13:52,959 COME, I TELL YOU. YOU HAVE CHATTED ENOUGH ABOUT CORRUPTION. 1491 01:13:53,028 --> 01:13:55,396 NOW YOU SHALL LOOK ON IT FACE TO FACE. 1492 01:13:55,464 --> 01:13:58,232 DON'T SAY THINGS LIKE THAT. THEY DON'T MEAN ANYTHING. 1493 01:13:58,301 --> 01:13:59,933 YOU THINK SO? 1494 01:14:00,002 --> 01:14:01,935 COME UPSTAIRS, BASIL. 1495 01:14:02,004 --> 01:14:04,004 I KEEP A DIARY OF MY LIFE FROM DAY TO DAY 1496 01:14:04,073 --> 01:14:06,507 AND IT NEVER LEAVES THE ROOM IN WHICH IT IS WRITTEN. 1497 01:14:06,576 --> 01:14:08,642 I SHALL SHOW IT TO YOU IF YOU COME WITH ME. 1498 01:14:08,711 --> 01:14:11,378 I'VE ALREADY MISSED MY TRAIN. 1499 01:14:11,447 --> 01:14:13,180 THAT DOESN'T MATTER, I COULD GO TOMORROW. 1500 01:14:13,249 --> 01:14:14,981 BUT DON'T ASK ME TO READ ANYTHING, DORIAN. 1501 01:14:15,050 --> 01:14:17,218 ALL I WANT IS A PLAIN ANSWER TO MY QUESTION. 1502 01:14:17,286 --> 01:14:18,952 THAT SHALL BE GIVEN TO YOU. 1503 01:14:19,021 --> 01:14:20,921 UPSTAIRS. 1504 01:14:20,989 --> 01:14:22,989 I COULD NOT GIVE IT TO YOU HERE. 1505 01:14:24,793 --> 01:14:26,560 YOU WILL NOT HAVE TO READ LONG. 1506 01:14:29,298 --> 01:14:31,031 IT IS MY BIRTHDAY. 1507 01:14:31,100 --> 01:14:34,768 TOMORROW YOU SHALL HAVE LOST YOUR TRAIN. 1508 01:14:55,057 --> 01:14:56,823 YOU INSIST ON KNOWING? 1509 01:14:56,892 --> 01:14:58,626 YES, I DO. 1510 01:14:58,694 --> 01:15:00,561 I AM DELIGHTED. 1511 01:15:00,630 --> 01:15:02,529 YOU ARE ENTITLED TO KNOW... 1512 01:15:02,598 --> 01:15:04,931 WHATEVER THERE IS TO KNOW. 1513 01:15:16,445 --> 01:15:17,444 ( door closes ) 1514 01:15:20,449 --> 01:15:23,049 YOU STILL THINK ONLY GODS SEE SUCH THINGS? 1515 01:15:23,118 --> 01:15:25,452 DRAW BACK THE CURTAIN. 1516 01:15:27,590 --> 01:15:30,291 YOU'RE MAD, DORIAN, OR YOU'RE PLAYING A PART. 1517 01:15:30,359 --> 01:15:33,894 IF YOU WON'T, THEN I SHALL. 1518 01:15:33,962 --> 01:15:35,696 IT'S TOO LATE FOR PRAYER, BASIL, 1519 01:15:35,765 --> 01:15:37,564 IF THAT'S WHAT YOU'RE THINKING OF. 1520 01:15:45,708 --> 01:15:47,841 ( screams ) 1521 01:15:47,910 --> 01:15:49,677 KNEEL, DORIAN, KNEEL! 1522 01:15:49,745 --> 01:15:52,179 I TOLD YOU, BASIL, PRAYER COMES TOO LATE. 1523 01:15:52,247 --> 01:15:54,315 ( Basil groans ) 1524 01:15:57,586 --> 01:16:00,287 DORIAN! OH, DORIAN! 1525 01:16:04,527 --> 01:16:05,959 ( Basil groans ) 1526 01:17:24,072 --> 01:17:26,206 ( bell rings ) 1527 01:17:31,414 --> 01:17:33,580 ( ringing continues ) 1528 01:17:36,619 --> 01:17:38,318 GOOD EVENING, SIR. I'M SORRY. 1529 01:17:38,387 --> 01:17:40,821 NO, IT IS I WHO AM SORRY. I SEEM TO HAVE FORGOTTEN MY LATCHKEY. 1530 01:17:40,890 --> 01:17:43,457 - WHAT TIME IS IT? - 10 MINUTES PAST 2:00. 1531 01:17:43,526 --> 01:17:45,793 10 MINUTES PAST 2:00? HOW DREADFULLY LATE. 1532 01:17:45,861 --> 01:17:49,329 YOU MUST WAKE ME AT 9:00, FRANCIS, I HAVE SOME WORK TO DO. 1533 01:17:49,398 --> 01:17:51,665 ALL RIGHT, SIR. 1534 01:17:51,734 --> 01:17:53,934 - Dorian: DID ANYONE CALL THIS EVENING? - MR. HALLWARD, SIR. 1535 01:17:54,002 --> 01:17:56,703 HE STAYED HERE TILL 11:00. THEN HE WENT TO CATCH HIS TRAIN. 1536 01:17:56,772 --> 01:17:59,440 I'M SORRY I DIDN'T SEE HIM. DID HE LEAVE ANY MESSAGE? 1537 01:17:59,508 --> 01:18:01,809 NO, EXCEPT TO SAY THAT 1538 01:18:01,877 --> 01:18:04,545 HE WOULD WRITE TO YOU FROM PARIS IF HE COULDN'T FIND YOU AT THE CLUB. 1539 01:18:04,613 --> 01:18:07,314 VERY GOOD. DON'T FORGET TO WAKE ME AT 9:00 TOMORROW. 1540 01:18:07,382 --> 01:18:09,683 - Francis: NO, SIR. - YES, FRANCIS, TOMORROW-- 1541 01:18:09,752 --> 01:18:11,452 TOMORROW I SHALL WANT TO SEE ALAN CAMPBELL 1542 01:18:11,520 --> 01:18:13,954 OF 152 HARTFORD STREET, MAYFAIR. 1543 01:18:14,022 --> 01:18:15,789 IF HE IS OUT OF TOWN, I WANT HIS ADDRESS. 1544 01:18:15,858 --> 01:18:17,791 - YOU UNDERSTAND? - VERY GOOD, MR. GRAY. 1545 01:18:17,860 --> 01:18:19,693 - GOOD NIGHT, FRANCIS. - GOOD NIGHT, SIR. 1546 01:18:39,548 --> 01:18:41,849 MR. CAMPBELL, SIR. 1547 01:18:41,917 --> 01:18:44,785 ASK HIM TO COME IN AT ONCE. 1548 01:18:50,459 --> 01:18:52,693 MR. ALAN CAMPBELL, SIR. 1549 01:18:52,761 --> 01:18:55,362 ALAN, THIS IS KIND OF YOU. 1550 01:18:55,430 --> 01:18:57,531 I THANK YOU FOR COMING. 1551 01:18:57,600 --> 01:18:59,533 I HAD INTENDED NEVER TO ENTER YOUR HOUSE AGAIN. 1552 01:18:59,602 --> 01:19:02,435 YOU SAID IT WAS A MATTER OF LIFE AND DEATH. 1553 01:19:02,505 --> 01:19:04,204 YES, IT IS A MATTER OF LIFE AND DEATH. 1554 01:19:04,272 --> 01:19:06,807 AND TO MORE THAN ONE PERSON. 1555 01:19:06,876 --> 01:19:08,241 SIT DOWN. 1556 01:19:22,892 --> 01:19:24,625 ALAN... 1557 01:19:24,693 --> 01:19:26,426 IN A LOCKED ROOM AT THE TOP OF THIS HOUSE, 1558 01:19:26,495 --> 01:19:29,763 A ROOM TO WHICH NOBODY BUT MYSELF HAS ACCESS, THERE IS A DEAD MAN. 1559 01:19:29,832 --> 01:19:31,464 HE HAS BEEN DEAD SOME HOURS NOW. 1560 01:19:31,534 --> 01:19:33,266 DON'T STIR AND DON'T LOOK AT ME LIKE THAT. 1561 01:19:33,335 --> 01:19:35,402 WHO THE MAN IS, WHY HE DIED, HOW HE DIED, 1562 01:19:35,470 --> 01:19:38,204 ARE MATTERS THAT DO NOT CONCERN YOU. WHAT YOU HAVE TO DO IS THIS-- 1563 01:19:38,273 --> 01:19:40,607 STOP, GRAY. I DON'T WANT TO KNOW ANYTHING MORE. 1564 01:19:40,676 --> 01:19:42,308 WHETHER WHAT YOU'VE TOLD ME IS TRUE OR NOT 1565 01:19:42,377 --> 01:19:44,310 DOESN'T CONCERN ME. 1566 01:19:44,379 --> 01:19:46,446 I ENTIRELY DECLINE TO BE MIXED UP IN YOUR LIFE. 1567 01:19:46,515 --> 01:19:49,750 KEEP YOUR HORRIBLE SECRETS TO YOURSELF. THEY DON'T INTEREST ME ANYMORE. 1568 01:19:49,818 --> 01:19:51,785 THEY WILL HAVE TO INTEREST YOU. 1569 01:19:51,854 --> 01:19:54,187 THIS ONE WILL HAVE TO INTEREST YOU. 1570 01:20:02,164 --> 01:20:03,931 I AM SORRY FOR YOU, ALAN. 1571 01:20:03,999 --> 01:20:06,433 BUT I CAN'T HELP MYSELF. 1572 01:20:06,501 --> 01:20:10,336 YOU ARE THE ONE MAN WHO IS ABLE TO SAVE ME. 1573 01:20:12,140 --> 01:20:13,774 I AM FALSE TO BRING YOU INTO THE MATTER. 1574 01:20:13,842 --> 01:20:16,577 I HAVE NO OPTION, ALAN. 1575 01:20:16,645 --> 01:20:18,612 YOU ARE SCIENTIFIC. 1576 01:20:18,681 --> 01:20:21,548 YOU KNOW ABOUT CHEMISTRY AND THINGS OF THAT KIND. 1577 01:20:21,617 --> 01:20:24,618 YOU HAVE MADE EXPERIMENTS. 1578 01:20:26,188 --> 01:20:28,789 WHAT YOU HAVE GOT TO DO... 1579 01:20:28,857 --> 01:20:30,457 IS TO DESTROY THE THING THAT IS UPSTAIRS. 1580 01:20:30,525 --> 01:20:33,526 DESTROY IT SO THAT NOT A VESTIGE OF IT WILL BE LEFT. 1581 01:20:33,596 --> 01:20:36,229 NOBODY SAW THIS PERSON COME INTO THE HOUSE. 1582 01:20:36,298 --> 01:20:38,531 INDEED AT THE PRESENT MOMENT, HE IS SUPPOSED TO BE IN PARIS. 1583 01:20:38,601 --> 01:20:40,133 HE WILL NOT BE MISSED FOR MONTHS. 1584 01:20:40,202 --> 01:20:41,802 WHEN HE IS MISSED, 1585 01:20:41,870 --> 01:20:43,770 THERE MUST BE NO TRACE OF HIM FOUND HERE. 1586 01:20:43,839 --> 01:20:46,006 YOU'RE MAD, DORIAN. 1587 01:20:46,075 --> 01:20:48,475 I WAS WAITING FOR YOU TO CALL ME DORIAN. 1588 01:20:48,543 --> 01:20:51,211 YOU'RE MAD, I TELL YOU. MAD TO IMAGINE 1589 01:20:51,279 --> 01:20:53,179 THAT I WOULD RAISE A FINGER TO HELP YOU. 1590 01:20:53,248 --> 01:20:55,281 MAD TO MAKE THIS MONSTROUS CONFESSION. 1591 01:20:55,350 --> 01:20:57,183 I WILL HAVE NOTHING TO DO WITH THIS MATTER, WHATEVER IT IS. 1592 01:20:57,252 --> 01:21:00,020 DO YOU THINK I WILL IMPERIL MY REPUTATION FOR YOU? 1593 01:21:00,089 --> 01:21:02,956 WHAT'S IT TO ME WHAT DEVIL'S WORK YOU'RE UP TO? 1594 01:21:06,095 --> 01:21:08,095 IT WAS SUICIDE, ALAN. 1595 01:21:08,163 --> 01:21:09,863 SUICIDE? 1596 01:21:09,932 --> 01:21:11,965 WELL, I'M GLAD TO HEAR IT. 1597 01:21:12,034 --> 01:21:15,435 WHO DROVE HIM TO IT? YOU, I SHOULDN'T FANCY. 1598 01:21:15,504 --> 01:21:17,971 DO YOU STILL REFUSE TO DO THIS FOR ME? 1599 01:21:18,040 --> 01:21:20,007 - YES, I REFUSE. - ALAN, IT WAS MURDER. 1600 01:21:20,075 --> 01:21:22,342 - I KILLED HIM. - MURDER? 1601 01:21:22,410 --> 01:21:24,611 GOOD GOD, DORIAN, IS THIS WHAT YOU'VE COME TO? 1602 01:21:24,680 --> 01:21:26,346 YOU DON'T KNOW WHAT HE HAD MADE ME SUFFER. 1603 01:21:26,414 --> 01:21:28,381 LOOK, I'LL NOT INFORM UPON YOU. 1604 01:21:28,450 --> 01:21:30,550 BUT I WILL HAVE NOTHING TO DO WITH IT. 1605 01:21:30,619 --> 01:21:32,886 YOU MUST HAVE SOMETHING TO DO WITH IT, ALAN. 1606 01:21:32,955 --> 01:21:35,122 ALL I ASK OF YOU 1607 01:21:35,190 --> 01:21:37,257 IS TO PERFORM A CERTAIN SCIENTIFIC EXPERIMENT. 1608 01:21:37,325 --> 01:21:39,993 YOU GO TO HOSPITALS AND DEAD HOUSES. 1609 01:21:40,062 --> 01:21:41,795 THE HORRORS YOU DO THERE DON'T AFFECT YOU. 1610 01:21:41,864 --> 01:21:44,330 IF IN SOME HIDEOUS DISSECTING ROOM 1611 01:21:44,399 --> 01:21:46,266 YOU FOUND THIS MAN LAYING ON A LEADEN TABLE, 1612 01:21:46,334 --> 01:21:48,935 WITH RED GUTTERS SCOOPED OUT FOR THE BLOOD TO FLOW THROUGH 1613 01:21:49,004 --> 01:21:51,538 YOU'D SIMPLY LOOK UPON HIM AS AN ADMIRABLE SUBJECT. 1614 01:21:51,606 --> 01:21:53,506 YOU WOULDN'T TURN A HAIR. 1615 01:21:53,575 --> 01:21:55,742 ALL I'M ASKING YOU TO DO 1616 01:21:55,811 --> 01:21:57,944 IS MERELY WHAT YOU'VE DONE MANY TIMES BEFORE 1617 01:21:58,013 --> 01:21:59,512 AND REMEMBER, 1618 01:21:59,581 --> 01:22:01,514 IT IS THE ONLY PIECE OF EVIDENCE AGAINST ME. 1619 01:22:01,583 --> 01:22:02,849 IF IT'S DISCOVERED, I AM LOST. 1620 01:22:02,918 --> 01:22:05,318 IT IS SURE TO BE DISCOVERED UNLESS YOU HELP ME. 1621 01:22:05,387 --> 01:22:06,853 I'VE NO DESIRE TO HELP YOU. 1622 01:22:08,891 --> 01:22:10,623 ALAN, I ENTREAT YOU. 1623 01:22:10,693 --> 01:22:13,426 YOU MAY KNOW TERROR YOURSELF SOMEDAY. 1624 01:22:13,495 --> 01:22:16,163 DON'T INQUIRE NOW. 1625 01:22:16,231 --> 01:22:18,165 I'VE TOLD YOU TOO MUCH AS IT IS. 1626 01:22:18,233 --> 01:22:20,167 BUT I BEG OF YOU TO DO THIS FOR ME. 1627 01:22:20,235 --> 01:22:22,703 WE WERE FRIENDS ONCE, ALAN. 1628 01:22:22,771 --> 01:22:24,705 DON'T SPEAK OF THOSE DAYS. THEY'RE DEAD. 1629 01:22:24,773 --> 01:22:27,941 THE DEAD LINGER SOMETIMES. THE MAN UPSTAIRS WON'T GO AWAY. 1630 01:22:28,010 --> 01:22:29,910 ALAN, IF YOU DON'T COME TO MY ASSISTANCE 1631 01:22:29,978 --> 01:22:32,112 I AM RUINED. THEY WILL HANG ME FOR WHAT I HAVE DONE. 1632 01:22:32,181 --> 01:22:35,115 I ABSOLUTELY REFUSE. IT'S INSANE OF YOU TO ASK ME. 1633 01:22:35,184 --> 01:22:38,551 - YOU REFUSE? I ENTREAT YOU. - IT'S USELESS. 1634 01:22:38,620 --> 01:22:41,955 I AM SORRY FOR YOU, ALAN, BUT YOU LEAVE ME NO ALTERNATIVE. 1635 01:22:42,024 --> 01:22:43,523 I HAVE A LETTER WRITTEN ALREADY. 1636 01:22:43,592 --> 01:22:46,026 HERE IT IS. YOU SEE THE ADDRESS? 1637 01:22:46,095 --> 01:22:47,961 IF YOU DON'T HELP ME I MUST SEND IT. 1638 01:22:48,030 --> 01:22:49,763 IF YOU DON'T HELP ME I WILL SEND IT. 1639 01:22:49,832 --> 01:22:51,497 YOU KNOW WHAT THE RESULT WILL BE. 1640 01:22:58,406 --> 01:23:00,573 - DORIAN! - COME... 1641 01:23:00,642 --> 01:23:03,110 DON'T WORK YOURSELF INTO A FEVER. THIS THING HAS TO BE DONE. 1642 01:23:03,178 --> 01:23:04,711 FACE IT AND DO IT. 1643 01:23:04,780 --> 01:23:07,114 DECIDE AT ONCE. 1644 01:23:08,483 --> 01:23:11,251 NO! I CANNOT DO IT. 1645 01:23:11,319 --> 01:23:12,986 YOU HAVE NO CHOICE. 1646 01:23:16,524 --> 01:23:18,225 IS THERE A FIRE IN THE ROOM UPSTAIRS? 1647 01:23:18,293 --> 01:23:20,193 YES, THERE IS A GAS FIRE WITH ASBESTOS. 1648 01:23:22,264 --> 01:23:24,765 I MUST GO HOME FIRST, 1649 01:23:24,833 --> 01:23:26,800 TO GET SOME THINGS FROM THE LABORATORY. 1650 01:23:26,869 --> 01:23:28,434 NO ALAN, YOU MUST NOT LEAVE THE HOUSE. 1651 01:23:28,503 --> 01:23:30,737 WRITE DOWN THE THINGS YOU REQUIRE. 1652 01:23:30,806 --> 01:23:33,073 MY MANSERVANT WILL TAKE A CAB AND BRING THEM TO YOU. 1653 01:23:38,914 --> 01:23:40,881 ( bell rings ) 1654 01:23:48,523 --> 01:23:50,456 Francis: YES, SIR? 1655 01:24:23,225 --> 01:24:25,992 YOU ARE INFAMOUS. 1656 01:24:26,061 --> 01:24:28,328 ABSOLUTELY INFAMOUS. 1657 01:24:28,396 --> 01:24:31,497 HUSH, ALAN. YOU HAVE SAVED MY LIFE. 1658 01:24:31,566 --> 01:24:34,801 YOUR LIFE? WHAT KIND OF A LIFE IS THAT? 1659 01:24:34,870 --> 01:24:36,937 AH, ALAN. 1660 01:24:37,005 --> 01:24:39,840 I WISH YOU HAD A 1,000th PART OF THE PITY FOR ME 1661 01:24:39,908 --> 01:24:41,607 AS I HAVE FOR YOU. 1662 01:24:41,676 --> 01:24:44,144 COME... 1663 01:24:44,213 --> 01:24:46,012 THERE ISN'T A MOMENT TO BE LOST. 1664 01:24:57,525 --> 01:25:00,060 I DON'T THINK I CAN GO IN, ALAN. 1665 01:25:00,128 --> 01:25:02,128 IT'S NOTHING TO ME. I SHAN'T REQUIRE YOU. 1666 01:25:02,197 --> 01:25:04,130 WAIT, ONE MOMENT. 1667 01:25:19,581 --> 01:25:21,714 LEAVE ME. 1668 01:25:23,118 --> 01:25:25,051 I'LL DO THE THING YOU ASK ME. 1669 01:25:25,120 --> 01:25:27,220 AND NOW, LET US NEVER SEEN EACH OTHER AGAIN. 1670 01:25:27,289 --> 01:25:29,489 YOU HAVE SAVED MY LIFE, ALAN. 1671 01:25:29,557 --> 01:25:31,424 I'LL NOT FORGET THAT. 1672 01:26:01,256 --> 01:26:03,156 AAHH! NO, PLEASE. DON'T! 1673 01:26:03,225 --> 01:26:05,225 ( Dorian grunts, groans ) 1674 01:26:07,095 --> 01:26:09,062 WHO ARE YOU? WHAT DO YOU WANT? 1675 01:26:14,102 --> 01:26:15,535 PLEASE DON'T HIT ME! 1676 01:26:17,172 --> 01:26:18,504 ( gasps ) 1677 01:26:18,573 --> 01:26:21,541 - WHAT DO YOU WANT? - SIBYL VANE! 1678 01:26:21,609 --> 01:26:23,643 - DO YOU WANT MONEY? - I'M GOING TO KILL YOU. 1679 01:26:23,711 --> 01:26:25,678 YOU'RE MAD. WHAT HAVE I DONE TO YOU? 1680 01:26:25,747 --> 01:26:27,647 SIBYL VANE WAS MY SISTER. 1681 01:26:27,715 --> 01:26:29,649 SHE KILLED HERSELF. I KNOW IT. HER DEATH'S AT YOUR DOOR. 1682 01:26:29,717 --> 01:26:31,617 I SWORE I WOULD KILL YOU. 1683 01:26:31,686 --> 01:26:33,886 I HAD NO CLUE, NO TRACE. KNEW NOTHING OF YOU 1684 01:26:33,956 --> 01:26:35,655 BUT SOME PET NAME SHE USED TO CALL YOU. 1685 01:26:35,723 --> 01:26:38,558 SO MAKE YOUR PEACE WITH GOD. TONIGHT, YOU ARE GOING TO DIE. 1686 01:26:38,626 --> 01:26:40,593 YOU'RE MAD. I NEVER HEARD OF HER. 1687 01:26:40,662 --> 01:26:43,663 YOU'D BETTER CONFESS YOUR SINS, FOR YOU ARE GOING TO DIE. 1688 01:26:43,731 --> 01:26:45,698 - PLEASE. - I GIVE YOU ONE MINUTE TO MAKE YOUR PEACE. 1689 01:26:45,767 --> 01:26:47,800 - PLEASE. - ONE MINUTE, THAT'S ALL. 1690 01:26:47,869 --> 01:26:51,237 HOW LONG AGO WAS IT WHEN YOUR SISTER DIED? TELL ME. 1691 01:26:51,306 --> 01:26:54,640 18 YEARS. BUT WHY DO YOU ASK? WHAT DO YEARS MATTER? 1692 01:26:54,709 --> 01:26:57,277 SET ME UNDER THE LAMP AND LOOK AT MY FACE. 1693 01:26:57,346 --> 01:26:58,945 ( gasps ) 1694 01:27:05,153 --> 01:27:06,886 Dorian: DON'T HURT ME, PLEASE. 1695 01:27:10,492 --> 01:27:12,658 MY GOD! 1696 01:27:12,727 --> 01:27:15,061 ( Dorian sobs ) 1697 01:27:15,130 --> 01:27:17,330 MY GOD! 1698 01:27:17,399 --> 01:27:19,532 AND I WOULD HAVE MURDERED YOU. 1699 01:27:19,601 --> 01:27:21,667 ( cries ) 1700 01:27:23,305 --> 01:27:25,238 ( retching ) 1701 01:27:57,472 --> 01:27:59,772 WHO'S THAT? 1702 01:27:59,841 --> 01:28:01,774 DORIAN! 1703 01:28:01,843 --> 01:28:04,344 DEAR BOY, WHAT ON EARTH ARE YOU DOING HERE? 1704 01:28:04,413 --> 01:28:06,212 I WAS PASSING. 1705 01:28:06,281 --> 01:28:08,614 I'D HEARD THIS STUDIO WAS FOR SALE. 1706 01:28:08,683 --> 01:28:10,283 THE DOOR WAS OPEN. 1707 01:28:10,352 --> 01:28:12,318 WHERE HAVE YOU BEEN HIDING YOURSELF ALL THIS TIME? 1708 01:28:12,387 --> 01:28:14,921 I HAVEN'T SEEN YOU FOR WEEKS. COME, YOU MUST TELL ME. 1709 01:28:14,989 --> 01:28:17,323 NO, HARRY, I DON'T WANT TO TALK TO YOU. 1710 01:28:17,392 --> 01:28:19,559 I'VE DONE TOO MANY TERRIBLE THINGS IN MY LIFE 1711 01:28:19,627 --> 01:28:21,461 AND I'M NOT GOING TO DO ANY MORE. 1712 01:28:21,530 --> 01:28:23,696 I DID MY FIRST GOOD ACTION YESTERDAY. 1713 01:28:23,765 --> 01:28:26,199 AND WHERE WERE YOU YESTERDAY, MAY I ASK? 1714 01:28:26,268 --> 01:28:28,935 I WAS STAYING AT SMALL INN IN THE COUNTRY BY MYSELF. 1715 01:28:29,003 --> 01:28:31,538 DEAR BOY, NOBODY CAN BE GOOD IN THE COUNTRY. 1716 01:28:31,606 --> 01:28:33,039 THERE ARE NO TEMPTATIONS THERE. 1717 01:28:33,108 --> 01:28:34,674 THAT IS WHY ALL THE PEOPLE WHO LIVE OUT OF TOWN 1718 01:28:34,742 --> 01:28:36,842 ARE ABSOLUTELY UNCIVILIZED. 1719 01:28:36,911 --> 01:28:39,879 Harry: CIVILIZATION IS NOT AN EASY THING TO ATTAIN TO. 1720 01:28:39,948 --> 01:28:41,847 THERE ARE ONLY TWO WAYS IN WHICH A MAN CAN REACH IT. 1721 01:28:41,916 --> 01:28:44,984 ONE IS BY BEING CULTURED, THE OTHER IS BY BEING CORRUPT. 1722 01:28:45,053 --> 01:28:48,621 COUNTRY PEOPLE HAVE NO OPPORTUNITY OF BEING EITHER SO THEY SIMPLY STAGNATE. 1723 01:28:48,690 --> 01:28:51,558 CULTURE AND CORRUPTION-- I HAVE KNOWN SOMETHING OF BOTH, THANKS TO YOU. 1724 01:28:51,626 --> 01:28:55,195 Dorian: I AM GOING TO ALTER. I THINK I HAVE ALTERED. 1725 01:28:55,263 --> 01:28:56,429 SPLENDID, BUT YOU HAVEN'T YET TOLD ME 1726 01:28:56,498 --> 01:28:58,431 WHAT YOUR GOOD ACTION WAS. 1727 01:28:58,500 --> 01:29:01,033 OR DID YOU PERHAPS DO MORE THAN ONE? 1728 01:29:01,103 --> 01:29:02,802 COME AND SIT DOWN, DORIAN, 1729 01:29:02,870 --> 01:29:04,704 AND TELL ME ALL ABOUT IT. 1730 01:29:07,775 --> 01:29:09,609 VERY WELL, HARRY. 1731 01:29:09,677 --> 01:29:11,877 THIS IS NOT A STORY I COULD TELL TO ANYONE ELSE. 1732 01:29:14,015 --> 01:29:16,015 YESTERDAY, I SPARED SOMEONE. 1733 01:29:16,084 --> 01:29:18,818 THAT SOUNDS CONCEITED, BUT YOU UNDERSTAND WHAT I MEAN. 1734 01:29:18,886 --> 01:29:21,354 HETTY WAS SIMPLY A GIRL 1735 01:29:21,423 --> 01:29:23,123 WHO LIVED IN THE VILLAGE WHERE I WAS STAYING. 1736 01:29:23,191 --> 01:29:24,991 SHE WAS QUITE BEAUTIFUL. 1737 01:29:25,059 --> 01:29:28,060 WONDERFULLY, LIKE THAT LITTLE ACTRESS-- SIBYL VANE. 1738 01:29:28,130 --> 01:29:30,296 Dorian YOU REMEMBER SIBYL VANE, DON'T YOU? 1739 01:29:30,365 --> 01:29:32,665 HOW LONG AGO THAT SEEMS. 1740 01:29:32,734 --> 01:29:34,434 WELL... 1741 01:29:34,503 --> 01:29:37,069 HETTY AND I WERE TO HAVE GONE AWAY TOGETHER THIS MORNING. 1742 01:29:37,139 --> 01:29:39,305 WE WERE PERFECTLY IN LOVE. 1743 01:29:39,374 --> 01:29:41,174 WE ADORED EACH OTHER. SUDDENLY-- 1744 01:29:41,243 --> 01:29:43,510 I DETERMINED TO LEAVE HER JUST AS I HAD FOUND HER. 1745 01:29:43,578 --> 01:29:46,078 I SHOULD THINK THE NOVELTY OF THE EMOTION 1746 01:29:46,148 --> 01:29:48,314 MUST HAVE GIVEN YOU QUITE A THRILL OF PLEASURE. 1747 01:29:48,383 --> 01:29:50,283 BUT I CAN FINISH YOUR IDYLL FOR YOU. 1748 01:29:50,352 --> 01:29:53,186 YOU GAVE HER SOME GOOD ADVICE AND BROKE HER HEART. 1749 01:29:53,255 --> 01:29:55,188 THAT WAS THE BEGINNING OF YOUR REFORMATION. 1750 01:29:55,257 --> 01:29:57,757 HARRY, YOU ARE INCORRIGIBLE. HETTY'S HEART IS NOT BROKEN. 1751 01:29:57,825 --> 01:30:00,059 SHE CRIED AND ALL THAT, 1752 01:30:00,128 --> 01:30:02,529 BUT THERE IS NO DISGRACE ON HER. SHE CAN LIVE. 1753 01:30:02,597 --> 01:30:05,097 DEAR DORIAN, YOU HAVE THE MOST CURIOUSLY BOYISH MOODS. 1754 01:30:05,167 --> 01:30:06,999 YOU IMAGINE THAT THIS GIRL WILL EVER BE SATISFIED 1755 01:30:07,068 --> 01:30:08,968 WITH ANYONE OF HER OWN STATION? 1756 01:30:09,037 --> 01:30:11,337 I SUPPOSE SHE'LL SOON BE MARRIED TO SOME-- 1757 01:30:11,406 --> 01:30:13,273 ROUGH CARTER OR GRINNING PLOWMAN? 1758 01:30:13,341 --> 01:30:15,841 AND THE FACT THAT SHE'S KNOWN YOU AND LOVED YOU, 1759 01:30:15,910 --> 01:30:17,577 WILL TEACH HER TO DESPISE HER HUSBAND 1760 01:30:17,646 --> 01:30:19,679 AND SHE WILL BE WRETCHED. 1761 01:30:19,747 --> 01:30:21,781 FROM THE MORAL POINT OF VIEW, 1762 01:30:21,849 --> 01:30:23,783 I CAN'T THINK VERY MUCH OF YOUR GREAT RENUNCIATION. 1763 01:30:23,851 --> 01:30:25,885 EVEN AS A BEGINNING, IT'S POOR. 1764 01:30:25,953 --> 01:30:27,920 NO HARRY, DON'T TRY TO CONVINCE ME 1765 01:30:27,989 --> 01:30:30,022 THAT THE FIRST GOOD ACTION I'VE DONE FOR YEARS, 1766 01:30:30,091 --> 01:30:32,058 THE FIRST BIT OF SELF-SACRIFICE I'VE EVER KNOWN, 1767 01:30:32,126 --> 01:30:34,026 IS REALLY A SORT OF SIN. 1768 01:30:34,095 --> 01:30:36,563 Dorian: I WANT TO BE BETTER. I AM GOING TO BE BETTER. 1769 01:30:36,631 --> 01:30:38,964 I DON'T WANT TO TALK ABOUT IT ANYMORE. 1770 01:30:44,539 --> 01:30:46,172 WHAT IS GOING ON IN TOWN? 1771 01:30:46,241 --> 01:30:50,176 PEOPLE ARE STILL DISCUSSING POOR BASIL'S DISAPPEARANCE. 1772 01:30:50,245 --> 01:30:52,078 I SHOULD HAVE THOUGHT THEY'D TIRED OF THAT BY THIS TIME. 1773 01:30:52,146 --> 01:30:54,747 DEAR BOY, THEY'VE ONLY BEEN TALKING ABOUT IT FOR SIX WEEKS. 1774 01:30:54,816 --> 01:30:57,083 AND THE BRITISH PUBLIC IS REALLY NOT UP TO THE MENTAL STRAIN 1775 01:30:57,151 --> 01:30:59,319 OF MORE THAN ONE TOPIC EVERY THREE MONTHS. 1776 01:30:59,387 --> 01:31:01,887 THEY'VE BEEN RATHER FORTUNATE LATELY, HOWEVER. 1777 01:31:01,956 --> 01:31:03,556 THEY'VE HAD MY OWN DIVORCE CASE, 1778 01:31:03,625 --> 01:31:06,426 AND THAT BRILLIANT ALAN CAMPBELL'S SUICIDE. 1779 01:31:06,494 --> 01:31:08,994 NOW THEY HAVE THE MYSTERIOUS DISAPPEARANCE OF AN ARTIST. 1780 01:31:09,063 --> 01:31:11,897 SCOTLAND YARD INSISTS 1781 01:31:11,966 --> 01:31:13,633 THAT THE MAN IN THE GRAY ULSTER 1782 01:31:13,702 --> 01:31:16,135 WHO LEFT FOR PARIS ON THE MIDNIGHT TRAIN WAS POOR BASIL. 1783 01:31:16,204 --> 01:31:18,204 THE FRENCH POLICE DECLARE 1784 01:31:18,273 --> 01:31:20,106 THAT BASIL NEVER ARRIVED IN PARIS AT ALL. 1785 01:31:20,174 --> 01:31:22,007 I SUPPOSE IN ABOUT A FORTNIGHT 1786 01:31:22,076 --> 01:31:24,477 WE SHALL HEAR THAT HE'S BEEN SEEN IN SAN FRANCISCO. 1787 01:31:24,546 --> 01:31:26,979 IT'S AN ODD THING, BUT PEOPLE WHO DISAPPEAR 1788 01:31:27,048 --> 01:31:30,015 ARE ALWAYS SAID TO BE SEEN IN SAN FRANSISCO. IT MUST BE A DELIGHTFUL CITY 1789 01:31:30,084 --> 01:31:32,652 AND HAVE ALL THE ATTRACTIONS OF THE NEXT WORLD. 1790 01:31:36,258 --> 01:31:38,558 AND WHAT DO YOU THINK HAS HAPPENED TO BASIL? 1791 01:31:38,627 --> 01:31:40,627 I HAVEN'T THE SLIGHTEST IDEA. 1792 01:31:40,695 --> 01:31:43,263 IF BASIL CHOOSES TO HIDE HIMSELF AWAY, 1793 01:31:43,331 --> 01:31:45,632 AS YOU'VE BEEN DOING LATELY, IT'S NO BUSINESS OF MINE. 1794 01:31:45,700 --> 01:31:48,234 IF HE'S DEAD, I DON'T WANT TO THINK ABOUT IT. 1795 01:31:48,303 --> 01:31:50,370 DEATH IS THE ONLY THING THAT EVER TERRIFIES ME. 1796 01:31:50,438 --> 01:31:52,572 - I HATE IT. - WHY? 1797 01:31:52,641 --> 01:31:56,809 BECAUSE WE CAN SURVIVE EVERYTHING NOW EXCEPT THAT. 1798 01:31:56,878 --> 01:31:58,911 DEATH AND VULGARITY 1799 01:31:58,980 --> 01:32:01,648 ARE THE ONLY TWO FACTS OF THE 19th CENTURY 1800 01:32:01,716 --> 01:32:03,716 WHICH ONE CANNOT EXPLAIN AWAY. 1801 01:32:07,422 --> 01:32:09,422 I WAS VERY FOND OF BASIL. 1802 01:32:11,593 --> 01:32:13,593 DON'T PEOPLE SAY THAT HE WAS MURDERED? 1803 01:32:13,662 --> 01:32:15,828 SOME OF THE NEWSPAPERS DO. 1804 01:32:15,897 --> 01:32:17,730 IT DOESN'T SEEM TO ME TO BE AT ALL PROBABLE. 1805 01:32:17,799 --> 01:32:19,699 I KNOW THERE ARE DREADFUL PLACES IN PARIS, 1806 01:32:19,768 --> 01:32:21,367 BUT BASIL WAS NOT THE SORT OF MAN TO GO TO THEM. 1807 01:32:21,436 --> 01:32:23,869 HE HAD NO CURIOSITY. IT WAS HIS CHIEF DEFECT. 1808 01:32:27,776 --> 01:32:29,709 WHAT WOULD YOU SAY, HARRY, 1809 01:32:29,778 --> 01:32:32,011 IF I TOLD YOU 1810 01:32:32,079 --> 01:32:34,046 THAT I HAD MURDERED BASIL? 1811 01:32:35,517 --> 01:32:37,583 I WOULD SAY, MY DEAR FELLOW, 1812 01:32:37,652 --> 01:32:40,620 YOU WERE POSING FOR A CHARACTER THAT DOESN'T SUIT YOU. 1813 01:32:40,689 --> 01:32:42,555 ALL CRIME IS VULGAR 1814 01:32:42,624 --> 01:32:44,957 JUST AS ALL VULGARITY IS CRIME. 1815 01:32:45,026 --> 01:32:47,159 YOU HAVE NOT GOT IT IN YOU TO COMMIT A MURDER, DORIAN. 1816 01:32:47,228 --> 01:32:49,462 SORRY, IF I OFFEND YOUR VANITY BY SAYING SO, 1817 01:32:49,531 --> 01:32:51,531 BUT I ASSURE YOU IT'S TRUE. 1818 01:32:51,599 --> 01:32:54,434 CRIME BELONGS EXCLUSIVELY TO THE LOWER ORDERS. 1819 01:32:54,502 --> 01:32:58,003 I CAN'T SAY I BLAME THEM FOR IT. 1820 01:32:58,072 --> 01:33:01,040 I FANCY THAT CRIME MUST BE TO THEM WHAT ART IS TO US, 1821 01:33:01,108 --> 01:33:03,976 SIMPLY A METHOD OF PROCURING EXTRAORDINARY SENSATIONS. 1822 01:33:04,045 --> 01:33:05,411 DON'T, HARRY. 1823 01:33:05,480 --> 01:33:07,313 THE SOUL IS A TERRIBLE REALITY. 1824 01:33:07,382 --> 01:33:10,750 IT CAN BE BOUGHT AND SOLD AND BARTERED AWAY. 1825 01:33:10,819 --> 01:33:13,152 IT CAN BE POISONED OR MADE PERFECT. 1826 01:33:13,221 --> 01:33:15,221 ARE YOU QUITE SURE OF THAT, DORIAN? 1827 01:33:15,289 --> 01:33:17,957 - QUITE SURE. - HOW BRAVE YOU ARE. 1828 01:33:18,025 --> 01:33:20,560 DON'T BE SO SERIOUS. WHAT HAVE YOU AND I TO DO 1829 01:33:20,628 --> 01:33:22,462 WITH THE SUPERSTITIONS OF OUR AGE? 1830 01:33:22,530 --> 01:33:24,697 WE'VE GIVEN UP OUR BELIEF IN THE SOUL. 1831 01:33:24,766 --> 01:33:26,198 I AM NOT THE SAME, HARRY. 1832 01:33:26,267 --> 01:33:28,401 YES YOU ARE. JUST THE SAME. 1833 01:33:28,470 --> 01:33:30,503 I AM A LITTLE CHANGED ALREADY. 1834 01:33:30,572 --> 01:33:32,705 YOU WILL NEVER CHANGE FOR ME, DORIAN. 1835 01:33:32,774 --> 01:33:34,907 YOU AND I WILL ALWAYS BE FRIENDS. 1836 01:33:39,414 --> 01:33:41,547 TELL ME IF YOU CAN... 1837 01:33:41,616 --> 01:33:44,884 HOW YOU HAVE KEPT YOUR YOUTH. 1838 01:33:44,952 --> 01:33:49,422 YOU MUST HAVE SOME SECRET. 1839 01:33:49,491 --> 01:33:51,257 YOU LOOK QUITE WONDERFUL, DORIAN. 1840 01:33:51,325 --> 01:33:53,125 YOU'VE NEVER LOOKED BETTER THAN YOU DO THIS AFTERNOON. 1841 01:33:56,063 --> 01:33:58,364 YOU REMIND ME OF THE FIRST DAY I MET YOU. 1842 01:33:58,433 --> 01:34:02,167 YOU WERE RATHER CHEEKY, VERY SHY. 1843 01:34:04,205 --> 01:34:06,739 ABSOLUTELY EXTRAORDINARY. 1844 01:34:16,951 --> 01:34:19,251 YOU HAVE CHANGED, OF COURSE. 1845 01:34:19,320 --> 01:34:21,687 BUT NOT IN APPEARANCE. 1846 01:34:27,862 --> 01:34:30,396 I WISH YOU WOULD TELL ME YOUR SECRET. 1847 01:34:36,304 --> 01:34:39,138 TO GET BACK MY YOUTH, I WOULD DO ANYTHING IN THE WORLD... 1848 01:34:39,206 --> 01:34:42,174 EXCEPT TAKE EXERCISE, 1849 01:34:42,243 --> 01:34:44,844 GET UP EARLY, OR BE RESPECTABLE. 1850 01:34:52,854 --> 01:34:54,587 YOUTH! 1851 01:34:56,691 --> 01:34:58,324 THERE'S NOTHING LIKE IT. 1852 01:35:05,767 --> 01:35:07,667 GOODBYE, HARRY. 1853 01:36:09,831 --> 01:36:10,796 ( gasps ) 1854 01:36:17,539 --> 01:36:19,739 ( screams )